Posted in: Disc Reviews by Jeremy Butler on February 25th, 2013
“God never would have intended this.”
Has anyone ever noticed the pairings that tend to occur in disaster films? A lone scientist with an expertise in a particular field of study partners with a lone government agent or soldier to prevent a cataclysmic event that will result in the destruction of mankind, whether the disaster is manmade or an act of fate. This was in the case in Godzilla (American version), Independence Day (there may be some controversy on whether this qualifies but you must admit that the main focus was on Smith and Goldblum), miniseries Asteroid, and now it would seem Seeds of Destruction.
Posted in: Disc Reviews by J C on February 19th, 2013
“There’s a king in every corner now.”
Game of Thrones is definitely one of the best shows on TV right now, and it might be the most ambitious television series ever produced. Ambition and quality don’t always go hand in hand. (See, Cloud Atlas. No, seriously…watch it. I’m one of the people who really enjoyed that convoluted mess.) The second season of Game of Thrones — a massive undertaking that took its cast to Iceland and Croatia, in addition to its Belfast base — performed a minor miracle. It deepened, expanded and improved upon an already excellent show.
Posted in: Disc Reviews by Jeremy Butler on January 30th, 2013
How exactly do you make a superhero movie without the powers? Answer: Have them wake up with their powers being stripped from them. All Superheroes Must Die is a superhero tale that from the title you can tell is fated not to end in the traditional way that superhero films end: with the righteous prospering and the wicked suffering. What the film title doesn’t let you know, however, is how underwhelming the film is. It does have an interesting startup, I’ll give it that. Our heroes: Charge (Jason Trost, writer/director), The Wall (Lee Valmassy, THE FP), Cutthroat (Lucas Till, X-Men First Class), and Shadow (Sophie Merkley) wake up in an abandoned town (I have to be honest; I didn’t understand many of the chosen monikers). Seeing each other comes as a shock to each of the heroes as the once-powerful unit has been separated for what the audience is forced to assume is years. Personal issues forced them apart, and now a common enemy has brought them back together: Rigshaw, a methodical sociopath with an axe to grind against the group, especially Charge, who was thought to be responsible for his supposed downfall.
Rigshaw has created a complex series of trials for the team heroes to go through, the objective for them to experience what it is like to be on the losing side for once; a series he has aptly named Role Reversal. To survive the game and save lives, the heroes will have to get past their differences and work together, but will they be able to let go of the past and work together, or will their past be the deciding factor in their destruction?
Posted in: Disc Reviews by Jonathan Foster on January 17th, 2013
Do you realize how much you’re affected by advertising? Branded attempts to answer this question while showing us where our world is headed if the trend continues. Mishka Galkin (Ed Stoppard, The Pianist) is Russia’s advertising whiz kid. When Mishka meets Abby (Leelee Sobieski, 88 Minutes, The Wicker Man), they immediately become friends, despite the fact that she is the niece of Bob Gibbons (Jeffrey Tambor, TVs Arrested Development, the Hellboy movies), Mishka’s boss. Even though Bob warns him to stay away from Abby, Mishka enters into a personal and professional relationship with her, developing an Extreme Makeover-type show in Russia together. Unfortunately, the show tanks when the woman getting the makeover falls into a coma following her cosmetic surgery.
In the public outcry that follows, Mishka is jailed and Abby is deported. When he gets out after being incarcerated for a few days, Mishka angrily confronts his boss, claiming that Bob used his former CIA contacts to orchestrate the show’s failure so that Abby would leave Russia (and Mishka). During this argument, Bob has a heart attack and dies. Believing his marketing ability is “a curse” harming those around him, Mishka decides to leave the advertising business behind and become a hermit. (The idea that Mishka’s ability is a curse comes from the film’s narrator, who sounds like GLaDOS, the evil computer from Portal.)
Posted in: Disc Reviews by Gino Sassani on January 14th, 2013
"Space... The final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
It was the best of times; it was the worst of times. No, this is not a Charles Dickens review. It very accurately describes the second season of Star Trek: The Next Generation. The first season went over much better than anyone really expected. The Trek faithful embraced the series and the new characters. It was now time for the show to find its own feet with a second season. Unfortunately, several things went wrong. The Writers’ Guild went out on strike, and that meant no new scripts. Paramount was even talking about getting rid of the series. That was until someone remembered that this was not the first attempt to resurrect Star Trek for the television screen. In the late 1970's Paramount was preparing to launch its "4th" network. The anchor was to be a return of Star Trek, commonly referred to as Star Trek: Phase Two. All of the original cast would return with the notable exception of Leonard Nimoy as Mr. Spock. The show would basically continue that crew's voyages. Then Star Wars lit the box office on fire. Combined with the scrapping of the network, until later, the television series became Star Trek: The Motion Picture. Spock returned along with two new characters. You might recognize Riker in Decker and, of course, Troi in the Deltan Ilea. The series was no more, but several scripts had been written and shelved. With some tweaking, Star Trek: Phase Two's scripts became Star Trek: The Next Generation's foundation for season two.
Posted in: Disc Reviews by M. W. Phillips on December 6th, 2012
“You think this can last? There’s a storm coming, Mr. Wayne. You and your friends better batten down the hatches, because when it hits, you’re all gonna wonder how you ever thought you could live so large and leave so little for the rest of us.”
In the spirit of full disclosure, let me state that my favorite comic book hero is Batman. As a child, even before the sixties TV show premiered, I loved the tale of Batman. It is a story of a child who overcomes the fear and destruction of his childhood and becomes stronger because of it. He grows into an extraordinary man and, in spite of having no super powers, created a legend out of himself by becoming an icon for justice. Bruce Wayne channeled his lust for vengeance into mastering his intellect, detective skills, science and technology, physical prowess, martial arts skills, an indomitable will, fear, and intimidation skills to fight his continuous war on crime. He may have inherited almost limitless wealth, but he didn’t let it make him soft; instead he converted the riches into a crime-fighting asset. His behavior may have been borderline psychotic, but he lived by an impossibly strict, but simple, set of rules… no guns, no killing, no glory, but most of all, zero tolerance for crime.
Posted in: Disc Reviews by Gino Sassani on November 28th, 2012
"I promise you the secrets of the universe, nothing more..."
It's been an astonishing 15 years since Will Smith and Tommy Lee Jones first teamed up as Agents J and K respectively for the intergalactic police force Men In Black. The film was like a breath of fresh air. It combined top-flight science fiction fantasy with whimsical humor. It was a hit at the box office, and like most wonderfully original hits it was quickly followed by a sequel that had almost none of the cleverness and freshness of the original film. The film was so unmemorable that I sat with other critics getting ready to see Men In Black 3 and none of us could actually remember what the second film was even about. Years went by and most of us put the franchise in our rearview mirror.
Posted in: Disc Reviews by Michael Durr on November 13th, 2012
As a moviegoer, I love my share of epics. The bigger the storyline, the bigger the world, the more I probably enjoy it. Oh, it has to be sci fi/fantasy related too. Fantasy worlds in particular are often amazing since the creator is making it up from scratch. Today, we visit the world Aradius, a land where a very special mineral plays a very important part in the story. The story you ask? The story of Hirokin, the Last Samurai. Let’s explore, shall we?
Let’s start with a little back story. Humans came to the planet of Aradius to trade for Aradium. This special mineral allowed massive metal objects the ability to float. Well as with any precious mineral, it was soon depleted and most of the humans left. However, the planet of Aradius was left with its kinfolk succumbing to disease, refuse and infertility. The Arid people (who we could tell the difference from humans from the veins in the palm of their hands) were ruled by humans who wanted them wiped from the planet.
Posted in: Disc Reviews by J C on November 13th, 2012
People make fun of us Floridians for a variety of reasons. (Some of them don’t even involve our performance in presidential elections.) One of the most popular ways out-of-staters in the northern part of the country — as well as our Canadian readers — mock us is by chuckling whenever we dash to our closets and dust off our winter wear as soon as the weather dips below 60 degrees. So I can’t even imagine how we’d handle a full-blown Snowmageddon!
Snowmageddon is the latest disaster — in every sense of the word — courtesy of SyFy Original films, which has already brightened countless Saturday nights with tastefully-titled flicks like Stonehenge Apocalypse, Piranhaconda and Snipers vs. Vipers. (Have fun figuring out which one of those I made up. No Googling allowed!)
Posted in: Disc Reviews by Gino Sassani on October 17th, 2012
"In space no one can hear you scream."
It was the tagline that brought us by the droves into our neighborhood cinemas in 1979 to see one of Ridley Scott's two classic science fiction adventures. Alien was one of the scariest science fiction films we've ever seen. It wasn't just the wonderfully organic H.R. Giger designs that had us on the edge of our seats. Scott delivered a claustrophobic nightmare that caged us with this remarkable killing machine. Much the same feeling I had recently trapped in a minivan with a large spider on the prowl. It was an instant classic and holds up just as well today. It was, of course, followed by one worthy sequel and another two that I choose to pretend never happened. More recently, the franchise was paired with the Predator universe for another two films, the second of which was actually a pretty good film. Still it has been with bated breath that many of us were waiting for Ridley Scott to return to these classic roots and scare us all over again. The result of that 30 + year wait is Prometheus.
