Posted in: Disc Reviews by William O'Donnell on November 21st, 2013
It was inevitable. Spongebob Squarepants gets its own Christmas Special. Usually television shows take the lazy route and inject their own characters into a familiar Christmas story and make a parody or adaptation (how many times have we seen Charles Dickens A Christmas Carol redone?). Thankfully this special offers a unique tale of the malevolent Plankton creating a special fruitcake that turns any eater into a totally jerk. Will Spongebob's demeanour make him immune? Of course...but what of the rest of Bikini Bottom?
This episode/special takes up a full half hour time slot, which separates it from many of the other Spongebob stories that range closer to 10 or 15 minutes in length. That is not its most notable characteristic though. This episode adopts the Rankin/Bass style stop-motion of animation that has become synonymous with Christmas specials. Though the movements are far smoother and more frantic than the classics it is honouring, the animation is well coordinated and looks very nice.
Posted in: Disc Reviews by Brent Lorentson on November 21st, 2013
Creator David Simon (The Wire and Generation Kill) has never been a show runner concerned about cliffhangers or plot twists; instead he thrusts his viewers into the day-to-day life of the everyday Joe and shows that real life generates more conflict than most fiction can ever deliver. Ever since I first watched The Wire I’ve considered myself a fan of Simon’s work, and I feel it could be argued that what Simon did with The Wire is a large factor in why we have the quality of television that we do today. With Treme he has given us an array of fleshed-out characters; whether they be real or fictional, they all come together to present this allegory of greed and corruption upon the backdrop of a city that is arguably the heart and soul of music.
In the show it has been 25 months since Katrina has torn through New Orleans, and the residents of Treme who have survived the storm are treading their way through the aftermath. The new season kicks off with trombonist, Antoine Batiste (Wendell Pierce) showing up for a Second Line memorial that is soon broken up by NOPD. There has always been a disconnect between the police/government and the people of Treme, but post-Katrina seems to have opened the floodgates for more corruption among the members of the NOPD and the city officials. This corruption introduces L.P. Everett (Chris Coy), a young journalist who is trying to uncover the truth behind suspicious deaths that have happened after Katrina that may or may not be connected to the police. L.P.’s investigation seems to have a connection to a case Toni (Melissa Leo) has been working since season 2 which already uncovered enough dirty cops in the NOPD.
Posted in: Disc Reviews by Gino Sassani on November 20th, 2013
"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."
What a difference a couple of years makes. Rick Berman was pretty stubborn about wanting The Next Generation to live on its own without connecting to the original show, perhaps as much as the fans would have liked. There was, of course, the cameo by DeForest Kelley in the pilot, but he was never called McCoy, only Admiral. Yes, we knew who he was, and his interplay with Data was intended to remind us of his relationship with a certain Vulcan. The original Enterprise would be referenced in The Naked Now that first season. It was the only direct sequel of an original episode to air. When season 3 brought the return of Mark Lenard as Sarek, Berman was insistent that no mention of Spock or the original show be made. After a barrage of pleadings from the writers he relented... slightly. He decreed that Spock's name could only be mentioned once and no other connections be in the script.
Posted in: Disc Reviews by William O'Donnell on November 16th, 2013
In the Florida everglades, the Wedloe family have a 650-pound tame bear for a loyal pet. A very young Clint Howard stars as Mark, the son of a game warden (played by Dennis Weaver),who leads Ben around on several adventures and merry mishaps. Though “merry” may be the wrong word as Mark and Ben encounter their fair share of real life dangers.
Right off the bat, this show leaps into stories that are far more intense than one might expect from a family program from the 1960s. In the debut episode, the entire community faces a deadly hurricane. The characters spend the entire hollaring at eachother in the driving rain as things get torn apart around them. As the season continues, the high stakes hardly let up as members of the Wedloe family are threatened by poachers, wrestle with alligators, get trapped by wild fire, and square off against a huge number of malevolent hunters, voodoo doctors, and wildlife in every single episode. At one point little Mark is trying to help Burt Reynolds get out of a crashed plane while fighting away a tiger with a fire extinguisher...you read that correctly. Each tale was always moral and wholesome, but never exactly soft.
Posted in: Disc Reviews by William O'Donnell on November 13th, 2013
Charles Dickens' Christmas Carol is vastly re-imagined with characters from Dora. Swiper replaces Scrooge as the one who travels through time in order to learn the true meaning of Christmas. This special is twice the length of a normal episode.
Music and singalongs have always been a part of the Dora the Explorer experience but this particular special is formatted more like a typical children's musical. There are fewer moments where the characters do that unnerving pause in anticipation of the audience to talk to the television, and more time spent on songs. Sometimes they merge the audience participation/pausing moments with the music during a reoccuring tune about swiper not swiping. Repetition is a staple of children's programming...it can also be a device that forges madness in the mind of adult viewers.
Posted in: Disc Reviews by J C on November 6th, 2013
“You think you had a bad day? This guy lost a billion dollars.”
Clear History is ostensibly about hot-shot marketing exec Nathan Flomm, who misses out on a billion-dollar payday after a petty disagreement. But really, this HBO Films original comedy is basically a 100-minute, all-star episode of Curb Your Enthusiasm with prettier scenery. As such, it's another opportunity for writer/star Larry David to profanely and incredulously sound off on a fresh set of social landmines, including insincere apologies and birthday e-card etiquette.
Posted in: Disc Reviews by Gino Sassani on November 6th, 2013
Ike Evans (Morgan) owns the most swank hotel in Miami. It's the Miramar Playa. He bought the land at a song from his deceased wife's family, and he's turned it into a luxury city where the likes of Frank Sinatra call home. He's determined to make it without caving to the influence of his minority partner, who happens to go by the name of The Butcher. He's Ben Diamond (Huston), and he wants the hotel to become a kingdom of gambling and other profitable vices. Sure, Ike allows a little prostitution and backroom bookie action, but he wants to keep the hotel pretty much legit. That's hard with a bank nut that runs $65,000 a month.
He has a young wife, Vera (Kurylenko) who was once the sensational Vera Cruz, a Cuban Tropicana dancer. He has two sons. Danny (Cooke) is studying law and doesn't want any part of the hotel business. He's being recruited by the DA's office in order to get a man inside. They don't really want Ike. They want Ben Diamond, and if they have to squeeze Ike to get to him, then that's what you might call collateral damage. Danny's in love with Mercedes (Garcia-Lorido), who is a maid at the hotel and daughter to Ike's hotel manager Victor (Vazquez). Victor's wife was killed in the Castro takeover of Cuba, and Ike's trying to get her ashes out. Stevie (Strait) is Ike's youngest son. Stevie tends bar in the hotel's famous Atlantis Bar (remember that Miami bar in Analyze This)? He does want the life of his father. He's also a bit of a womanizer. But he's fallen in love with Lily Diamond (Marais), who also loves him. They have a rather torrid affair. The only trouble is that Lily is The Butcher's wife, and he is the jealous type.
Posted in: Disc Reviews by Gino Sassani on October 30th, 2013
When Vikings Season 1 first arrived, I have to admit I was pretty excited. I was particularly eager to see footage from their very first game. Fran Tarkenton came off the bench, and the Vikings went on to become the first expansion team ever to win their very first game. OK, as Baby, our Shepherd/Chow mix dog film reviewer would say: I made that last part up. You'd have to have been living under a pretty isolated rock to have missed all of the buzz over The History Channel's epic new drama series Vikings.
This is quite a step up for the History Channel folks. They've certainly produced a great number of historical dramatizations and documentaries, but nothing they've ever done before compares with this series. We used to review a ton of their stuff here for years, so you know I've liked a lot of the things they've done. But Vikings puts them in a totally new stratosphere. This is historical drama that you've only seen before in the likes of Rome or The Tudors. Of course, there's a very good reason for that. Michael Hirst created the series and is the creative force behind it. He served the same positions on The Tudors. That puts expectations here very high, and the show has met or exceeded them all.
Posted in: Disc Reviews by William O'Donnell on October 30th, 2013
There are five clans of Vampires that are secretly living amongst humans. Said secret is maintained by a code of conduct called the “Masquerade” which states that vampires can never reveal themselves to a human; nor can they “embrace” (bite and convert) a human without approval from the highest council. Defying this means that your lengthy life is forfeit. A detective discovers the truth about the Masquerade when his girlfriend loses her life after defying these very rules, and he sets out to reveal the entire realm of vampires in San Francisco.
The vampire clans resemble mafia crime syndicates. They operate in secret to both hide their supernatural identities, and hide their financial operations; many of which have spanned centuries. So the story of the detective seeking to uncover the vampire world operates on different levels; revealing the truth behind the murders and other crimes these groups are committing, along with the aforementioned exposure of their supernatural lineage.
Posted in: Disc Reviews by Gino Sassani on October 18th, 2013
"46,000 people died here. Do you think it's haunted?"
It would have been so much better for me if I had seen the first season of American Horror Story. Of course, it isn't necessary. This has to be one of the most clever television ideas I've encountered. You don't have to have seen the first season because, while the actors are pretty much the same, they play completely different parts in a completely different story in the second season. This kind of television takes you back to the early days of sketch television and reparatory theater. The difference is that this stuff has an edge. It has an edge so sharp that you're very liable to hurt yourself if you're not very careful.
