Posted in: Disc Reviews by J C on January 11th, 2017
“I don’t want to be in this relationship anymore, and I don’t know how to get out.”
A TV show’s fifth season is around the time it starts to feel like you have to see things through to the bitter end. I mean, it seems downright irresponsible to ditch a series after five years of investing in its characters’ lives, no matter how flawed and frustrating they are. And there’s no doubt the self-absorbed millennials on HBO’s Girls are among the most flawed and frustrating people on TV; so I was delighted to find that the series produced one of its strongest seasons as it nears its conclusion.
Posted in: Disc Reviews by Brent Lorentson on December 14th, 2016
relatively out of the spotlight as she has worked on making her cable network channel, OWN, a success. While I wouldn’t ever say I was a fan of Oprah’s work on the screen, I could appreciate what she did in The Color Purple and Beloved. This being said, I have to admit I was a bit reluctant to take a title that at first glance seemed to be a show that would be heavy-handed with its subject matter centered around the church. Despite my concerns, I’m glad I picked up this title, because despite how it handles some very familiar topics, it’s presented in a manner that not only feels fresh but is truly an engrossing show that manages to suck the viewer in and kept me wanting to see what would happen next.
Grace Greenleaf (Merle Dandridge) returns to her Memphis home with her daughter, Sophia (Desiree Ross), to pay her final respects to her sister who has passed on. Grace returns home but is hardly greeted with open arms. The Greenleaf name is one that has a far reach, due to the fact that Bishop James Greenleaf (Keith David) runs Calvary, a large mega-church that has thousands of followers, with several members of the family taking on large roles in the day-to-day functioning of the church. The Greenleaf family (at least a good portion of them), all seem to live together under one roof, in a mansion that is situated upon a large, picturesque piece of property. The show wastes no time in setting up all the drama that unfolds behind the walls of the mansion and inside the church.
Posted in: Disc Reviews by J C on December 1st, 2016
The most remarkable thing about Looking might have been how thoroughly unremarkable it was. The HBO dramedy — which followed the love lives of three gay friends in San Francisco — sidestepped any sort of headline-grabbing sensationalism. However, Looking was often low-key to the point that it bypassed being funny or particularly entertaining. The latter point was a bigger issue early on since the show's naturalistic tone made Looking more engrossing as the series progressed and deepened its roster of characters. You can see for yourself how the show got better as it went along now that HBO has released the entire Looking saga — two seasons and a movie — in one handy Blu-ray set.
“I don't know if either of us are very good at being who we think we are.”
Posted in: Disc Reviews by Gino Sassani on November 24th, 2016
"Space...the final frontier. These are the continuing voyages of the Starship Enterprise. Its five-year mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one man gone before!"
Of course, we never did get five years from that original show when it ended after just three years in 1969. The new film series has tried to fix that for us. The latest film picks up the five-year mission just after three years have gone by. It's a double homage to the original show. The number of days reflected the series start, and it picks up where they left off...kind of. But we did get a fourth and partial fifth year of the original voyages, and while it has never been considered truly canon, the original cast joined many of the original writers in 1973 to bring Star Trek back to the small screen. It was Filmation's Star Trek: The Animated Series, and it appeared on Saturday mornings from 1973 until 1974.
Posted in: Disc Reviews by J C on November 18th, 2016
“Does death only come for the wicked and leave the decent behind?”
Throughout its first five seasons, Game of Thrones has been relentlessly cruel to its viewers heroes in a way that shocked audiences and upended genre expectations. But as Thrones edges toward its conclusion — and as the TV adaptation becomes more unmoored than ever from the George R.R. Martin novels that inspired it — certain storytelling conventions seem to be inevitably taking over. I seriously doubt this saga will have a traditional “happy ending,” but season 6 is as close as the show has ever come to being a full-blown crowd-pleaser.
Posted in: Disc Reviews by Gino Sassani on November 14th, 2016
"What we do has consequences, intended and unintended. The decisions we make, the actions we bring have weight."
When upcoming heavyweight contenders like Brian Koppelman, David Levien, and Andrew Ross Sorkin get together, you have reason to expect big things. And Billions is very much about heavyweights. The entire show is one big metaphor for a heavyweight prizefight. In one corner you have U.S Attorney Chuck "The Scholar" Rhodes, played by Paul Giamatti. He's the reigning world champion with a record of 80+ to 0. In the other corner is Bobby "Axe" Axelrod, played by Damian Lewis; he could also be considered undefeated. He runs a sexy brokerage firm. He's the people's champion because he gives very freely to notable charities and particularly to first responders because his wife's brother was a fireman killed at ground zero on 9/11. Both of these guys walk and talk like champs. There's a lot of trash-talk between them, but both have very lurid and potentially devastating skeletons in their perspective closets. And most of the first season plays out like the traditional preliminaries of the big fight. They are headed to an ultimate collision, and it's even-money who, if anyone, walks away with the belt.
Posted in: Disc Reviews by Gino Sassani on October 21st, 2016
You know, I miss James Gandolfini. I know that HBO misses him as well. When The Sopranos finished, Gandolfini signed a development deal with HBO. He would not only work in front of the camera but help find and produce material for the network. We all know what happened next. Gandolfini passed suddenly, just when it seems he was breaking out of his Tony Soprano typecast, and one gets the feeling that he was going to do great things. One solid indication of that promise comes in the HBO series The Night Of... which was one of those passion projects that the man never got to see through. It's one of the best things to come out of HBO in a few years, and that is saying something when you consider the strong programming that can be found there now. Game Of Thrones is a great show. The Night Of..., well... that's something special all to its own.
It all starts out with our introduction to Nasir "Naz" Kahn, played by Riz Ahmed. He's a straight-A college student from a solid working class Pakistani family. His family is Muslim and very conservative. He tutors basketball players but otherwise keeps to himself. He doesn't date, do drugs, or pretty much anything else fun. That is until he's invited to a team party and he wants to let loose just a little bit. He sneaks out of the house and borrows the taxi that his father owns with two other partners when he's stood up by his friend for a ride. The problem is that he does not know how to turn off the "On Duty" sign, and a young, troubled girl gets into his back seat. Andrea, played by Sofia Black-D'Elia, strikes a chord with Naz, and instead of making her leave the cab he drives her around and finally takes her home. What starts as a bizarre encounter ends up changing his life forever. Naz wakes to find that Andrea has been murdered savagely in her bed. What he does next is begin a chain of events that will ultimately lead to him virtually framing himself for her murder.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2016
"...And then all light will end, and the world will live in darkness. The very air will be pestilence to mankind. And our brethren, the night creatures, will emerge and feed."
We could be talking about the end of the world. We could also be talking about the untimely demise of Penny Dreadful with just its third season at Showtime. It came with a suddenness, and not without controversy. John Logan originally planned for the series to go 6-7 years. Something abruptly changed, and he has stated rather forcefully that it is impossible to continue the show beyond this third season. The finale is marked with a solid The End to punctuate his feelings. Showtime did not want to part with the show so quickly. Neither did the fans, and quite frankly neither did I. I haven't been this disappointed in a creator since Calvin & Hobbes went away because Bill Watterson got tired. Hell, I get tired, too. John Logan might have been finished with Penny Dreadful, but I wasn't.
Posted in: No Huddle Reviews by J C on October 10th, 2016
“There can only be one queen.”
After navigating treachery at every turn in French court and having to cope with a deadly plague throughout the first two seasons of Reign — the CW's campy, compulsively watchable adaptation of the Mary, Queen of Scots saga — season 3 was meant to introduce Mary's most formidable foe yet. Queen Elizabeth I of England becomes a regular character on the show and Mary's chief rival from afar. But in telling the story of two warring queens (while trying to service the series' many established characters) the show stretches itself too thin and loses some of the fizz that made it a guilty pleasure.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2016
"Did I miss anything while I was gone?"
Did you ever. Banshee came to an end with this, the fourth season, and it did not go quietly, to be sure. But it's not how it ends, but how this final season begins that's a bit of a mystery. There is a time jump of a little over 18 months that will cause you to feel like you might have missed something. If that doesn't confuse you, the season's constant tripping around in time will turn this season into a show very different from the Banshee we've come to know and love. It's not just one or two timelines that are presented here. The time can shift by any number of days, weeks, or months. Still the "current" story takes place nearly two years in the future. Fans appear to be divided on the season's dramatic departure from the show's style. The question has to be whether the team knew it was their final season from the beginning and felt the need to cover more ground to tell what story they had left to tell.
