Genre

"We began as wanderers, and are wanderers still. We have lingered enough on the shores of the Cosmic Ocean. We are ready at last to set sail for the stars" - Carl Sagan

The Shout Factory documentary Journey To Space is the kind of release that the 4K market was made to serve. Most of this material was filmed in 65mm or with digital cameras in as high as 10K resolution. It was made for screens that are up to three stories tall and still show off the wonders of the images presented. That makes it the perfect kind of item to put on a 4K disc. It was created to be seen with this kind of resolution and color clarity. The material isn't completely original.

“All men must die.”

The official tagline for Season 4 of HBO’s Game of Thrones also doubles as a helpful reminder of author George R.R. Martin’s no-character-is-safe philosophy. But even plastering that quote all over posters and promos isn’t likely to prepare you for the most devastating and thrilling season of a show that specializes in “devastating and thrilling.” Those thrills have now been given an extra kick: Game of Thrones is the first TV show to be offered in all-encompassing Dolby Atmos. After re-releasing seasons 1 and 2 in a pair of handsome Steelbook cases late last year, HBO has given the next two chapters in Martin's saga the same treatment.

Even if Game of Thrones had inexplicably wrapped its run after two stellar seasons, the fantasy series would’ve gone down as a landmark in television history because of its unprecedented scale and audacious storytelling. Those qualities have been brought to thrilling life in each of the show's Blu-ray releases, but HBO still decided to kick it up a notch. Game of Thrones is the first TV show to be offered in all-encompassing Dolby Atmos. After re-releasing seasons 1 and 2 in a pair of handsome Steelbook cases late last year, HBO has given the next two chapters in George R.R. Martin's saga the same treatment.

Hi…it’s been a long time.”

If Project Runway has taught us anything, it’s that “in fashion, one day you’re in and the next day you’re out.” To a lesser extent, that adage can also be applied to comedy stars, since audiences’ tastes seem to shift almost as often as style trends. (There was a point in time when Pauly Shore was a movie star…that really happened!) As a result, any sequel to 2001’s Zoolander — Ben Stiller’s really, really, really, ridiculously good looking absurd fashion satire —had the odds stacked against it.

"Welcome to Benghazi."

It shouldn't matter what your politics might be. The events in Benghazi on September 11th, 2012 bring up some very important questions. Contrary to one 2016 presidential hopeful's declaration, it does make a difference. It did to the people who were there. It does for the families of the four who lost their lives. And it should make a difference to you. With such a political hotbed issue, you'll find that 13 Hours goes out of its way to avoid the political questions. Some might view this as an oversight, but I think it gives the film a greater sense of credibility and makes its impact on the audience to fill in their own political blanks.

There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas.

Time travel films have been around for years, and with each film there are viewers who just enjoy it at face value and others who watch it to poke holes in the film’s theories.  I have to admit I fall somewhere in between.  With a film like Back to the Future, I don’t look at it as anything more than silly fun, but then a film like 12 Monkeys comes along, and I just go bananas over its theory and execution.  So when a title like Synchronicity came along, I went into it with an open mind.  I know you don’t need a giant budget to pull off a time travel film; what matters first and foremost is the story and the characters that lead the narrative tale for us.

Robert De Niro and Zac Efron have a combined seven Academy Award nominations and a pair of Oscar wins to their names. So it was only a matter of time until these titans of cinema joined forces on the big screen. All joking aside, none of us were expecting Dirty Grandpa to pump up De Niro’s Oscar tally. What *is* a bit surprising — other than how truly bad this charmless, dimwitted, mean-spirited “comedy” turned out to be — is that Efron kind of outclasses his legendary counterpart.

"Some of the best love stories start with a murder." 

Deadpool may be one the most singular and unique characters in the history of comic book lore. His character has a very rabid fan base among the elite of Marvel comic nerddom, and they have been watching very carefully to see that he has been treated properly by the Hollywood people. He hasn’t been in the past, but more about that later. He may not be the biggest name in the Marvel universe, but he might be the most extreme. Just in case you live in a cave or under a rock, the Marvel universe is inexorably taking over the actual universe with films like The Avengers, Iron Man, Thor, Captain America, Ant-Man, Spider-Man, X-Men, Guardians of the Galaxy, The Hulk, Wolverine, Daredevil, and on and on.

After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film I was hooked; its startling yet beautiful imagery was enough to get my attention.  As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control.  Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences?  By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me, I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.