Genre

When it comes to titles from Blizzard Entertainment, I was always more into the Starcraft and Diablo franchises. I played World of Warcraft (WoW) for a small period of time when it became a popular MMORPG (Massive Multiplayer Online Role Playing Game), but my interest in the game quickly died. The aesthetics were a little too cartoony for my liking, plus, you paid for a subscription. Regardless, I am just one fan of Blizzard: WoW caught on like wildfire. I still know people who are playing the game to this day. The question, however, is whether or not this franchise would make a great cinematic adaptation. I will admit that I am not an expert on the Warcraft lore, by any means, but I know enough about popular culture and its many fandoms to look at this film objectively.

Sitting in a theater, you are always treated to interesting pre-screening conversations. More often than not, they are being led by fans of the source material. Here are samples of some of the conversations I overheard:

Growing up I was obsessed with the Teenage Mutant Ninja Turtles animated series; it was the Saturday morning cartoon I just couldn’t get enough of.  When I couldn’t watch the cartoon, I’d be playing with the toys and eventually the video game back in the original Nintendo console days.  So when the movies came out, my parents had no choice but to take me to see them.  Back in those days we had the turtles in rubber suits; as a kid the experience was fun but still just not as good as the cartoon.  As I got older, well, those original films seem to hold up less and less, and when the news came that an updated version of the film would be coming out I got a little excited, that is till I saw the trailer for the 2014 film.  Sure, it had elements from the cartoon, but it just didn’t look inspired; it just looked like a generic kids’ film with passable CGI. The result was simply a blunder, and I would have thought the days of seeing a Teenage Mutant Ninja Turtle movie were numbered.  But here we are in 2016 with the new film Out of the Shadows ready to hit the big screen, and, folks, it’s been nearly 30 years in the making, but FINALLY we get the Teenage Mutant Ninja Turtles movie we’ve been waiting for.

Stepping in to fill the shoes as director is Dave Green. He’s relatively a newcomer in Hollywood, but it’s his vision I believe is responsible for the success of the film.  His previous film Earth to Echo is simply a wonderful kids’ adventure film that captures the energy of the 80’s Spielberg films, most notably ET.  Well, he carries that love for the 80’s into this new installment of the Teenage Mutant Ninja Turtles franchise and injects so much life into it, my inner ten-year-old was cheering with glee over this film.  This is just about the closest I’ve seen an animated series come to life on the big screen and manage to retain what made the animated series so much fun.  This isn’t a film for grownups; instead this is a film that targets the ten-year-old in all of us, the one who doesn’t question the logistics of flying manhole covers, talking brains, or humans transforming into hulking beasts.

Does doing things the legal way really make it better?”

Since movies are at their core a form of escapism, they have a way of glamorizing anyone who violently slashes through the red tape of the criminal justice system. It helps explain the enduring appeal of vigilante/revenge movies and it's probably why we're meant to root for the charitable bank robbers in Marauders. While the movie contains some cool flashes of style and occasionally bumps up against some interesting ideas about justice, it ultimately gets way too bogged down in red herrings and pointless subplots.

Victor Garber appears to me a man of extremes, at least in his climate preferences. Of course, the actor was aboard James Cameron's ill-fated Titanic when it struck an iceberg before Leonardo DiCaprio dies because he was too stupid to climb aboard a huge floating door. On television recently, Garber jumps to nuclear fire as one half of the superhero Firestorm in the DC television universe. For this release, actually filmed a few years ago he heads back to the ice, and not just any ice. This time Victor Garber narrates an IMAX documentary called Wonders Of The Arctic. Shout Factory has released the documentary as part of their impressive IMAX titles in 4K on UHD Blu-ray. This one is no less impressive and takes us on a journey to the top of the world, a place we refer to as the Arctic Circle.

The documentary isn't so much about the Arctic as a region but really is the story of the ice itself and how it impacts on both human and animal populations. It does sound the warnings of climate change, but I give it a lot of credit for not attributing such change to anything in particular. Instead the documentary does what all good documentaries should do. Present us with some facts. Show us some interesting stories. Leave us educated, thrilled and entertained. Wonders of the Arctic actually accomplishes all three of these goals.

Scuba diving is the closest thing I've ever experienced to being on an alien world. Everything around you looks and feels totally different from what we see on land. Even our relationship to gravity changes. There's nothing like it on this Earth. The ocean is a diverse place and quite resilient. The Last Reef makes this point rather dramatically in the opening minutes of the documentary. It begins with a newsreel that takes us to the nuclear explosion experiments that were conducted off the Bikini Islands in 1946. Yes, that's where the swimsuit got its name. The Islands were making the newsreels because of the tests. Of course, the entire landmass and surrounding sea were saturated with radiation. The Islands reef was destroyed. It was pretty much left to its own devices for over 50 years. And now it is once again a flourishing reef teeming with incredible life.

From the tests the film shifts gears and becomes more of a standard journey into the waters of several reefs around the world. The film begins to make the connection between a reef and a thriving metropolis like New York City. We're treated to time-lapse video of various aspects of New York City, particularly the traffic throughways and outside cafes. Of course, these moments are frantic, particularly in time-lapse form. We're then exposed to the slower, more tranquil versions of some of the same ideas: schools of fish all moving in one direction compared to those highways and feeding stations where rays and sharks can have parasites cleaned from their bodies by waiting fish. The connections are a stretch, yes, but it's a nice effective way to compare and contrast these two distinctly different "cities".

"This is encouraging."

For the first time in a long while, the Winchester Brothers end and begin a season together. Dean's just had the Sign of Cain removed, and the cost is the approaching darkness. I'm not talking a little storm blowing through. Here in Florida we know all about that kind of darkness. No. This is The Darkness, and it's the big bad for season 11 of Supernatural. You heard that correctly. We're talking 11 years with number 12 arriving any day now. Once again it's "end of days" kind of stakes, and we have another season to save the universe.

"Going on down to South Park and meet some friends of mine."

After 20 years or more, they really do feel like friends. I've known Cartman, Stan, Kyle, and Kenny longer than most real people in my life. Only the Simpsons have been around longer these days. Over those years South Park has always been a series of stories that rarely connect with each other in any significant way. There have been multi-part episodes, and certain experiences have come back up over the years. Still, we're talking about a universe where killing Kenny had become a running joke and happened pretty much in every episode. Those days are gone, and it's been a while since Kenny met his demise, and now South Park has joined the ranks of the continuing story season. I do believe that's one of the signs of the Apocalypse. I'm just sayin'.

Accidental president...that's what they'll say.”

Lyndon Baines Johnson became the 36th President of the United States under the most tumultuous circumstances imaginable. Besides being thrust into office after the shattering assassination of President John F. Kennedy, Johnson had to immediately contend with multiple political crises. Most notably, LBJ faced pressure from several different fronts as he worked to pass what eventually became the Civil Rights Act of 1964. All The Way, buoyed by a funny and ferocious lead performance, offers a thought-provoking and entertaining look at a truly complex figure.

When a movie that so clearly lifts its inspiration from the films of Roman Polanski and Alfred Hitchcock, I would have expected to simply embrace this film for the nail-biting thriller it is attempting to be.  Instead I found myself sitting back wondering why I just couldn’t get into this film.  Is it because the storyline seems uninspired?  Whatever it is when it comes to The Ones Below, it may hit all the right notes when it comes to what to expect with a thriller, but that’s the problem; it plays everything by the book and doesn’t dare to take unexpected twists.

Kate (Clemence Poesy) and Justin (Stephen Campbell Moore) are a happy couple living alone in an upstairs flat in London with a baby on the way.  When they notice that they have new neighbors who have moved into the space below them; it of course comes as a surprise to see that they too are a couple expecting to have their first child.  The new neighbors are Theresa (Laura Birn) and her husband Jon (David Morrissey). There is something off about the couple right from the start, and when Kate and Justin invite their new neighbors to dinner, you don’t have to hold your breath too long before things go awry.  When an accident occurs that causes Theresa to lose the baby, as a viewer we can already expect things to go bad, since Jon and Theresa seem to blame Kate and Justin for their loss, but what follows just kind of seems silly rather than menacing.

"My name is Barry Allen, and I am the fastest man alive. When I was a child, I saw my mother killed by something impossible. My father went to prison for her murder. Then an accident made me the impossible, and I became the Flash. I used my powers to find the man responsible for my mother's death. I thought I would finally get justice for my family, but I failed. It's been six months since the Singularity. I'm on my own now. Decided it's better that way. Keeps the people I care about safe. There's only one thing I can do now. I run…" 

The Flash is CSI with a twist. Barry Allen (Gustin) is a police scientist working in the CSI lab of Central City. In fact, he appears to be the only staff of that unit, having pretty much the run of the lab. When he was 11 he witnessed his mother's murder amid red and yellow streaks of lightning. Within the streaks he saw a man dressed in yellow. No one believed what he saw, and his father (Shipp) has been doing time for the murder he did not commit. Young Barry was taken in by their family friend Detective Joe West, played by Law & Order's Jesse L. Martin, and daughter Iris West (Patton). When a particle accelerator at Starr Labs explodes, the dark matter wave that spreads across Central City combines with a lab accident, and Barry is bestowed with incredible speed. Unfortunately, he was not the only one affected. Other people received various other powers and are referred to here as Meta Humans.