Genre

Although they were brutally gunned down almost 80 years ago, everyone knows the names “Bonnie & Clyde”, even if they're only familiar with the bank-robbing basics. Don't look now, but Arthur Penn's landmark, definitive Bonnie & Clyde film — with Warren Beatty and Faye Dunaway in the title roles — came out 46 years ago, so I imagine there's a large segment of younger movie fans who haven't seen the story of Bonnie Parker and Clyde Barrow play out on screen. The ultra low-budget Bonnie & Clyde: Justified arrives just in time to capitalize coincide with December's star-studded, multi-network miniseries that will surely raise the notorious duo's pop culture profile once again.

Now the tale I'm about to tell you is the truth, the author's side. And if anyone tells you different, then they didn't know Bonnie & Clyde.”

“I’m often asked, ‘What do I do for a living?’ And I answer: ‘I do what I want.”

For the better part of the last 20 years, CeeLo Green has ferociously defied musical expectations by zigging when you expect him to zag. (If you thought the former frontman of hip-hop collective Goodie Mob would eventually become one of the judges on TV’s #1 singing competition, then go buy a lotto ticket immediately because you have a gift.) I happened to be in Las Vegas earlier this year when I saw a poster for CeeLo’s Sin City Loberace show. And for the first time I can remember in regards to CeeLoo’s career, I thought, “Hey that actually makes sense.”

When Vikings Season 1 first arrived, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our Shepherd/Chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over The History Channel's epic new drama series Vikings.

This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.

It’s hard to believe that once if you said the word Google, there is a good chance no one would have known what you were blabbering about.  Now the internet search database is the largest search engine on the web and is a dominating company that is given the same reverence Steve Jobs and Apple receive.  Because of Google, the days of hitting the books to find information and the Dewey decimal system are all but things of the past.  But technology and growth are a part of life.

Billy (Vince Vaughn, who also co-wrote the film) and Nick (Owen Wilson) are forty-something grinders who pound the pavement selling watches to their high-class clients.  Unfortunately for them, their boss, played by John Goodman,,has decided to call it quits with the watch business and retire.  With few skills and no other options, Nick takes a job at his sister’s boyfriend’s mattress shop, while Billy struggles to find where to go next.  This struggle is something most audiences will be able to relate to in the present job market as the film uses the current job market to delve into the opportunity for second chances and wrestling with regret.

There are five clans of Vampires that are secretly living amongst humans. Said secret is maintained by a code of conduct called the “Masquerade” which states that vampires can never reveal themselves to a human; nor can they “embrace” (bite and convert) a human without approval from the highest council. Defying this means that your lengthy life is forfeit. A detective discovers the truth about the Masquerade when his girlfriend loses her life after defying these very rules, and he sets out to reveal the entire realm of vampires in San Francisco.

The vampire clans resemble mafia crime syndicates. They operate in secret to both hide their supernatural identities, and hide their financial operations; many of which have spanned centuries. So the story of the detective seeking to uncover the vampire world operates on different levels; revealing the truth behind the murders and other crimes these groups are committing, along with the aforementioned exposure of their supernatural lineage.

The world of Bounty Killer is a barren wasteland that has been decimated by the unchecked greed of nefarious corporations. In other words, I can’t believe this movie is only set 20 years in the future! I’m not the kind of guy who uses exclamation points very often, so the fact that I threw one at the end of the previous sentence wasn’t an accident. This silly, stylish, thoroughly enjoyable revenge fantasy/satiric action flick is basically one giant exclamation point in movie form.

“The bounty killers compete for body count, fame, and a fat stack of cash.”

The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they've created over the last couple of decades, but I have to question someone's marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it's all about Monsters, Inc. I hadn't fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.

Who are "the boys", you might ask. If you're serious, then you might actually be reading the wrong piece. For the rest of you, "the boys" are Mike Wazowski (Crystal) and James P. "Sulley" Sullivan (Goodman). And it's been a dozen years since we last saw them in Monsters, Inc. A sequel to that film might be a bit problematic. We learn that laughs provide far more power than screams, and we leave the power structure of Monsteropolis on its head. Pixar's imaginative team took the best route available to them and decided to go the prequel pathway, and we get to see Mike and Sully as college students. Both have their sights on becoming master scarers. For Sulley, it's in the blood. He comes from a long line of successful scarers, and he's not really taking the college scene very seriously. For Sulley it's about fun. Mike, on the other hand, has stars in his eyes and works harder than anyone else on campus. But he might have to come to grips with the fact that he just might not have what it takes.

Every once in a while a film comes along that looks like it could be interesting, but you don’t really expect to like it all that much. It’s simply meant to be filler, something to kill time until something better comes along, but somehow you get drawn in and become so engrossed in the story that you forget everything else. That is the most apt description of my experience with The Way, Way Back, a socially awkward dramedy with a ton of heart featuring Steve Carrell, Sam Rockwell, Toni Collette, Liam James, and many more.

Duncan (Liam James, The Killing) is an introverted, slightly awkward fourteen-year-old. After his parents’ divorce, his mother Pam (Toni Collette, United States of Tara) starts dating Trent (Steve Carrell, The Incredible Burt Wonderstone), a single father who masks his disdain for Duncan with thinly veiled accusations and comments. For the summer, Duncan is dragged along with the couple and Trent’s daughter Steph (who treats him like a pariah) to Trent’s family beach house.

Those of us who love horror movies can remember the first great scare we ever got. (To be fair, those of you who hate horror movies probably remember the first scare you ever got too, since it’s probably why you stopped watching them.) Stephen King’s It wasn’t my first scary flick, but the image of Tim Curry’s Pennywise coaxing poor Georgie into the storm drain seared itself into my brain and became my original childhood freak-out. What I enjoyed most about All Hallows’ Eve is that it tapped into the unique impact a genuinely scary clown movie can have.

The film quickly introduces us to babysitter Sarah (Katie Maguire) and her two bickering young charges, Timmy (Cole Mathewson) and Tia (Sydney Freihofer), on Halloween night. As they go through their trick or treat haul, Timmy discovers an unmarked VHS tape in his bag. The kids convince a hesitant Sarah to let them see what’s on the tape. What follows is a trio of unsettling, woman-in-peril horror tales. Each segment also features appearances by the mute, diabolical Art the Clown (Mike Giannelli). As if that weren’t scary enough, Sarah and the kids start noticing strange happenings in their own house. Is it their active imaginations playing tricks on them or something far more sinister?

Welcome kids to another 31 Nights of Terror spectacular. This time, the legendary (in his own mind) Michael Durr has descended from the rafters to bring you another cult classic blu-ray presentation. This time we explore 1982 Wes Craven adaption of Swamp Thing. Shout Factory has produced an excellent blu-ray for us to watch. As with most of the Scream Factory work that Shout does, this should be quite the treat. Let us continue and go forth with one wicked green monster.

Not Long Ago in the Unexplored Reaches of an Unmapped Swamp, the Creative Genius of One Man Collided with an Other's Evil Dream and a Monster was Born. Too Powerful to be Destroyed, Too Intelligent to be Captured. This Being Still Pursues its Single Dream.