Sci-Fi / Fantasy

"There is a town in Maine, where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."

ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history in a television series. That time has arrived and the result is Once Upon A Time. It's the most clever and original series to hit the tube in a long time.

A group of teenage faeries are graduating from their Faerie academy, and set off on a grand adventure to stop an evil force from...doing evil in general. Meanwhile, one of the faeries is searching for her birth parents, while the rest are giggling about boy faeries and various colouful, giggle-inducing cute items.

The plot wavers between flighty (pun sort of intended) teen romance, where the faeries focus their magical powers on obtaining cute-boys and cute-animal companions, and a action-fantasy filled with large scale battles with nightmarish monsters, complete with mass destruction of buildings, swordplay and vicious exchanges of energy blasts.

Perhaps one of the best known science fiction authors ever, Phillip K. Dick’s short stories and novels have been the basis for many film adaptations including The Minority Report, Paycheck, A Scanner Darkly, Blade Runner, and the upcoming release Next. Of course the reason I mention Phillip K. Dick is because Total Recall is based upon his story We Can Remember It for you Wholesale. In the past Total Recall has been known for quite a few reasons – its achievements in special affects, its high budget, the re-launch of Sharon Stone’s career – but ultimately when we think of Total Recall we all think of the big guy himself, Arnold Schwarzenegger.

Set in 2084, Douglas Quaid (Arnold Schwarzenegger) is an average-joe construction worker who as of late can’t stop dreaming about being on Mars. Though there is in fact a population on Mars, it is a conflict zone unsafe for travel as the tyrant Vilos Cohaagen has a monopoly on the oxygen which is heavily disputed by a group of rebels. Instead Quaid goes to Rekall – a company which will implant memories into his mind making him believe he was in fact on a vacation to Mars. Quaid opts to go for the vacation where he is a secret agent on a special mission on Mars called “Blue Skies on Mars.” While undergoing the procedure alarms start going off, it turns out that Quaid’s mind has already been altered; he has an outburst which results in him being subdued and his memory of ever going to Rekall erased.

"Space... The final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

Nearly 20 years after the original Star Trek left the network airwaves, Gene Roddenberry set out to discover if he could catch lightening in a bottle once again. Some say he did an even better job with Star Trek: The Next Generation. There are times I tend to agree. The Star Trek sequel series had a lot more advantages from the moment it was conceived. Star Trek, a series that barely registered on the ratings during its three-year primetime voyage, became a huge sensation in syndication. By the time Next Generation came on the scene, the original show had been syndicated in over 20 different languages all over the world. It had launched an animated series, and a fifth feature film was already in the early stages of consideration. So it isn't quite fair to judge the success or quality of The Next Generation over the original series. One thing is inarguable. The second would never have existed if not for the first.

Taking place in the 41st century, an astronaut named Barbarella (played by Jane Fonda) has been ordered to search out a missing Earth scientist named Durand Durand. On this mission, she is forced to land on a Planet called Lythion where she must overcome various erotic obstacles in this psychedelic camp classic.

When it comes to campy productions like this, one does not sniff around for Oscar worthy performances...no...we come to see Jane Fonda stiptease in zero gravity. In fact, throughout this tale, Fonda's Barbarella uses her sexuality as her weapon of choice in the fight against robots, mad scientists, and other extra-terrestrial baddies whom wish nothing more than to see intergalactic angels slaughtered (I swear to you, that was not just me cobbling together random words...all of those things actually happen in this film).

"In ancient times the world was ruled by gods and monsters...And now the time of the gods is ending."

It appears that Greek mythology has become the fodder for a ton of movies of late. From young adult films to the hardcore action movies, audiences are getting their fill of the familiar gods and beasts from mythology lore. Some are calling it a trend or hot phase, like vampires and robots. Whatever it is, it isn’t a phase, and it isn’t merely passing through.

"In the 19th century Jules Verne wrote some of the greatest adventure stories ever told. Novels such as 20,000 Leagues Under The Sea, Journey To The Center Of The Earth and The Mysterious Island. Most consider these works of science fiction. Vernians know otherwise."

In 2008 Brendan Frasier had himself a rather unexpected hit with Journey To The Center Of The Earth. That film posed the fantastic question: What if the works of Jules Verne were not based on fantasy at all, but rather actual events, people and places. Frasier's Trevor Anderson was part of a family whose tradition for generations was to safe keep these Verne secrets. The film was intended as a nice 3D romp and pulled in a respectable amount at the box office. We knew that meant more. The only question was: Would we continue with that story or strike out on an entirely new Jules Verne adventure? With an almost entirely new cast, the studio decided on taking the later road. Enter Journey 2: The Mysterious Island.

“When I saw you, I believed it was a sign… that something new can come into this world.”

John Carter first appeared in Edgar Rice Burroughs’ Barsoom magazine serial nearly a century ago in 1912. The science fiction pioneering Carter stories captured the imagination of masses and inspired countless authors and directors. For example, George Lucas himself has stated there would be no Star Wars without John Carter of Mars. It took nearly a century to get it to screen and in time countless others have mined the series for inspiration. The result is a massive “been there done that” experience.

This series from Comedy Central began as a low-budget film hosting show in a small television station in Minnesota. It was the brainchild of Joel Hodgson. It ended up running for 11 years and a feature film version. Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a couple of robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The collection includes two Mike and two Joel episodes.

If there is a theme to the set it is that three of the four films are from Robert L. Lippert.

I am not sure about others, but I often I think I daydream more than most. Perhaps it is about being a published author, perhaps it is about being an adventurer in mythic times. When I watch movies, I want to travel to a New World, whether scary or magical where I can let my fantasies wander in any direction I wish. Today, I review Witches of Oz which sounds like it might involve the magical land of Oz. In reality, it only involves the world of New York City. Wicked witches indeed.

Stop me if you have heard this part before. Ages ago, when magic filled the land and all sorts of magical creatures roamed the landscape. Now, there was good and dark magic. However, evil always has dark intentions and was able to conquer good magic. The world grew dark except for something called “The Changing Word” which was used to create a new realm called Oz. “The Changing Word” was never supposed to be used again.