Posted in: Disc Reviews by Michael Durr on February 16th, 2012
Somehow, I should have known that when my wife started to read the Twilight Series, I would eventually get dragged into watching the movies. The first one, I probably saw three times, the second one, only once. The interesting thing was that my wife was turned off by the movies and I am not sure I remember how the third one ended up. But low and behold, the fourth chapter of the series did not escape my grasp. Not because of my wife, but because of my webmaster knowing I am a glutton for punishment. Enter Breaking Dawn.
Posted in: Disc Reviews by J C on February 14th, 2012
It really does seem like certain movies are created for the sole purpose of winning a boatload of Oscars. I don't really have a problem with this: I'd personally rather see studios and filmmakers make a shameless grab for prestige than make no attempt at all and revert to their de facto sequel/prequel/reboot mode. The problem is — despite that one clueless, rude person who insists on taking phone calls and texting during the feature presentation, and is somehow always seated directly in front of or behind you
Posted in: Disc Reviews by Gino Sassani on February 8th, 2012
"Gentlemen, I assure you she's the perfect type for the job. She's good at making friends with gentlemen, and we want somebody inside his house who has his confidence."
Say what you will about Alfred Hitchcock, but one thing he never lacked was confidence. Today filmmakers and film fans alike still worship at his altar. His church was the darkened neighborhood cinema, and no one held court better than the man fans affectionately refer to as Hitch. The flicker didn't come from candles as you might expect in such a place of worship. They emanated from the silver screen.
Posted in: Disc Reviews by J C on February 7th, 2012
Recent Academy Award nominee Jessica Chastain famously appeared in a whopping six movies released in 2011. These include two Best Picture nominees (The Help, The Tree of Life), and two other movies that briefly generated a small measure of Oscar buzz (Take Shelter for Michael Shannon's performance, and Coriolanus for Vanessa Redgrave's work). Unfortunately, when people try to recount Chastain's outstanding breakout year, Texas Killing Fields is destined to become the sixth movie no one can remember.
Posted in: Disc Reviews by J C on February 6th, 2012
“I was dumb enough to think I'd be joining some elite police officers here. I don't know who these people are.”
Those words come from Kathryn Bolkovac (Oscar winner Rachel Weisz), a Nebraska cop who accepts a high-paying gig as a United Nations peacekeeper. The film, inspired by true events in 1999 post-war Bosnia, follows Bolkovac as she discovers a human trafficking/sexual slavery ring with an insidious connection to International Police Task Force personnel, including some from the United States.
Posted in: Disc Reviews by Archive Authors on February 2nd, 2012
Written by Brian Ludovico
To film fans, the clause “Directed by Alfred Hitchcock” has almost become an adjective in and of itself. It has come to mean suspense created by using the viewer’s imagination and mind as a part of the film, first and foremost. These films didn’t have the freedom of CG, and consequently had to invent ways to achieve visual effects (watch the documentary on Birds or Rear Window for example). Besides the lack of freedom of creation that digital filmmaking now provides, the filmmakers had to tip toe around the Hays code
Posted in: Disc Reviews by William O'Donnell on February 2nd, 2012
Curtis “50 Cent” Jackson plays a hotshot college football player is at the cusp of making a big move to the NFL and riches when he collapses in the locker room due to a tumor growing in his chest, near his heart. Having to undergo cancer treatments, he loses his ability to play and must start again without all the advantages being a star came with.
Posted in: Disc Reviews by Archive Authors on January 31st, 2012
Written by Joe Gause
Pass the tissue please! If you plan on watching this movie, I recommend you buy yourself a big box of tissue and be prepared to shed a few tears. This extremely well done post-WWII love story is designed to show you that life doesn’t always have a happy ending. The cast is nothing short of incredible, and the acting is top-notch. Here’s the short and skinny. Count Laszio de Almasy’s (Ralph Fiennes) plane is shot down in the final days of the war. He is badly burned and is in need of special care. Nurse Hana ( Juliette Binoche) volunteers to look after him in an old rundown church. During their time together she discovers that he has had quite a past.
Posted in: Disc Reviews by Michael Durr on January 30th, 2012
When I was in the fifth and sixth grade, I learned how to play a cello. Despite my attempts at learning the instrument, it was a constant struggle to be able to read sheet music and get my hands to cooperate in an appropriate manner. Personally, I think it had something to do with the fact that instrument spent half the time in the shop (school provided) rather than in my hands. Today’s review explores a similar subject, the movie: The Piano. Let’s see how well Holly Hunter does with her instrument.
Posted in: Disc Reviews by Gino Sassani on January 24th, 2012
It sounds like nothing new. Hard-boiled detective uses computers and other forms of technology to solve cases. It isn’t anything new, except the detective in question is Joe Mannix, and the series started in 1967. The computer that Mannix used took up an entire room and was queried using cardboard punch cards. This wasn’t science fiction. We’re not talking some newly discovered Irwin Allen series. Mannix didn’t go after aliens or robots. This was a down-to-earth gritty detective show. Mike Connors played the tough-as-nails detective. He was perfect for the part and blended into the role seamlessly for eight years.
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