Posted in: Disc Reviews by Gino Sassani on April 19th, 2012
"This is how it starts..."
You know, it's getting awfully hard to make an original alien invasion film. Most filmmakers have accepted the obvious and go for mind-blowing f/x and never mind the story. Still others go the trendy found-footage route. I was pleasantly surprised that The Darkest Hour appears to prove that there just might be more than just fumes in the creative tank after all. I'm not going to try to convince you that the film doesn't rely on much of the tried and true standby material. It covers most of the traditional formula. What I will try to convince you of, however, is that The Darkest Hour feels fresh even if it does rely on many of the standard conventions. In the end, it's a very entertaining film that proves you don't have to break the bank or take the shaky camera angle to put some quality on the screen.
Posted in: Disc Reviews by Gino Sassani on March 16th, 2012
"When this world was still young, long before man or beast roamed these lands, there was a war in the heavens. Immortals, once thought incapable of death, discovered they had the power to kill one another. Lost in the war was a weapon of unimaginable power: The Epirus Bow."
I know there are a lot of you out there who can’t wait for the huge 300 sequel: 300 The Battle Of Artemisia. You might even have your calendar circled for the Clash Of The Titans remake sequel Wrath Of The Titans, also on the horizon. In case you find that you just can’t wait, director Tarsem Singh has created a weigh-station, of sorts, with his action-packed Immortals. The film takes elements from both franchises and melds them together into something very much like those films, yet unique enough to warrant some of your attention. The result is a film that is absolutely uneven in places, but entertaining enough to be worth a look.
Posted in: Disc Reviews by M. W. Phillips on February 29th, 2012
“Remember... Winter is coming.”
Very rarely, the stars align and a media magic event happens, creating a flawless television series. Such an event happened last year with the premiere of HBO’s Game of Thrones based on the novels from George R.R. Martin’s best selling and ongoing series A Song of Ice and Fire. HBO was so pleased with the series, it green-lit the second season only hours after the pilot premiered. Co-President Richard Plepler said, “We told George (R.R. Martin) we’d go as long as he kept writing.” The network projects topping $1 billion in international revenue and at $2.5 million an episode; it’s already double what they made on The Sopranos.
Posted in: Disc Reviews by Gino Sassani on February 18th, 2012
"I don't have to worry about how it all happened. It is what it is. We're genetically engineered to stop aging at 25. The trouble is, we live only one more year unless we can get more time. Time is now currency. We earn it. We spend it. The rich can live forever and the rest of us?"
Well...the rest of us lose a couple of hours by watching films with tremendous potential that end up leaving us disappointed and more than a little bit cheated. Hopefully, you haven't yet taken the plunge and I've gotten to you In Time.
Posted in: Disc Reviews by Michael Durr on February 16th, 2012
Somehow, I should have known that when my wife started to read the Twilight Series, I would eventually get dragged into watching the movies. The first one, I probably saw three times, the second one, only once. The interesting thing was that my wife was turned off by the movies and I am not sure I remember how the third one ended up. But low and behold, the fourth chapter of the series did not escape my grasp. Not because of my wife, but because of my webmaster knowing I am a glutton for punishment. Enter Breaking Dawn.
Remember kids, this is part one. The new thing in this day and age is if you are adapting a book to film and really want to place emphasis on that last book, you release it in parts. This is two fold, one there is usually a lot of information that needs to get onto screen (since books are more detailed than movies) and two, everybody involved wants to milk the cash cow at least one more time than they would normally be allowed. This only works by the way if the movie is ultra successful. See Harry Potter, and now of course Twilight.
Posted in: Disc Reviews by David Annandale on February 15th, 2012
Back when I reviewed the original Blu-ray/DVD combo release, I said that those wanting special features should wait for the inevitable double-dip. Well, here it is, and so loaded with features that they get a Blu-ray to themselves.
Following the events of Transformers: Revenge of the Fallen, the Autobots are working hand-in-mechanical-glove with human authorities (in other words, the apparently all-powerful CIA), keeping close watch for Deception activity, but also helping out in human-on-human conflicts. Meanwhile, Shia LaBeouf has traded in improbably hot girlfriend Megan Fox for the equally improbable Rosie Huntington-Whiteley (an improbability that the script does have some fun with). He is also out of work and dismayed at not being given due consideration as a saviour of the planet.
Posted in: Disc Reviews by Gino Sassani on December 23rd, 2011
It all started with a very short novel by French author Pierre Boulle. It wasn't even that much of a hit at first. But a small group of Hollywood moguls led by Arthur P. Jacobs believed in the property and worked hard to get a film made. It wasn't easy. They had to interest a big star and make a test reel in order to get anyone to bite. Fortunately for us all, Fox did bite. After five films, a television series, and a cartoon run, the franchise ran out of steam by the middle of the 1970's. Tim Burton almost killed the chance at rebirth with his terrible remake. But in science fiction, nothing really dies forever. The Apes have returned in one of the best remakes, if it could be called that, in the last 20 years.
Rise Of The Planet Of The Apes is not really a remake of the original 1968 film. It's more closely related to the fourth film in the franchise, Conquest Of The Planet Of The Apes. In that film the infant son of Cornelius and Zira grows into an adult and eventually leads a revolt of the ape population. By that time apes had replaced cats and dogs as pets, which had been killed in a plague. The apes were forced into slavery and Caesar, played by Roddy McDowall, would lead them toward that ape civilization Charlton Heston's Taylor finds in the original movie. It all came rather nicely full circle, and that was eventually the end of it. This film, while honoring much of the traditions of the franchise, tells a much different origin story, but it's a good one.
Posted in: Disc Reviews by Gino Sassani on December 22nd, 2011
"How about... The Rocketeer?"
Back in 1972 Elton John pushed himself to the top of the charts atop the hit song Rocket Man, who was burning out his fuse up here alone. Well, it wasn't going to be a very long long time before Disney and company gave us a Rocket Man in their family drama/comedy The Rocketeer. It was the first day of summer in 1991 when The Rocketeer first appeared. The box office was moderate, but it had seemed like he disappeared from the scene for a long long time. He's found again, and you can now see him in high definition with this 20th anniversary Blu-ray release.
Posted in: Disc Reviews by Gino Sassani on December 14th, 2011
"Within our lifetimes, we've marveled as biologists have managed to look at ever smaller and smaller things. And astronomers have looked further and further into the dark night sky, back in time and out in space. But maybe the most mysterious of all is neither the small nor the large: it's us, up close."
Another Earth has all the earmarks of a first feature film for director Mike Cahill. It's also quite obvious that the director is far more comfortable in the documentary style of filmmaking. This movie is shot with the same kind of cinema verite style, and while it does follow the story of these two broken people, it is always told from an intimate point of view of a close chronicler who has somehow gained access to the drama as it is unfolding. There isn't a sense that any of this is scripted. The dialog doesn't contain any of the practiced lines or delivery that you would find in most dramas out of Hollywood. In fact, there isn't anything "Hollywood" about the film. There lies its greatest strength and, perhaps its greatest weakness.
Posted in: Disc Reviews by Gino Sassani on December 12th, 2011
Look up in the sky. It’s a bird. It’s a plane. No, it’s…. well, Clark Kent. And we finally have to say goodbye to the wonderful universe that this show has brought to the Superman mythology. With the show ending on its own terms we expected a lot from this season, and it was something just short of impossible for the cast and crew to deliver on those fans expectations. The season wasn't perfect, and I'm sure that each fan walked away disappointed in something that happened, or more likely didn't happen. It was a tall order, but I think that the show delivered quite handsomely. For me, it was important that Tom Welling get that chance to put on the suit and fly. I wouldn't think it was any kind of major spoiler to tell you that he does. Those last 12 minutes were payoff enough for me. There were also some rather emotional moments that brought back many past cast members including the much-anticipated return of Michael Rosenbaum as Lex.
There were certainly epic story-lines going on here. There's a Watchmen/X-Men-like story that deals with a law to force masked heroes to register with the government amid a surge of anti-hero public backlash. Of course, it's Lois's father played excellently by Michael Ironside who leads the anti-hero legislative push.
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