Posted in: Disc Reviews by J C on June 13th, 2016
In 1979, Ridley Scott taught us that in space no one can hear you scream. More than 35 years after Alien established him as a top directorial talent, Scott has slightly amended that statement to read “in space no one can hear you…blast disco music and binge watch Happy Days.” These lighthearted coping mechanisms — used here to deal with a truly horrifying and hopeless situation — are strong indicators of what you’re in for with The Martian, which is both brainier and much funnier than your average space epic. Now the sci-fi blockbuster returns to home video with an Extended Edition.
“Mark Watney is dead.”
Posted in: Disc Reviews by J C on June 10th, 2016
“I don’t know what kind of trouble he can get into in a day.”
At first glance, those words — spoken by a father in the midst of a particularly eventful weekend with his estranged son — sound like a filmmaker giving himself permission to put his characters in the most outrageous situations possible. But The Confirmation actually shines by keeping things simple. The movie is a low-key, thoroughly affecting story of a father and son forging an unexpected connection.
Posted in: Disc Reviews by Gino Sassani on June 8th, 2016
"Roots: The Saga of an American Family literally blazed across this nation's screens."
In 1977 the entire country became Africans for eight consecutive nights. The name Kunta Kinte would become a household name. It was unprecedented on so many levels that even the ABC executives that made the decision to air it believed it was going to be a ratings disaster. The decision to run it on so many consecutive nights was made to avoid the ratings collapse from lasting more than a week. But by the time the final episode aired, Roots had become the most-watched television mini-series of all time. The final episode was the most-watched episode of television of all time. The mini-series record stands 40 years later. The episode record has been broken only twice since then. First it was the "Who shot JR" cliffhanger on Dallas, and eventually the final episode of M*A*S*H would take and continue to retain the record. If only those executives had known, it would have been a sweeps event instead of the usually dead January slot in which it aired. It was one of the first examples of event television. Businesses closed early. Vegas shows were cancelled because everyone was in their hotel room watching Roots. Before it was over 130 million people saw at least part of the mini-series. At the time there were just under 200 million people alive in the country. The only question I have is what were the other 70 million people doing?
Posted in: Disc Reviews by Gino Sassani on June 8th, 2016
"I started at the bottom working every club in New York City. I mopped floors. Swabbed ashtrays. Hauled kegs. You think you work hard? Try scraping Chubby Checker's vomit off the inside of a toilet stall."
Martin Scorsese is a man who has worked very hard over the years. His list of film accomplishments is too big to list here. On television his recent teaming with Terrance Winter produced Boardwalk Empire. It's not much of a surprise the two would team up again for another HBO series. The unlikely partner in this trio is Rolling Stones front-man Mick Jagger. Together these guys have given us another quality HBO series and another compelling anti-hero.
Posted in: Disc Reviews by J C on June 6th, 2016
“All men must die.”
The official tagline for Season 4 of HBO’s Game of Thrones also doubles as a helpful reminder of author George R.R. Martin’s no-character-is-safe philosophy. But even plastering that quote all over posters and promos isn’t likely to prepare you for the most devastating and thrilling season of a show that specializes in “devastating and thrilling.” Those thrills have now been given an extra kick: Game of Thrones is the first TV show to be offered in all-encompassing Dolby Atmos. After re-releasing seasons 1 and 2 in a pair of handsome Steelbook cases late last year, HBO has given the next two chapters in Martin's saga the same treatment.
Posted in: Disc Reviews by J C on June 6th, 2016
Even if Game of Thrones had inexplicably wrapped its run after two stellar seasons, the fantasy series would’ve gone down as a landmark in television history because of its unprecedented scale and audacious storytelling. Those qualities have been brought to thrilling life in each of the show's Blu-ray releases, but HBO still decided to kick it up a notch. Game of Thrones is the first TV show to be offered in all-encompassing Dolby Atmos. After re-releasing seasons 1 and 2 in a pair of handsome Steelbook cases late last year, HBO has given the next two chapters in George R.R. Martin's saga the same treatment.
“If you think this has a happy ending, you haven’t been paying attention.”
Posted in: Disc Reviews by Archive Authors on May 26th, 2016
There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas. Part of the problem was that another tanker had already split in half a few hundred miles away, and all resources had already been diverted in that direction. The second tanker was an afterthought that was tackled by a relatively inexperienced crew. To repeat the true-life situation, T2 tankers SS Mercer and SS Pendleton were split in half off the New England coast. The Pendleton had lost radio communication and was only identified by an alert citizen from the shore.
The Finest Hours is a Walt Disney film, and I think Walt would be proud. The film takes place on February 18, 1952, and all of the American values that were part of this country at the time are on display. It is a very old-fashioned film in both look and approach. The only difference is that modern-day technologies are fully utilized to show an amazing true-life display of courage that would have been impossible to do in 1952.
Posted in: Disc Reviews by Brent Lorentson on May 10th, 2016
With every day that passes we lose those who survived the horrors of World War 2, and eventually there will no longer be those with memories to share from the past, and all that will be left are the films and newspapers from another era. As these survivors grow older, their memories fade, and all that is left are fragments pieced together from what they can remember. In the new film Remember from Atom Egoyan, he delivers an intimate tale about a man suffering from dementia who is seeking revenge for atrocities committed in the past. Considering Egoyan’s last film left me a little underwhelmed I went into this film with caution, and the result is that I think this may be Egoyan’s best work.
Zev (Christopher Plummer) is spending his twilight years in a rest home suffering from dementia. Just about every day Zev gets to wake up only to discover his wife has been deceased for some time and that things simply are not as he remembers them. With his wife gone it is time for Zev to set out and follow through on a promise he made that he could only go through with following the death of his wife. He made a pact to kill a surviving Nazi guard who is living in the States under a different name. Zev just so happens to be the only man who can recognize and identify the guard; the trouble is the guard is hiding under an alias that four people across the US have. Max (Martin Landau) has gathered all the information Zev will need for his journey; if not for being bound to a wheelchair, he would march right alongside of Zev to follow through this vigilante quest.
Posted in: Disc Reviews by Gino Sassani on May 6th, 2016
Shout Factory digs into the archives for this one. It was back in 1988 that French director Jean-Jacques Annaud went into the wilds to bring us The Bear. Of course he's best known for his take on primitive humans in the more successful Quest for Fire. Like that film, The Bear uses almost no dialog. While it appears to be a nature story akin to Disney's recent Bears, these animals are trained and following a carefully-crafted script based on a novel written by fellow Frenchman Gerard Brach. There is also a small use of stop-action bears that were created by Jim Henson out of his Creature Shop. These exist in only small scenes that do stand out as quite fake. It was intended to use the stand-ins more frequently, but if you watch the film you'll understand why that decision was eventually abandoned for the trained performing bears.
The story takes place in 1885 in British Columbia. A bear cub has just lost his mother to an avalanche trying to dig up honey from a nest. He's scared and not likely to survive on his own. His survival is made that much less likely with the presence of a pair of hunters in the area. They already have an impressive collection of bearskins and are on the trail of a huge bear who has, so far, managed to elude them. Once shot, the giant bear goes a bit crazy and rips into the hunters' belongings and their horses. It's time to bring in the hunting dogs as this hunt starts to get personal.
Posted in: Disc Reviews by Brent Lorentson on April 25th, 2016
Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well. Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot. I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations. Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.
When we meet Dany (Freya Mavor), she comes off as an insecure woman who seems to want nothing more than to be beautiful and to eventually get to see the coast and view the sea. It’s hard to sympathize about the beauty part, because despite the halfhearted attempts to have Dany appear unattractive, you’d have to be blind to not notice her beauty. It reminds me of the 80’s cliché when the girl was considered ugly, that is until she removed her glasses and let down her hair, and then like magic she goes from ugly duckling to the most beautiful girl in school. It’s silly how we still see this in film, but nevertheless that is what is going on here. Dany is a meek secretary who is itchy for a chance to step out of her shell as she fantasizes about her boss. And it’s when a chance opportunity comes to visit his home and work there over the weekend that she further dreams about the possibilities that can unfold.
