Genre

When The Sandlot first came out 25 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. I’ve kept in touch with the film over the years, but Fox’s new 25th Anniversary Blu-ray re-release of The Sandlot was a great excuse to watch it from start to finish.

An adult version of Scotty Smalls recounts the story of his most memorable summer. As a fifth grader, Scotty (Tom Guiry) moved to a new town with his mom (Karen Allen) and stepdad (Denis Leary) just before the end of the school year. Scotty’s mom wants her sweet, nerdy son to actually get into a little bit of trouble during the summer, so he falls in with a group of kids who play baseball in a raggedy patch of grass called The Sandlot. The only problem is Scotty doesn’t even know how to throw a baseball. Fortunately, Scotty is taken in by Benny (Mike Vitar), the group’s leader and the best baseball player by far. During that one remarkable summer, the kids encounter a dream girl, arrogant Little Leaguers and a legendary canine menace known as The Beast, which swallows up any baseball that finds its way into his yard.

"A long time ago in a galaxy far far away..."

It was exactly 40 years ago that we first saw those words flash across the screen. Star Wars was born, and it has become one of the most enduring franchises in film history. The franchise survived a long drought when it didn't seem likely we would ever see those words again. The franchise survived the throes of George Lucas, who created it all and then went a little rogue when he finally did follow up his iconic trilogy. If The Last Jedi and the two previous films are any measurement at all, the best thing George Lucas ever did for the universe he created was to give it up. Of course, I wouldn't necessarily call $4 billion quite giving it up. Since then he's been a bit critical of the path Disney has taken and feeling somewhat left out of the decision process and has openly shown concern for his child under the Disney flag. And after the soap opera that has become the Han Solo film, the fans were getting a little worried as well. It's still too early to know what will become of that particular journey, but that's next year's concern. For now just sit back and revel in Star Wars: The Last Jedi.

I respect that you love your group, but it’s time for you to move on.”

The first Pitch Perfect movie arrived in Fall 2012 as a goofy, energetic, underdog surprise that charmed audiences with its funny jabs at (and genuine affection for) a capella music. But as the trilogy (allegedly) comes to a close a little more than five years later, the only quality that this popular, profitable franchise managed to retain from that previous sentence was “goofy.” The saucy tagline for this movie is “Last Call Pitches,” and everyone involved seems ready to hang up their pitch pipes.

“Now I’m awake to the world. I was asleep before. That’s how we let it happen...nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.” 

The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing.   

"If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to destroy it all." 

A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated, and that would be a bit of a shame no matter what it looked like. Andy Serkis has changed my mind a bit over the years, but along came Guillermo del Toro to restore my faith in the idea of a man in a costume once again. Del Toro is a self-avowed fan of the Universal horror films and has thrown his hat into the Creature ring in the past. Universal didn't quite see it then. They had their own Dark Universe plans. Now I've had the chance to see The Mummy as part of the Dark Universe and was instantly underwhelmed. But after seeing del Toro's The Shape Of Water, I think it's time Universal took another look at their Creature From The Black Lagoon plans. Bang it here to listen to that Joe Dante chat: Joe Dante Interview.

"We have to be ready. You, me, the others... there's an attack coming from far away."

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however, DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman vs. Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn't quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it's not a bad film, either. Superman actually smiles and has begun to return to the "golly" innocent of his best comic years. This film may not be everything we fans of both brands were hoping for, but it's actually a good start.

The yesteryears of Disney were full of classic movies, from Aladdin to 101 Dalmatians. Each of those films holds a special place in my heart due to its warmth and very colorful, cute story. Having never seen Lady and the Tramp before picking up this early copy, I didn’t know what to expect of the film. Many declare it to be one of Disney’s best, which is certainly a remark that is quite distinguished. Would Lady and the Tramp capture my emotions and heart like so many old, classic Disney films did years ago? Read on to find out.

The basic story to Lady and the Tramp is as follows. A man named Jim Dear gives his wife Darling a mysterious box for Christmas. Inside that box is the ever-so-cute little cocker spaniel puppy, which Darling decides to name Lady. Lady spends most of her period growing up with two neighborhood dogs, Trusty and Jock. One day a dog named Tramp walks over the railroad tracks. When Darling has a child, we are introduced to two super ugly and vicious cats, Si and Am, courtesy of Aunt Sarah. Due to these evil cats and the new baby, Lady winds up in the doghouse. What happens next is cinematic history: the spaghetti scene and the start of a romance between Lady and Tramp.

I was just trying not to offend you and yet I wound up offending you, which is quite ironic.”

Six long years passed between the last Curb Your Enthusiasm episode in 2011 and the show's season 9 premiere last fall. And yet it only takes about two minutes for Larry David — the curmudgeonly comic genius who stars as an exaggerated(?) version of himself on the long-running HBO sitcom — to utter the words above after inadvertently offending his latest unsuspecting victim. In other words, even though portions of this season feel creakier than past years, it is absolutely great to have Curb back!

We have to be ready. You, me, the others… there’s an attack coming from far away.”

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman v Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn’t quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it’s not a bad film, either. Superman actually smiles and has begun to return to the “golly” innocence of his best comic years. This film may not be everything we fans of both brands were hoping for, but it’s actually a good start.

Girlfriends was a sitcom that ran from 2000 to 2008 back when The CW was known as UPN. It will also probably surprise people to learn that the series was executive produced by Kelsey Grammar, as the show is quite different from Frasier. Girlfriends was not the best comedy around, but it was a very important one for several reasons; every so often it tackled real world issues such as HIV, mental illness, miscarriages, and same-sex relationships. The series, as the title suggests, also featured a predominantly female-oriented cast.

The show followed the perspective of Joan (Tracee Ellis Ross), the den mother of the group and a successful lawyer working to find love. Rounding out the cast was Maya (Golden Brooks), the only one of the group who was married; unlike the others she is more working class, serving as Joan’s assistant at the law firm. That’s something that often causes her to clash with Toni (Jill Marie Jones), Joan’s childhood friend who comes from humble beginnings but is determined to marry into financial security. Lynn (Persia White) is the more carefree one of the group, though it is easy to be carefree when you rely on others for food and shelter. At the beginning of the series, she is forced to finally stop prolonging her education and begin her life. The central male figure for the series is the girls’ only guy friend, William Dent (Reginald C. Hayes), a fellow lawyer at Joan’s firm who brings a dry wit and interjects when the ladies begin to rant against the opposite sex. But he is also quick to lend a hand or protect them in any way that he can.