Posted in: Disc Reviews by Gino Sassani on August 29th, 2017
"From the day we arrive on the planet and blinking, step into the sun, there's more to see than can ever be seen. More to do than can ever be done. There's far too much to take in here. More to find than can ever be found..."
There's a period in the 1990's that has often been referred to as the second golden age of Disney animation. The studio had fallen from its once mighty perch, and most film historians tend to agree there was a creative dark ages through the 1980's. But the renaissance of the studio began with Aladdin in 1992 would go on to include such tremendous classics as Beauty And The Beast and The Little Mermaid. None of these films speak to the resurgence of the animated feature like The Lion King. The film set every animated record there was and holds some of those box office records today. It can be safely stated that the great flood of animated projects that followed can be traced to the impact of The Lion King. In 1996 Simba was the most popular name chosen for new housecats. Elton John saw his appeal extend to children, and there could be no mistake that the animated feature was back.
Posted in: Disc Reviews by J C on August 21st, 2017
“My name is Chuck Wepner. You don't know me...well, you do know me, but you don't know you know me.”
Unless you're a hardcore boxing fan (or a Jersey boy/girl), chances are you don't know the name Chuck Wepner. On the other hand, you don't have to be a sports buff or a movie buff to know the name Rocky Balboa. Wepner is a former heavyweight boxer, and his 1975 title bout with Muhammad Ali served as the inspiration for Sylvester Stallone's Oscar-winning classic. Originally titled The Bleeder (my two cents...they should've stuck with that title), Chuck is the story of “The Real Rocky.”
Posted in: Disc Reviews by J C on August 18th, 2017
It’s not that hard to understand why Hollywood icon Goldie Hawn came out of semi-retirement to star in Snatched alongside comedian Amy Schumer. The South American-set mother/daughter comedy filmed in picturesque Hawaii, and Schumer was a hot box office commodity coming off the successful Trainwreck. (Holy oxymoron!) I just wish Hawn’s first movie in 15 years — a co-headlining gig, no less! — wasn’t such a wildly uneven effort. Because even though Snatched doesn’t fully utilize the talents of its legend, it’s apparent that Goldie’s still got it.
Emily Middleton isn’t exactly a stretch from Schumer’s real-life persona: in short, she’s a boozy, foul-mouthed mess. Within the movie’s first 15 minutes, Emily has lost her job and her boyfriend Michael (Randall Park). Unfortunately, she and Michael were supposed to go on a vacation in Ecuador. Rather than let the trip to go to waste, Emily convinces her overly cautious mother Linda (Hawn) to accompany her to Ecuador after finding an old photo album that revealed Linda was actually fun once upon a time. After a suspiciously handsome stranger hits on Emily at a bar, the mother-daughter duo become involve in a kidnapping plot.
Posted in: Disc Reviews by J C on August 18th, 2017
Reboots are all the rage in Hollywood, in case you haven't heard. Even a relatively low-key property like the Diary of a Wimpy Kid Cinematic Universe series isn't immune. Based on the wildly popular books by author Jeff Kinney, the first three movies featured the same core group of likable actors and become rock solid hits made on modest budgets. So you can understand why Fox would want to keep the series going, even if original star Zachary Gordon became too old to play the perpetually put-upon (and middle school-aged) Greg Heffley. This latest offering features an all-new cast, but too much of the same cringeworthy and juvenile humor; it'll make you wish someone had hidden the reset button from this franchise.
“If there's one thing I've learned from my years of being a kid, it's that you have zero control over your own life.”
Posted in: Disc Reviews by Brent Lorentson on August 17th, 2017
“Of course I have issues; that’s my father.”
When I walked out of the theater in 2014 after seeing Guardians of the Galaxy, I knew I had just seen something special, and knowing a sequel was already guaranteed had me excited to see what was next for this band of misfits. Since the release in 2014 the film hasn’t just become my favorite Marvel film; it is one of my favorite films, period. So as photos and trailers began to trickle out, I began to wonder if Guardians of the Galaxy Vol. 2 could actually hold up to the first. For many the first film was a surprise hit that no one saw coming, something so toe-tapping fun between the soundtrack and action scenes, but most importantly it was the chemistry of the Guardians that had won over the audiences.
Posted in: Disc Reviews by John Delia on August 15th, 2017
Suspenseful, intriguing, and exciting, The Lincoln Lawyer makes the legal system entertaining. With all the TV attorney shows pushing for top ratings, this film comes at the right time. A strong cast, excellent direction, and a riveting storyline make The Lincoln Lawyer a must-see. Mick Haller (Matthew McConaughey) keeps his legal business close to him, in his car. Defending the lowlifes or whoever desperately needs legal assistance, Mick turns down very few clients. While working on a questionable case, his confidant Val Valenzuela (John Leguizamo) gives him the name of Beverly Hills playboy Louis Roulet (Ryan Phillippe).
This client will pay big money to get him off for battery and rape. It’s the case of a lifetime, and Mick knows it. Suspicious of the client, however, he brings on his friend Frank Levin (William H. Macy), a private detective. When they start getting conflicting evidence, Mick starts to get distrustful of Roulet.
Posted in: Disc Reviews by Gino Sassani on August 15th, 2017
"It is, I think, going to be a very harsh and unpleasant kind of business and will, I think, require an extremely harsh and unpleasant kind of man to see to it."
That man, of course, is John Wayne. They called him The Duke, and he was indeed western cinema royalty for six decades. He represented the American ideal of the tough guy who stood up for the weak and didn't shy away from a fight. His characters usually worked hard, and they played just as hard. He had a unique way of turning a phrase and has been one of the most widely impersonated Hollywood voices. By the time the 1970's rolled around, Wayne was coming to the end of a long career. Some of these later roles showed a somewhat softer side to The Duke, and he was rarely doing any of his own stunts. Two of those later films were Rio Lobo and Big Jake. They aren't two of his most prominent roles and haven't had much of a wide release in the days since their release. They would show up on late show broadcasts, and Rio Lobo had yet to reach high definition and Blu-ray release. CBS changes that little oversight with a nice package they call a John Wayne Double Feature. For those of us who remember the days of the double feature, these two films fit the double-bill quite nicely. Here are two of the better John Wayne films that you likely have never seen, at least uncut and in high definition.
Posted in: Disc Reviews by Jeremy Butler on August 14th, 2017
"For centuries man and mage lived side by side in peace until the rise of the mage sorcerer Mordred. Turning his dark ambition against man, he marches on the last remaining stronghold: Camelot."
So it finally happened: I found a Guy Ritchie film that I didn’t enjoy. I wasn’t expecting much from King Arthur: Legend of the Sword, but it is worth noting that I got even less than I expected. I know that sounds cruel, and I will admit that there were a few things that I did enjoy, but the number of things that went wrong versus what went right is not a close margin. Before we get into it fully, let me issue this disclaimer: the sword in the stone, which is known in the film as Excalibur, according to Arthurian legend is not really Excalibur, which is a different sword that Arthur was given to him after he became king.
Posted in: Disc Reviews by J C on August 10th, 2017
Big Little Lies — HBO’s star-studded and (deservedly) Emmy-nominated limited series — is structured like a typical murder mystery. We know someone has been killed, but we don’t know the perpetrator or even identity of the victim. On top of that, the limited series format promises that we’ll actually have an answer by time these episodes wrap up (**cough** The Killing). But the reason Big Little Lies shines— other than top-notch performances and stellar direction — is because beneath the murder-mystery veneer lies a darkly funny drama about all manner of adult relationships: husband/wife, ex-husband/ex-wife, mother/daughter, mother/fellow-mother, and so on.
“I love my grudges. I tend to them like little pets.”
Posted in: Disc Reviews by Gino Sassani on August 10th, 2017
When we begin the second season of Blindspot, three months have passed since the first season's explosive finale. We are placed back in the action with the same time having passed on the show. Jane (Alexander) has been kept at a covert CIA black ops location where she is being tortured for information. It is a fortuitous time to rejoin the action, because we arrive just in time to see her engineer a clever escape. Meanwhile Kurt Weller (Stapleton) and his team have been back to more mundane FBI cases, and it's obvious they miss the excitement of working the tattoos. They're about to get their wish, and things are about to get pretty intense as we join the sophomore season of Martin Gero's Blindspot.
When Jane rejoins the team, there are now a lot of trust issues between them. She's upset that they allowed her to be taken and tortured, and the team has learned more about the organization that sent Jane to the FBI. Enter new co-leader of the team, NSA Agent Nas Kamel, played by The Good Wife alum Archie Panjabi. She has named the organization Sandstorm because of the fearful ones she experienced as a child. She had trusted the wrong agent, and it cost lives on her team when he betrayed them. Now it's a little personal, and she's not going to be quick to trust Jane.
