Posted in: Disc Reviews by Gino Sassani on December 9th, 2013
"Wanted: a nanny for two adorable children. If you want this choice position, have a cheery disposition, Rosy cheeks, no warts. Play games, all sorts. You must be kind, you must be witty, very sweet, and fairly pretty. Take us on outings, give us treats, sing songs, bring sweets. Never be cross or cruel. Never give us castor oil or gruel. Love us as a son and daughter, and never smell of barley water. If you won't scold and dominate us, we will never give you cause to hate us. We won't hide your spectacles so you can't see, put toads in your bed, or pepper in your tea. Hurry, nanny! Many thanks!"
And so the call goes out for Mary Poppins. It was 1964 and Walt Disney had a terrible time convincing writer P.L. Travers that Walt Disney Studios should be the ones to bring her flying nanny to life in a feature film. Those trials and tribulations are the subject of a new film out by Disney called Saving Mr. Banks. And so the Blu-ray release of Mary Poppins has been timed to the box office release of Mr. Banks.
Posted in: Disc Reviews by Gino Sassani on October 4th, 2013
There's a saying that in the land of the blind the one-eyed man is king. No one would have expected that a one-eyed man could become the king of 3D. But that's exactly what happened with House Of Wax. The film has become one of the definitive films in the 3D format. To look at it on Blu-ray now, it holds up quite nicely in a day where 3D has become almost passé. Still, it's hard to believe that Warner Brothers would choose a man with only one eye to shoot their 3D film. That man was Andre' De Toth, and he was at the forefront of 3D filmmaking. He had written a 1946 article on the potential of the format, and it's likely what got him the job. The result is a horror cinematic masterpiece.
Vincent Price plays Henry Jarrod, co-owner and the genius behind a small wax museum. His figures are so lifelike that patrons almost expect them to reach out and touch them. Unfortunately, the public mind has drifted to the macabre, and the museum is losing money. Jarrod considers the figures to be real enough that he has developed a fatherly love for them, particularly that of his Marie Antoinette. Business partner Matthew Burke (Roberts) has a different feeling for the museum pieces. They are worth more to him burned in a fire for the insurance money. Unable to convince Jarrod, he burns the museum down along with Jarrod.
Posted in: Disc Reviews by Gino Sassani on October 3rd, 2013
All good things must come to an end, and so it was at Walt Disney Studios. The Golden Age of feature film animation had started with Snow White And The Seven Dwarves in 1937. By the end of the 1970's it was all but gone. As the studio entered the 1980's the things had gone from bad to worse. Walt was gone, and so it seemed was the magic. Most of The 9 Old Men had either retired or passed away. The studio leadership was considering closing the animated studio and moving on to live-action films only. It was a dark time for the artists and creative folks at the Mouse House. A shadow had fallen. Sounds pretty much like the beginning of a Tolkien tale, doesn't it?
Enter a new regime. Michael Eisner became the new head of the company, and Jeffrey Katzenberg teamed up with Walt's brother Roy Disney to head the new studio. The first thing they did was banish the animation studios from the Disney lot and set them up in warehouse-like trailers in the middle of industry nowhere. It looked like the axe had finally fallen. But the exile turned out to be the best thing that ever happened to this new generation of Disney talent. Under the new leadership the creative forces banded together and began to do something they hadn't in a long time. They began to dream once again.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."
In 1968 Marvin Gaye / Tammi Terrell hit the American pop charts with the song Ain't Nothing Like The Real Thing. They didn't know it at the time, of course, but they were talking about John Carpenter's original 1978 Halloween. The sad fact is that this original classic sometimes gets lost, or worse, considered along with the various sequels and remakes. It's a crime, to be sure. The first film is nothing like anything that followed and should be considered more as a standalone film than it is now. That was always Carpenter's intention, and that's how I'd like you to consider the 35th Anniversary Blu-ray of Halloween.
Posted in: Disc Reviews by J C on September 23rd, 2013
“To begin with, all the incidents and characters in this story might be fictitious, and any resemblance to you or me might be purely coincidental.”
Right off the bat, the unseen, all-knowing narrator of A Letter to Three Wives lets her audience know the characters in the film aren’t the only ones who are about to have their heads profoundly messed with. That sort of smart playfulness is one of the many reasons you should check out this terrific romantic dramedy from legendary writer/director Joseph L. Mankiewicz now that it’s on Blu-ray for the first time.
Posted in: Disc Reviews by J C on August 19th, 2013
All Best Picture winners are not created equal. Some of them achieve cinematic immortality, while others are viewed as outright travesties. Then there’s the group of Oscar winners who have arguably suffered a fate worse than the derision and mockery of movie fanatics: the forgotten Best Picture winners. Cavalcade — described in this Blu-ray’s commentary as “not a particularly well-remembered Academy Award winner” — certainly falls in that category.
“This is the story of a home and a family; history seen through the eyes of a wife and mother whose love tempers both fortune and disaster.”
Posted in: Disc Reviews by Gino Sassani on August 16th, 2013
"You know, there's been a heap of legends and tall tales about Robin Hood. All different, too. Well, we folks of the animal kingdom have our own version. It's the story of what really happened in Sherwood Forest."
It didn't even start as a Robin Hood story at all. Walt Disney had many ideas and plans for fables and fairy tales that he hoped to bring to life with a feature animation film. It's no surprise that most of these ideas and plans simply never went beyond the dreaming stage. A few were caught up in production struggles, and remnants of those efforts can still be found in the treasure trove that is the Disney Archives. Some of these projects, however, were reinvented and became something very different from what was originally planned.
Posted in: Disc Reviews by Gino Sassani on August 7th, 2013
The time was that following the death of a good king, England was left without a clear heir to the throne. During the time without a king, England had descended into dark times. Suddenly as if through divine intervention a sword appeared in an anvil of stone. An inscription decreed that whosoever could remove the sword would become king. Think you’ve heard the story before? Well, of course you have. It is none other than the story of King Arthur. Most of us have heard the many stories. It shouldn’t have come as a surprise to anyone that Walt Disney himself was quite taken with the tale, when you consider it it’s about as natural a fit as one can find. Disney’s early works were replete with tales of seemingly ordinary people with extraordinary destinies. From Sleeping Beauty to Cinderella, Walt had put his own touch to many such tales.
Our story begins in this England of dark times. A wizard named Martin… eh, that’s Merlin … is sitting in his humble room awaiting the arrival of a special lad. Gifted with the ability to see forward in time, Merlin knows that this lad will soon be arriving, and it will be his responsibility to educate the boy. When the young man referred to as The Wart does arrive, it seems unlikely he could be destined for much of anything. He’s rather physically awkward and appears none too ambitious. Still, Marvin, that is to say, Merlin, takes on the task with an eagerness that becomes somewhat annoying to his companion, the owl Archimedes. The lessons involve for the most part magical transformations and a few catchy tunes. Before long “The Wart” aka Arthur finds and fulfills his destiny. This story is more about the journey than the destination. Arthur doesn’t have his encounter with the sword, often erroneously identified as Excalibur, until the last minutes of the film. There is a hint that more stories would follow, but they never really did.
Posted in: Disc Reviews by J C on July 31st, 2013
For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her turn as an ambitious showgirl in Bus Stop.
The film quickly introduces us to Beauregard “Bo” Decker (Don Murray), a naïve and socially tone deaf cowboy. For the first time in his life, Bo is venturing out of the Montana ranch where he was raised to compete in a rodeo in Phoenix. Bo’s friend and father figure Virgil (Arthur O’Connell) tries to encourage the 21-year-old man-child to find a nice girl to settle down with, but Bo is only interested in finding his one perfect “angel.”
Posted in: Disc Reviews by J C on July 30th, 2013
For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her femme fatale turn in Niagara.
Monroe stars as Rose Loomis, who is visiting Niagara Falls with her older, jealous, volatile husband George (Joseph Cotten). When the film opens, Rose and George are staying in a cabin reserved by Polly and Ray Cutler (Jean Peters and Casey Adams), but the Cutlers agree to take another room and give the seemingly troubled couple some space. Turns out George has good reason to be jealous: during a tour of the Falls, Polly spots Rose making out with another man. Eventually, we learn Rose and her lover plan to kill George and run away together.
