Family

I saw this film as an opportunity to gauge whether a movie could hold my two-year-old son’s attention. This is something I am particularly interested in, because it would demonstrate that my baby boy is finally ready for a theatrical experience. Unfortunately, he is not quite there yet. He watched for a bit, but then he eventually wandered off. Ironically, I didn’t notice his absence at first, as I was too focused on the movie. Based on the New York Times bestselling novel of the same name, The Wild Robot stars Lupita Nyong’o as Roz, a ROZZUM unit 7134 robot that becomes shipwrecked on an uninhabited island and must learn to adapt to the harsh surroundings, gradually building relationships with the animals on the island and becoming the adoptive parent of an orphaned gosling. Joining Nyong’o is Pedro Pascal in his animated movie debut, Bill Nighy, Stephanie Hsu, Ving Rhames, and Catherine O’Hara as the wildlife that Roz finds herself surrounded by. With How to Train Your Dragon’s Chris Sanders at the helm, The Wild Robot is a very entertaining tale that somehow, I ended up more interested in than my kids.

“The Wild Robot is a story that is not afraid to pull on your heartstrings.” 

In 1907 in a little town named Kearny, NJ (just a stone's throw from New York City), a worker was cleaning out a sewer gutter. Little did he know he would be soon bit by a eighteen-inch alligator. Stories would crop up around the New York area of alligators coming up from beneath the city every few years or so. It became urban myth, comic books, heck, it ended up a movie named Alligator (which I believe has a 4K as of this year) and a children's book.  It's a popular story idea.  Well,  my family recently decided to go see Lyle, Lyle, Crocodile over the past weekend, which gives us a dancing and singing crocodile, and all I kept thinking was perhaps this movie would have worked better in a sewer.  Hey, it worked for the Teenage Mutant Ninja Turtles. Let's take a look.

Hector P. Valenti (played by Javier Bardem) is a showman.  He wears a cape, a top hat, and can call up a cloud of blue smoke like nobody's business.  He's also something of a con man, and he will do anything to catch a break.  In our opening scene, he is able to find his way onto the popular show, Show Us What You Got (obvious ripoff of America's Got Talent) again.  This time he has a pigeon act that's sure to wow the audiences.  Except it doesn't, and then he gets kicked out of the show and is told to never come back.

"Strange, isn't it? Each man's life touches so many other lives. When he isn't around he leaves an awful hole, doesn't he?"

Another holiday season and another release of the classic It's A Wonderful Life. This edition looks like a storybook case and has both the restored black & white version as well as the recent colorized versions of the films. If you have one of the UHD 4K collections, you pretty much have the definitive version of the film, and the audio and visual aren't likely to get any better than that. But there are many of you out there who have not made the switch to UHD. This is likely going to be that best ever release for you. You get two versions of the film in an attractive and safe case.

Every generation has had its Christmas classics, films that have become as much a part of the holiday family traditions as Christmas trees and candy canes. For me it has been the more modern A Christmas Story with ol’ Carl Kolchak himself, Darren McGavin. Kids today have taken more of a shine to even more recent films, but for more than one generation, Christmas wouldn’t be the same without Frank Capra’s It’s A Wonderful Life. Since 1947 the film became a seasonal fixture in neighborhood movie houses across the fruited plain. In the 1970’s the film temporarily fell into the public domain and was played relentlessly on local television stations as each holiday came and went. Unfortunately, these were usually prints in horrible condition, so that scratches and splice marks became a part of the experience, not to mention ads for department stores touting their early-bird specials. It is with that experience that I, as did most from my generation, become acquainted with Jimmy Stewart’s George Bailey. When the home video market began to bloom with VHS in the mid 1980’s, a better print resurfaced, so that the experience improved dramatically, along with the loss of those commercials. Of course, this new resource of home entertainment created a fight for the rights to the film to once again be restored to a single owner. It ended up being the film’s score that would allow the rights to be enforced once again. The crappy television prints disappeared, and by the early 1990’s, efforts to restore the film began.

These restoration efforts invariably turned to the controversial subject of colorization. If anyone remembers Ted Turner’s push to colorize RKO films, including King Kong, you will also remember how bad those films looked. The color was an added texture of hue covering the picture so that the subject’s textures and subtleties were obliterated. It was almost as if some child decided to finger paint all over the negative. There was nothing magical or at all realistic about the process. It’s A Wonderful Life has been colorized no less than three times. In both 1986 and 1989 the film got the colorized treatment, both failures. In 2007, It’s A Wonderful Life had been colorized by a new process developed by Legend Films. This new process allows films to be colorized naturally, retaining all of the detail and texture of the original print. These are the guys who are working with legendary Ray Harryhausen to colorize and restore many of his classics. The new process uses a 16-bit grayscale, which offers over 64,000 shades of just gray. The process, called “Photo-Real”, can reproduce HD quality pictures with stunning, lifelike color. I was a very cynical skeptic of the process and was prepared to rip this color print to shreds in my review. I was blown away by how natural the color looks. You will be hard-pressed to believe this wasn’t an original color print. Not only are the colors realistic, but the print retains the particular color palette of the 1940’s, so that the film still looks like one from the correct era. I know you’ve seen incredibly bad colorization before, and it likely has made you unwilling to even give this one a chance, but you owe it to yourself to check it out. And this is the version you get on the Blu-ray copy of the film.

"There once was a peculiar doctor known for his extraordinary ability. He could talk to animals. Dr. Dolittle’s reputation spread far and wide. Even the Queen of England called on him. So grateful for his help, she gifted him a wondrous sanctuary, whose doors were opened to all creatures. His days belonged to the animals, but his heart belonged to one woman. Lily, the fearless explorer. They traveled the globe going on great adventures. Defending creatures who could not defend themselves. They made an extraordinary team. Soon, that team became a family. With Lily by his side, Dolittle never felt more alive. Until one day she left on an adventure. Lily died at sea. Heartbroken, he locked the gates of the manor and completely retreated from the world. As for me, and the animals whose lives he’d saved, we were left to wonder, could anyone save his?"

Well, it didn’t take long for Robert Downey Jr. to line up his next project following his iconic Marvel run. And there is definite franchise potential with this film about quite possibly the most famous veterinarian ever written. Primarily inspired by Hugh Lofting’s The Voyages of Doctor Dolittle, the film is likely anticipated to be a reboot to the Eddie Murphy-led film franchise of the same name (except with a “Dr.” in front of the name). Interestingly enough, the film’s inspiration is actually the second book written by Lofting about this famous character with the gift of talking to and understanding animals.

"He picked me out of a pile of pups, a tangled mass of paws and tails. He'd stopped at the farm on his way home from the speedway at Yakima. Even back then, I knew I was different than other dogs. My soul just felt more human."

There was a time when this kind of film would have been reviewed by Baby, the German Shepherd/Chow who used to run security here at Upcomingdiscs as well as fill in for the occasional dog film review. Baby's gone, and we haven't yet trained Aurora the Siberian Husky who resides at Upcomingdiscs to pitch in on reviews. The problem is getting her to put her ball down long enough to pay enough attention, let alone write a review. But we're working on it. Until then these duties have fallen back to me, the occasional dog lover, which usually depends on what Aurora is up to at any particular moment. As Baby would have said: "Let's not talk about that right now." The task at hand is another talking dog film which followed quickly on the heels of A Dog's Purpose and its sequel A Dog's Journey along with the most recent A Dog's Way Home. It's a trend that has produced some emotional moments at the cinema for those of us who have spent a large part of their lives with our canine companions. This time out we have The Art Of Racing In The Rain, which is based on the novel by Garth Stein. If you're hoping to have that same kind of emotional ride that these other films brought, I think you'll be in for a little disappointment.

"I think it's time I told you about Aladdin, the princess, and the lamp."

There is very little new coming out of the Walt Disney Studios in recent years. For the last few years and into the near conceivable future, there has been a concerted effort by the Mouse House to remake as live-action films the vast library of animation classics. It pretty much started with the huge success of The Jungle Book, directed by Jon Favreau in 2016. The film did a wonderful job of bringing these jungle creatures to life through the modern-age miracle that is CGI. Somehow the film captured the very heart of the original animated feature and immersed us more fully into that world. No, it wasn't the first time Disney recreated an animated feature with live-action releases. But it was so dominant at the box office that it appeared to set the mold for these conversions going forward. This summer Disney set an ambitious schedule, delivering no less than three of these remade films to the summer schedule. In March it was the tepidly-received Dumbo. In July it will be The Lion King, where Disney is playing with the most successful classic animation film in box office history, and eyes will be keenly on how that unfolds. With Elton John's recent resurgence with a new Farewell Tour and the upcoming bio-film Rocketman, The Lion King might deliver Sir Elton a hat trick, or at least a large hat filled with money. Set between these two films is another Disney animated classic: Aladdin. Will that deliver the same three-point bounty to Disney this summer?

By Ian Delia

A good time to praise the lord just as many others have in the movie Breakthrough. A beautiful true story of young John, who fought for his life and the miracle brought through his belief in Christ. This movie shows the amazing things you can be blessed with with prayer and faith. Get ready to laugh and smile, but be prepared to cry your heart out with sweet tears. I suggest bringing tissues with you; bring a lot. Young John (Marcel Ruiz) was an orphan since he was an infant. He never knew his mother and always wondered why she gave him up. As a five-month-old baby he was adopted by a loving family, the Smiths. The Smiths, Joyce and Brian, are a very religious family. Joyce runs a bible study, and John is in a Christian school Living Word Christian School in his hometown of St. Charles. John plays basketball at his school, and he’s a very good player, even though the film shows he acted up quite a bit. John doesn’t do assignments, starts fights with others, and doesn’t really care too much about school. John hasn’t given himself to the lord as his adopted parents wish he would. He didn’t really believed in our lord and savior, until the lord shed the light upon John and saved him from the grave.

"You've seen a horsefly. You've seen a dragonfly. You've even seen a housefly. But you haven't seen anything until you've seen an elephant fly. Let's get ready for Dumbo."

So, Dumbo was never one of my favorite Disney classics. In fact, when news initially broke about a live-action version being filmed, I wasn’t moved one way or the other. I figured I would end up seeing it for the sake of my daughter, but I figured it would just be something that I would have to endure. I speak these words with the full knowledge that I now have to eat them, as Dumbo has gone from one of my least favorite Disney films to one of my favorite movie experiences of the year. With an all-star cast that includes Colin Farrell, Eva Green, Danny DeVito, and Michael Keaton, Dumbo is a fantastical and wholesome family experience that I will be taking my daughter to, but dragging her to it if she puts up a fight. Helmed by Tim Burton, Dumbo is the first of three live-action Disney movies expected this year, with the others being Aladdin and The Lion King. Of those three, I was expecting The Lion King to be the biggest audience draw, but as it stands, Dumbo has set the bar extremely high, and the other two have a lot of work to do if they expect to compete.

My wife has been a part-time travel agent for roughly the last year or so.  In that time, I have learned much about airlines, cruise ships, and of course hotels.  I have also thanks to her guidance and knowledge been able to stay at a few nice hotels in the past year which were much more comfortable than I could have ever expected.  However, despite my travels with my lovely better half, I seriously doubt I will ever come upon a hotel quite like the one depicted in Okko's Inn anytime soon.  Let us spend the next few minutes looking at an anime where your lodging is the best part of your trip.

We open to a festival of sorts, called a spa by the locals.  Music is playing; it is time for a show.  We see a couple of people perform traditional dance numbers, while Okko, our main character, watches.  Her father and mother are also on hand to explain the traditions to our young heroine and how they wish they could be part of the show.  The show speaks to the theme and the spirit of "Welcoming Everyone".