Genre

I'll say this about a program that has remained  consistant in quality for twenty seasons...it makes for challenging reviews. Talking about each season of Gunsmoke is difficult in that you either write briefly to try to avoid redundancies, but might seem too hasty, or you have to labour over each episode, in which case, you're only going to have hardcore fans paying attention. Since this website has touched on previous seasons: ( https://upcomingdiscs.com/?s=gunsmoke ) I shall opt for the former option, and hope y'all out there catch that I'm not being hasty...but respect a show that warrants no fresh complaints after 6 years a-runnin' thus far.

James Arness’ Marshall Matt Dillon is still the imposing, yet warm, lawman of Dodge. The tales in season 6 are frequntly violent, more violent than I recall in reviewing the previous seasons. This might not be saying a whole lot about a show whose opening credits are entirely comprised of a scene where the star of the show kills1 a man, but there just seemed to be that much more gun play in this season.

Who killed Mr. Boddy? Col. Mustard in the Library with the Wrench? Mrs. White in the Study with the Revolver? Maybe even the butler did it? A talented comedy cast bring the famous board game to life in a slapstick whodunnit where the chuckles mean more than solving the actual mystery.

The fun that is had in this film is created by the great ensemble cast, which includes Martin Mull, Madeline Kahn, Christopher Lloyd, Michael McKean and Tim Curry as the frantic butler. Each character-actor plays off the others superbly well. There is a plethora of performances that vary from the straight-man persona to outright goofball, being employed as the body count rises and the suspicions reach a fever pitch.

Like a lot of people in general, I strive to get more bang for my buck. Whether it is in grocery shopping, video games or a pizza buffet, I always want to pay the bare minimum and reap the maximum benefit. Another area this holds true is movies. In my collection, there are double packs, triple features and quadruple showings. Today, it just so happens that we have a triple feature from Mill Creek Entertainment that brings us three thrillers: D.O.A, Playing God and Color of Night. This might be a long night.

D.O.A.
Late one night at a police station, a ragged man, Dexter Cornell (played by Dennis Quaid) stumbles in and proceeds to tell the policeman on duty that a murder has been committed. When the desk cop proceeds to ask who, Dexter simply replies “I was.”. Hence starts a series of flashback events of how Dexter Cornell finds himself dying at the hands of an unknown assailant. In fact, it was just thirty six hours ago when the man was simply teaching writing at a local college.

"This ain't a revival, it's an orphanage."

It's the 1970's and a speeding car screams down the dirt road of an orphanage. A duffel bag is tossed on the doorstep, and Moe, Larry and Curly have arrived. Ten years later we see the beginnings of the familiar routines in the teenage versions of The Three Stooges. They are unadoptable and are causing the nuns who run the joint a ton of headaches. Moe gets a chance to be adopted but loses it when he asks that the other two be taken as well. It turns out to be the perfect opportunity for Teddy.

We all have That Friend. We've known him/her most of our lives, and he/she was a perpetual screw-up even when we were kids. We hoped they'd grow out of it as adults, but they always seem to rope us into their drama or cockamamie schemes. Yet we can't completely cut them off because, even if it's sometimes hard to remember why you're still friends, it's hard to get rid of anything that's been a part of our lives for so long. And if you don't know what I'm talking about, I regret to inform you that you probably are That Friend.

In Heaven Strewn, Mickey (Wyatt Denny) is That Friend, a small-time counterfeiter looking to recover his losses from a botched transaction. Jasper (Rob Tepper) is the more responsible buddy who gets drawn into accompanying Mickey on his ill-advised quest. Mickey has one too many DUI's and needs Jasper to drive him to the spot where the cash will be buried. To convince Jasper to come, Mickey lies and says they're going meteorite hunting.

"More than two out of three U.S. adults are overweight or obese. During the past 30 years, adult obesity rates have doubled."

After watching this documentary — developed with the Institute of Medicine, in association with the Centers for Disease Control and Prevention as well as the National Institutes of Health, and in partnership with Kaiser Permanente and the Michael & Susan Dell Foundation —  I feel like I should be typing this review while walking on a treadmill instead of planted on my couch like a lazy lump.

Perhaps one of the best known science fiction authors ever, Phillip K. Dick’s short stories and novels have been the basis for many film adaptations including The Minority Report, Paycheck, A Scanner Darkly, Blade Runner, and the upcoming release Next. Of course the reason I mention Phillip K. Dick is because Total Recall is based upon his story We Can Remember It for you Wholesale. In the past Total Recall has been known for quite a few reasons – its achievements in special affects, its high budget, the re-launch of Sharon Stone’s career – but ultimately when we think of Total Recall we all think of the big guy himself, Arnold Schwarzenegger.

Set in 2084, Douglas Quaid (Arnold Schwarzenegger) is an average-joe construction worker who as of late can’t stop dreaming about being on Mars. Though there is in fact a population on Mars, it is a conflict zone unsafe for travel as the tyrant Vilos Cohaagen has a monopoly on the oxygen which is heavily disputed by a group of rebels. Instead Quaid goes to Rekall – a company which will implant memories into his mind making him believe he was in fact on a vacation to Mars. Quaid opts to go for the vacation where he is a secret agent on a special mission on Mars called “Blue Skies on Mars.” While undergoing the procedure alarms start going off, it turns out that Quaid’s mind has already been altered; he has an outburst which results in him being subdued and his memory of ever going to Rekall erased.

Most people who read my reviews can realize that me and prison films just do not mix. Far too many of them are incredibly hokey and if I hear one more cliché about dropping the soap, I swear I might just go watch about a 12 hour Golden Girls marathon. However, our film today deals with a psychiatric hospital for criminals. It sounds a lot like a prison to me, but perhaps today’s review will take on a much gentler tone and provide us with something just a little different.

Allen Meneric (played by Nick Stahl) and his girlfriend (played by Haley Webb) drive up to a house. Allen is angry, upset and tells his girlfriend to get in the car and drive home. Apparently, the girlfriend was raped by a guy who just so happens to be here at the house ready for Allen to strike. The girl drives away sobbing. Meanwhile, Allen proceeds to pick up a wrench. That is when everything goes black.

While I have watched a ton of cartoons, the same really can not be said of anime. Sure, I know my classics like Akira, Ghost in the Shell, or Vampire Hunter D but by and large I am not up on my anime. I certainly like it but when I look the shelves and shelves of television episodes or movies, I’m mostly overwhelmed. However, a little bit ago I saw a commercial for some Marvel Anime on G4, I was instantly interested. Little did I know that a couple of the series would end up on my doorstep.

Eric Brooks hunts vampires. He is half human and half vampire. He is what is known as a day walker, able to harness the strengths of the vampire but not exhibit their weaknesses such as death by sunlight. Eric is on a mission to hunt these monsters for they infected and killed his pregnant mother. The vampires call Eric by another name, Blade. He is on the hunt…

After a family moves into a new home, they are taken hostage by a group of hitmen who are searching for money that has been stolen from a crime-boss. The film's title, “Aggression Scale,” refers to a psychological evaluation that measures the tendency for an individual to act in aggressive ways that may harm others. This applies to our hero Owen, the son of the family, whose violent/survivalist tendencies are worrisome and detrimental in all situations except this one, where he may be the savior of the family.

Many other reviews, including those quoted on the DVD box art, refer to this as a hyper-violent version of Home Alone. This is in reference to the sort of traps the Owen sets out to harm the hitmen. Granted, the climactic final trap does have a couple nods in that direction (with the use of nails and Jacks as booby traps) but Owen's devices are less comical and complex (save for the aforementioned climactic trap) and more brutal and reminiscent of something Rambo might construct. I suppose the comparisons are made less because of the traps, but more the cat-and-mouse game being played between a child and a group of career criminals. Since Owen never speaks, the communication between these two parties is purely through acts of violence upon each other. This bare bones dynamic saves us some groans from any redundant, cheesy banter...which I appreciate.