Posted in: Disc Reviews by J C on January 22nd, 2014
Location, location, location! The notion that a desirable geographic spot can make a huge difference isn’t exclusive to the world of real estate. Take, for instance, Crossing Lines. At first glance, the show fits comfortably alongside any number of American police procedurals that feature curiously attractive cops and a fresh set of dead bodies each week. It’s a formula that’s worked for decades, so it’s hard to argue for a complete overhaul. The best fans can hope for are clever tweaks to help new shows stand out from the crowded cop show lineup. Crossing Lines accomplishes this by taking all the fake corpses you’ve seen on New York and L.A. streets and scattering them across Europe.
“Like all good stories, this one starts with a beautiful woman. Young, adventurous, full of life…unfortunately, this story also starts with the end of that life.”
Posted in: No Huddle Reviews by J C on January 20th, 2014
- “We at Comedy Bang! Bang! love random humor.”
- “Next to 'offbeat,' it's my favorite.”
Posted in: Disc Reviews by J C on January 16th, 2014
“They’re gonna laugh at you. They’re all gonna laugh at you.”
The idea of remaking/reimagining/refurbishing a horror classic may have been laughable at one point, but now it’s just business as usual. Then again, I happen to think this is an especially good time to revisit 1976’s Carrie. With all the attention bullying has gotten in the media these last few years, the supernatural story of a high school outsider pushed to her violent breaking point seems particularly timely. I just wish the new movie had more going for it beyond decent timing and a pair of impressive leading ladies.
Posted in: Disc Reviews by J C on January 16th, 2014
“This song of the Man and his Wife is of no place; you might hear it anywhere at any time.”
The aching simplicity of the story in Sunrise is the reason the silent film remains thoroughly watchable almost 90 years after its release. It’s also why the movie will remain thoroughly watchable another 90 years from now. Then again, the reason F.W. Murnau’s 1927 effort goes beyond simply remaining watchable — and enters masterpiece territory — has less to do with what the story is and much more to do with how it’s told.
Posted in: Disc Reviews by Gino Sassani on January 15th, 2014
“It’s been a long time getting from there to here.”
Thirty-five years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).
Posted in: Disc Reviews by Jeremy Butler on January 13th, 2014
“Getting what you want comes with a price.”
Much has changed in the world of Being Human this season. However, let’s recap for a moment just to make sure everyone is on the same page. Sally (Meaghan Rath), after shredding her own spirit to get to limbo so she can rescue Scottie and Nick, has bitten off more than she can chew as she finds herself stranded in limbo with the very people she sent to limbo. Aidan (Sam Witwer), after losing his lover Suren and his failed attempt to assassinate her murderer, the vampire matriarch known as “Mother”, is buried alive for his transgression. As for Josh (Sam Huntington), after deciding to kill his maker Ray before the full moon in order to free him and Nora (Kristen Hager) from the curse inflicted on the both of them, finds himself in a standoff that includes Ray, Nora, and himself.
Posted in: Disc Reviews by Gino Sassani on January 13th, 2014
"If you were a spider, where would you be?"
Unfortunately, I happen to know the answer to that question: here at my house. When director Mike Mendez was looking for locations to shoot his SyFy-styled Big Ass Spider! he could have looked no farther than the spider-friendly environs of Tampa, Florida. In fact, he could have set up his equipment in my living room and gotten himself a Big Ass Spider, to be sure. They're called huntsmen. I call them Rambo Spiders. In any case, or name, they grow big enough to move the furniture and cart off small children (up to about 16 years old). I could have given some spider-hunting lessons to star Greg Grunberg and company. And they could have had it for much less than they paid to create Big Ass Spider!.
Posted in: No Huddle Reviews by J C on January 13th, 2014
Within the first few minutes of We Are What We Are, the Parker family suffers an immense loss. The death doesn't exactly come as a shock because the film opens with a series of arresting and foreboding images doused by a torrential rain that fails to wash away the family's worries (or incriminating evidence). This atmospheric, thoroughly creepy horror movie winds up going to a number of grisly places, but, in a lot of ways, it's really just the story of how the reclusive clan deals with that loss.
We Are What We Are is technically a remake of the 2010 Mexican film Somos Lo Que Hay. I say “technically” because the new film — directed stylishly and confidently by Jim Mickle (Stake Land) — is more of a companion piece to the original. The two films share a basic premise about families who experience a sudden death and struggle to carry on their gruesome traditions, but Mickle and writer/actor/frequent collaborator Nick Damici have transplanted the action from inner-city Mexico to upstate New York.
Posted in: Disc Reviews by Jeremy Butler on January 10th, 2014
“Put it this way-- Mikey was the best officer I ever knew; An iron-souled warrior of colossal and almost unbelievable courage in the face of the enemy.”
That is a direct quote from the novel Lone Survivor and redelivered from the lips of the former president of the United States of America, George Bush. Lt. Michael P. Murphy: that is a name that has been heard more and more with the passing weeks. Surely by now we all have a moderate idea (though I hope it is more than moderate) of the man behind the name. If not, allow me the privilege of enlightening you a bit. Lt. Murphy was the leader of the four man Seal team that took part in Operation Red Wings; he is most notable for sacrificing himself to protect his men of which there was only one survivor, Marcus Luttrell, author of the book Lone Survivor; a book which has recently become a blockbuster movie.
Posted in: Disc Reviews by Brent Lorentson on January 7th, 2014
In case you’ve managed to miss the tabloids lately, it would seem that Phil Robertson, the founder of Duck Commander, has found himself in some hot water over some comments he made in GQ magazine. These comments managed to get him suspended from the show, but not long after, he was brought back. I’m not here to point fingers or even add fuel to the fire. Instead I simply want to say these kinds of scandals are inevitable when a hit series is involved; this especially becomes the case when the show is reality-based. The result that usually follows is the fans end up with the short end of the stick. If Phil were to be removed from the show it simply wouldn’t be the same show, and the thought of replacing him with another family member just wouldn’t work for me. This is the danger of having a successful reality show; scandal and drama are bound to occur, and people are bound to get upset by decisions made. I hope this is a situation that can sort itself out, because this show is one of the few guilty pleasures I have, and it would be a shame to lose it.
OK, stepping off my soapbox and on to the review. Season 4 starts off with Phil and Kay renewing their vows after 48 years of marriage. Normally I don’t really go for these sap-trap (cheesy romantic stuff) episodes, but what saved it was Uncle Si’s trip down memory lane that he takes Phil and Kay on. Uncle Si, no matter how much of a ham for the camera he is, I can’t help but enjoy the moments he graces the show with his screwball antics. This episode works as a prime example for my one gripe I have: for a show that is supposed to be reality-based, every aspect felt scripted. It’s not that I have a problem with the shows being mapped out, but it’s starting to feel more as though the Robertsons have become caricatures of themselves, and it just doesn’t feel as genuine any more.
