Comedy

Our group of friends has been playing the same game of tag for 30 years.”

The tag(haha)line on the Blu-ray cover for this film states, “Based on a True Story. We're Not Kidding.” The idea of a life-long game of tag is so ridiculous, the people who made this movie can hardly believe it themselves. But while Tag has some fun presenting a children's game as if it were a big-budget action flick, the film ultimately (and ironically) falters when it veers away from the silly real-life premise and tries to shoehorn dramatic moments to make it feel more like a movie.

"So dark. You sure you're not from the DC universe?” 

I've said many times in these pages that expectations can kill. That might have been more true for Deadpool 2 than any other film I've seen since the re-launch of Star Wars. The first movie didn't push boundaries. It obliterated the boundaries and kept on going. Fans had certainly been ripe for a raunchy R-rated superhero film, and the box office for Deadpool certainly proved that out by bringing in nearly a half a billion bucks. For a superhero film that might seem like small change, but for what was essentially a comedy, it was awesome money and demanded a sequel before the first run was over at the multiplexes

“We take a look back at the films that helped shape, change, and innovate the world of documentary.”

Between the rise of streaming services like Netflix and the growing number of nonfiction films making noise at the box office, documentaries have never been hotter…or more accessible. At the very least, they certainly don’t feel like the cinematic equivalent of eating your vegetables anymore. As a result, this feels the perfect time for Mill Creek to release the first two seasons of IFC’s obsessively hilarious comedy series Documentary Now!

This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments, and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.

“The charm of this little escapade is rapidly wearing thin.”

Who doesn’t love a good heist comedy? The genre comes ready-made with stylish characters trading clever quips while trying to out-smart one another (and the audience). And with its surprisingly starry cast, The Con is On looked to be an especially promising entry into the heist comedy canon. So how did it go so wrong? Well for starters, the con artists here are just as (if not more) unlikable than the screwy suckers they are targeting.

I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time.  Sure, I know many will disagree with me, and that’s fine.  Since I first saw their film back in 2002 when I got the DVD, I was always excited to see what would come next from the Broken Lizard comedy troupe.  There was Club Dread, which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest, which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen.  The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends

“I would say I outdid myself, but I'm always this good...so I simply did myself.”

Season 1 of NBC's The Good Place received top marks from me for its inventive, good-hearted, and hilarious approach to comedy. But what really put the show over the top was a game-changing finale twist that rivaled anything we've seen on the big screen in terms of shock value. (There's no way to avoid discussing this swerve going forward, so if you've never seen the show, go binge the first season real quick.) Blowing up everything we thought we knew about an already Good great show was a risky move, but I'm delighted to report that season 2 maintains (and builds upon) the show's excellence.

“I just need you to not freak anybody out tonight.”

Flower ends up being a pretty strong reflection of its promiscuous protagonist: both the movie and the anti-heroine at its center are sharp, profane, a little all-over-the place, and contain a surprising undercurrent of emotion. The movie is a polarizing experience, to be sure, but I enjoyed going on this particular wild, unpredictable ride.

Eddie Murphy has a ton of films under his belt. If you’re like most folks, his antics have long ago become tired and worn out. Come with me now to a time when Murphy was young and full of energy. Trading Places was really only Murphy’s second film after 48 hours. In Trading Places, we get vintage Eddie Murphy. You can tell he was still hungry. Today he simply calls too many performances in. Dan Aykroyd was also at a turning point in his own career. It hadn’t been too long since he lost his longtime partner Jim Belushi to a drug overdose. He was just learning to stand on his own. Put these two guys together today, and there’s not much chance you’d get the solid gold that was possible in 1983.

Remember when Eddie Murphy was funny? You know, before the fat suites and fart jokes. I guess many of you hadn’t even been born yet. Ronald Reagan was still president of these United States. CD’s were the latest thing. VHS was just catching on. The Rams were still in L.A., and it was the Cardinals that were playing in St. Louis. No one had ever heard about DVD, Blu-ray, 4K, MP3, or  Wi-fi. It was 1988 and Eddie Murphy was staring in Coming To America. This is the second of 2 classic 80's Eddie Murphy films that Paramount is delivering on Blu-ray this week. They happen to be 2 of his best films in 40 years.