Posted in: Disc Reviews by Gino Sassani on June 26th, 2016
American football has been making the news of late, and not just in the sports pages. For the last couple of years there has been an increasing concern for players’ safety. From our president declaring he wouldn't let his fictional son play the game to the hard-hitting Will Smith film Concussion, football has taken some heat over its violent nature. Players are retiring early, and the subject of life after football becomes more of a social question than ever before. That's where HBO's Ballers comes in. It's a half-hour look at the NFL from the player perspective, both current and retired. It's intended as a light bit of dramedy, and it certainly is that. Even so, the series doesn't hide from some of the brutal realities of the sport, from the trappings of fame and fortune to the realities of its eventual end.
Meet Spencer Strasmore, played by Dwayne "The Rock" Johnson. Spencer was a star defensive player for the Miami Dolphins. In his retirement years he has joined a financial advisor firm, teaming up with buddy Joe, played by Rob Corddry. Together they are charged with getting their NFL buddies to sign up with the firm. What Spencer ends up being is a fixer to his former friends and clients, mostly trying to help them get out of their own way. All the while he's haunted by a hard hit he delivered that ended the career of a Bills player years earlier. He's still having flashbacks. He's also concerned that he might have suffered head trauma in his years playing football. Finally through the pleas of girlfriend and sports journalist Tracy (Kebbel), he gets himself checked out. It's all in a day's work for Spencer.
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"Space...The Final Frontier. These are the voyages of the starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before!"
Paramount was bold indeed when they undertook the remaster project of the original series. Not only did they clean up the prints, but they took the decidedly risky option of redoing most of the f/x shots from the original prints. We all know just how cheesy the old work looked when compared to today’s computer abilities. You could see a box around spacecraft that allowed the obvious cutout to maneuver through a cardboard star field. There were often mix-ups where phaser shots would be used for photon torpedo commands and the opposite. The planets often utilized matte paintings that look somewhat ridiculous now. We forgave these flaws with a complete understanding of the limitations the crew had at the time. While Star Trek showed us computers that were remarkably similar to the PC’s we use today, down to the floppy drives of our own yesteryear, the use of computers to create f/x was still many years away. So Paramount decided to “fix” these “flaws” and make much of the show look like it might have had it been produced today. It was a serious risk because of the extreme possessiveness fans have for these kinds of shows. Just ask George Lucas how much fans like their sci-fi tinkered with. The project encompassed a few years, and the results are quite attractive. But how do they stand up for the fans?
Posted in: Disc Reviews by Gino Sassani on June 23rd, 2016
"My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon. Since my sister disappeared when I was 12 years old in what I believe was an alien abduction. My obsession took me to the FBI, where I investigated paranormal science cases through the auspices of a unit known as the X-Files. Through this unit, I could continue my work on the alien phenomenon, and the search for my missing sister. In 1993, the FBI sought to impugn my work, bringing in a scientist and medical doctor to debunk it... which only deepened my obsession for the better part of a decade, during which time that agent, Dana Scully, had her own faith tested. In 2002, in a change of direction and policy, the FBI closed the X-Files, and our investigation ceased. But my personal obsession did not."
Just in case you don't know what the heck we're talking about here.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2016
"Space...the final frontier. These are the continuing voyages of the starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"
Every Star Trek fan has had that phrase beaten into their brain about as many times as Uncle Ben's mantra about great power and great responsibility. Who knew that the tagline was appropriate to filmmaking? When J.J. Abrams signed on to direct the reboot/remake/reimagining/rehash (insert your own word here) of Star Trek, he quickly made it known that he was not really that into the franchise. He considered himself a Star Wars man, and a chill went through the spine of every Trek fan on the planet. I approached the 2009 effort with dread.
Posted in: Disc Reviews by Brent Lorentson on June 22nd, 2016
Disaster films are something that for me screams American cinema of the 90’s. I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth. Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG. This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved. With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states. Now here’s the question: is it any good, though?
Welcome to the small mountain town of Geiranger, Norway. It’s a quaint little town that attracts tourists with its isolation and beautiful landscape. But having this little slice of vacation paradise comes at a price. Geiranger sits in an area that has a lot of activity with the rocks moving beneath the surface, this movement geologists believe will one day cause a collapse of a mountain spilling into the fjord below which will create a massive Tsunami. Basically Geiranger is a town simply waiting to be wiped out by this massive wave. This is where we meet Kristian (Kristoffer Joner), a geologist that has been studying Geiranger for years but is now moving away to the city for a “better job”. It comes as no surprise that as he and his family are packing and ready to move that Kristian is troubled by recent recordings from around the area and has a feeling something bad is going to happen. (One thing I’ve learned from disaster films, always listen to the nut job that believes the end is coming.)
Posted in: No Huddle Reviews by J C on June 20th, 2016
Pop quiz! Which of the following titles belong to Shark Week specials, and which of them are the names of SyFy original movies? Zombie Sharks, Sharkageddon, Monster Hammerhead, Lair of the Mega Shark, and Sharksanity. (I'll give you a few seconds to mull it over...ok, ready to guess?) The answer, of course, is that *all* of those titles belong to Shark Week, Discovery Channel's long-running, wildly popular, and increasingly ludicrous summertime ritual.
The very first Shark Week aired in 1988, and its longevity is a testament to viewers’ enduring fascination with the majestic, sharp-toothed creatures. Of course, the flip side of that longevity is that coming up with new material each year is getting more and more difficult. Jawsome Encounters is a 13-episode DVD set that (mostly) features episode from 2014.
Posted in: Disc Reviews by J C on June 16th, 2016
“Ok, so hear me out…ever watch action movies?”
It’s clear that Canadian filmmaker Allan Ungar and practically everyone involved with Gridlocked have seen their share of action flicks. More specifically, this crew is out to recapture the raucous, rowdy, R-rated spirit of late ‘80s and ‘90s franchises like Lethal Weapon and Die Hard. While Gridlocked doesn’t come close to matching the wit or winning formula of those action classics, this straight-to-DVD effort still manages to be a pretty fun throwback.
Posted in: Disc Reviews by Gino Sassani on June 16th, 2016
“He tasks me. He tasks me, and I shall have him! I'll chase him 'round the moons of Nibia and 'round the Antares Maelstrom and 'round Perdition's flames before I give him up!”
After its shortened three year run, it looked like Star Trek was dead and gone. A very short lived animation series was the first attempt to carry on. Before long it too was a thing of the past. Then something rather amazing happened. Star Trek found a home in syndication. The local television markets aired the shows in a somewhat edited form, and they were rewarded with record-breaking local ratings. It didn’t take long before Paramount saw the possibilities. By the mid 1970’s there were plans to bring the original crew back for a new television series. The development name for this show was Star Trek: Phase Two. Scripts were written, sets were designed and constructed, and all of the original cast except for Nimoy were on board. A new Vulcan science officer named Xon was added to the cast. The idea was that the new Star Trek would anchor a proposed Paramount Television Network. The network idea fell through, and Star Trek was in limbo. Then George Lucas came along with his space opera Star Wars. Fans were lining up for blocks to see the epic adventure. Science fiction had proven itself at the box office, and Star Trek was back on, this time as a major motion picture. Gene Roddenberry was back in the producer seat, and veteran director Robert Wise was at the helm. On December 7th 1979 I was in the Fox North theaters with seven friends from 10:00 AM until after 10:00 PM for an endless marathon of… But the film ultimately disappointed.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2016
"The needs of the many outweigh the needs of the few."
The rumors were rampant, and I won't address them at all here. Chances are you know the spoilers, if you want to know them, already. I won't chance ruining it for the few that have avoided any information on the film. I will tell you that Abrams has managed to weave a touching love letter to the Trek faithful into what again is a hugely mainstream film that should kick some serious butt at the box office once again. It's almost as if he wanted to thank the fans who did finally climb aboard his Enterprise. There's a tribble, and you'll find a model of the NX-01 Enterprise, among others. The writers pay tribute to some of Trek's best phrases. Of course McCoy's going to deliver one of his "I'm a doctor not a..." lines.
Scotty's going to be called a miracle worker. And the film ends with the beginning of the crew's five-year mission. This film is just as good at appealing to the masses, but it manages to bring the faithful in with enough nods and references to bring tearful smiles to our faces. There's a lot of love here. Maybe it didn't come from Abrams at all. Credit it to writers Roberto Orci, Alex Kurtzman, and to a lesser degree Damon Lindelof. They are confirmed Trek fans, and it shows.
Posted in: Disc Reviews by J C on June 15th, 2016
“It's ok to be upset. We're all upset.”
A War is about a Danish commander and his weary, overwhelmed young soldiers fighting the Taliban in Afghanistan. But besides finding a fresh angle to explore a conflict that has essentially been going on for the entire 21st century — Denmark sent nearly 10,000 military personnel to Afghanistan between 2002 and 2013 — this morally complex movie succeeds because it fully explores the toll war takes on everyone involved. In this case, that also includes the unfortunate civilians caught in between the gunfire and at least one weary, overwhelmed wife/mother back home with three young children.
