Posted in: Disc Reviews by Michael Durr on November 20th, 2018
Young love is a wonderful concept that I wish could be sold and bought by the ounce, because I would either be rich or horribly addicted. Two people hopelessly absorbed by each other in a raging pool of hormones, bliss, and social media. It is a beautiful sight even if most of the time it is fleeting and gone in the blink of an eye. But what if you could change those decisions that made love lost and make it blossom again? Then you might just have Fireworks, a new Japanese anime from the producer of Your Name. Let's take a look.
We open to a boy and girl who are falling to the bottom of an ocean. The boy is trying to help the girl, who appears to be unconscious and about to drown. He shouts "Nazuna", and then we fade to black.
Posted in: Disc Reviews by Brent Lorentson on November 15th, 2018
Ever since Jaws splashed onto the screen back in 1975, Hollywood has been attempting to follow its success, and though some films have been valiant efforts, nothing seems to come close to the Spielberg classic. Sure effects have come a long way over the years, and through the Hollywood magic of special effects they can create a more realistic-looking shark, but to be fair many of the film’s more memorable moments don’t even have the shark on screen. When I first heard about The Meg, it was going to be in the hands of Eli Roth of Cabin Fever and Hostel fame. This seemed to be like a good pairing that would result in a blood-fest filled with shark carnage that would leave shark fans pleased, but eventually the studio decided to pass, and the project seemed almost dead in the water. I had known about the film’s struggles to get made for years but hadn’t known that it went back to the 90’s when the rights to the book by Steve Alten had been first purchased. When the studio signed Jon Turteltaub (National Treasure), it was clear they were aiming to produce a summer tent-pole film, and as my excitement grew, I caved and started reading The Meg series that Alten had published, and I was hooked. I’ve been looking forward to this film for a while. Could it possibly live up to my expectations? Well, it came close.
The film opens up with Jonas Taylor (Jason Statham) as he is on a deep-sea rescue mission. While he and the few members of his crew are searching for survivors on a wrecked sub, there seems to be something in the water with them that is attacking the sub. All we know is that it is something massive, and it forces Taylor to have to make a quick decision that results in several casualties. It’s years later when a scientific research team is exploring the Mariana trench and is planning to dive deeper than ever before, past a layer that was believed to be frozen. It’s when the dive team passes beyond this cold layer that we see some beautiful effects as this underwater world we are getting to explore with the team is filled with numerous deep-sea dwellers, though it doesn’t take long before the team is attacked. Apparently Jonas is the only one available who can possibly save the deep-sea crew; as it just so happens one the crew members turns out to be Taylor’s ex-wife Lori (Jessica McNamee). This is also the point where it’s discovered Taylor’s claim that the prehistoric megalodon is haunting the deep sea turns out to be true. Why Taylor would make this jump in reasoning from what we saw in the opening scene is beyond me, but I’ve accepted this is a popcorn ride, not something we’re meant to dwell on.
Posted in: Disc Reviews by J C on November 14th, 2018
Pixar’s animated films have a staggeringly-high approval rating among both fans and critics. Much of that goodwill extends to the short films that play before each theatrical release (or can be found on subsequent Blu-ray versions). The shorts often compress the warmth, humor, and creativity of the Pixar brand into a neat six- or seven-minute package. For the third time, Disney and Pixar have helpfully packaged a group of short films into a collection that will alternately have you laughing out loud and reaching for a box of tissues.
Pixar Short Films Collection — Volume 3 features 11 previously released Pixar shorts and two all-new mini movies. (These go all the way back to 2012’s Partysaurus Rex.) There is no Play All option, so you have to use the “Short Selection” option from the Main Menu to select the film you want to watch each time. Each short includes an optional introduction with the director talking about his or her inspiration for the film you’re about to see. (I highly recommend you watch the intros before each short film.)
Posted in: Disc Reviews by Gino Sassani on November 12th, 2018
MacGyver (v) to act in an extremely resourceful manner. To utilize everyday items in unconventional ways to achieve a difficult task. I predict it will not be long before you can open your trusty copy of Webster’s and find this character has officially entered our lexicon. There is little doubt but that it is an unofficial part of it now. Crossing over from the realm of pop culture and into our language is a phenomenal achievement for a television show.
Richard Dean Anderson really is MacGyver. OK, maybe he’s not quite so handy with a paperclip and matchbook, but his own acting ability and charm make MacGyver more enjoyable than the formula that has become so renowned. They share the love of hockey. Anderson was slated to be a hockey star before injuring both legs. Both men hail from the wilds of Minnesota. The two also share an environmental crusade. These traits also coincidentally apply to Jack O’Neil.
Posted in: Disc Reviews by Gino Sassani on November 12th, 2018
"We are the protectors of the innocent. We are The Charmed Ones."
It's no coincidence that both the original shows of Charmed and MacGyver are starting to be released on the Blu-ray format. Both shows have been rebooted for television, and that means they're counting on fans of the original to become the foundation for a new base of fans. The best way to do that is to remind you why it is that you loved the shows in the first place. The best way to remind you is to dangle a little bait. That bait is the release of both shows on Blu-ray starting with their first seasons. Will it last? I don't know. It will depend on a combination of sales of the releases and how long the new shows manage to stick around themselves. Neither of these reboots are setting the ratings on fire, but there appear to be enough viewers to keep them on the air for second seasons. Sure, it's a bit of a marketing stunt, but that doesn't make it a bad deal at all. Fans of the original Charmed have been asking me about Blu-ray releases for years. So it's a win-win here.
Posted in: Disc Reviews by Brent Lorentson on November 11th, 2018
Ever since Do the Right Thing came out in 1989, Spike Lee has been a director that critics and fans have kept an eye on. Over the span of his career he’s done everything from music videos with Michael Jackson, to documentaries, to television shows, but mostly he’s made his claim to fame in film. His films have been all over the place as critical and box office successes. Inside Man to this day may be his biggest success financially, but of all his films it feels the least like a Spike Lee film. The man has a distinct visual style; most of his films take place in New York, but the typical thing you’ll find in his films is the “black culture” and the topic of race relations. With his latest film Blackkklansman, Lee ventures into some familiar territory, but for the first time in quite a while he delivers a movie with a strong message but also manages to be entertaining.
It’s the 1970’s when we meet Ron Stallworth (John David Washington). He’s in the middle of an interview to become the first black officer of the Colorado Springs police department. The interview is equally uncomfortable as it is amusing at the same time, and this kind of tone is what plays out over the course of the film. Let me say from the start this film doesn’t shy away from delivering racial slurs that are pretty much spoken from start to finish of this film. When Stallworth first gets hired, he’s stuck down in the records room, but it isn’t long before he is asked to help out on an undercover assignment that requires him to infiltrate a gathering where a prominent Black Panther member will be speaking. This is a scene that is handled really well by Lee as we watch Stallworth listen to the speech; it’s also here where Stallworth meets a potential love interest, Patrice (Laura Harrier) who happens to be a black activist leader.
Posted in: Disc Reviews by Jeremy Butler on November 11th, 2018
When a disease begins targeting and killing children, you fear for the future of the generation. However, when the children whosurvive develop dangerous abilities, you fear for yourself. That is the situation that Ruby Daly finds herself in. To compound her issues, not only does she have powers that she can’t control, but among the powerful her abilities are among the rarest and strongest. Amandla Stenberg stars in this film based on a young adult novel series. Anyone else sensing a franchise in works. Unfortunately, despite the vacuum let behind by Twilight, Hunger Games (which our star was a part of), and the recently ended Maze Runner, I’m not so sure that The Darkest Minds will be the vehicle to fill the gap. Overall it was a solid opening, but I left the film with more than a few unanswered questions.
Ruby Daly is ten years old when her life changes forever. A disease that targets children ravages the world, killing a large percentage of the world’s children. Those who survive the disease developing abilities varying from enhanced intelligence to mind control. Fearing the threat, the government locks away the children. Ruby is one of those children. Classified by color (Green, Blue, Gold, Red, and Orange, with Orange considered the most dangerous and are to be executed on sight), Ruby is the rarest and considered the most dangerous, so she hides in plain sight and in constant fear until she is freed by a group looking to exploit her abilities. Mistrusting her would-be saviors, she runs away and happens upon a group of children who have escaped a similar circumstance.
Posted in: Disc Reviews by Gino Sassani on November 8th, 2018
"If anyone wants to clap, now is the time to do it."
If he were alive today, A.A. Milne would likely find a reason to smile these days. Perhaps he is. Winnie the Pooh has made quite a bit of a comeback in recent years. Last year we saw the impact the creation had on his son, the real Christopher Robin, in the sentimental Goodbye, Christopher Robin. This year Disney continues its recent trend of bringing many of its classical animated features back for live-action remakes using the wonderful world of computer-generated f/x and motion capture performances. The recent Jungle Book release was a wonder to behold and one of the best films of that year. This year it's the world of Winnie the Pooh, and to help celebrate the 50th anniversary of Winnie the Pooh and the Blustery Day, Disney releases Christopher Robin, and you're not going to want to miss it. All of your favorite characters from both the classic books and the Disney cartoons are back, and it couldn't have been a moment too soon.
Posted in: Disc Reviews by Michael Durr on November 8th, 2018
I was raised on the mean streets of Charlotte, North Carolina. Yes, that's meant to be a joke, since I was raised in the suburbs primarily. My Aunt Donna on my father's side was working in California (San Diego) most of my life, and that's where she lives to this day. I would always wonder what life in California was like and how my aunt did it. Like most non-California residents in that time period (80's), I dreamed that everybody was from the Valley and talked about being "So Sure". Fast forward 35 years later ,and we have a collector's edition of the movie simply known as Valley Girl. Let us take a look.
As we open the movie, we listen to a radio station playing in Hollywood, CA. They are promoting tickets to the next concert, and it's 75 degrees. The voice changes and the scene shifts. It's 83 degrees in the valley. "Girls Like Me" by Bonnie Hayes plays on the radio, and we see a bunch of girls try on clothes and use their Mastercard quite liberally.
Posted in: Disc Reviews by J C on November 8th, 2018
“You’re not good...you’re super.”
For a while, it honestly felt like Disney/Pixar was messing with us. When The Incredibles swooped into theaters in 2004, it was simultaneously one of the best animated/action/superhero movies I’d ever seen. Plenty of people shared that opinion, so a sequel seemed like a no-brainer. That’s why it seemed like a cruel joke when we got not one but two forgettable Cars sequels before The Incredibles got a chance to suit up again. Guess what…the wait is officially over!
