Posted in: Disc Reviews by J C on April 13th, 2017
“Think inside the box.”
One of the major through lines in season 3 of Silicon Valley is that our heroes at Pied Piper have created a product so ahead of its time that it is failing to connect with consumers, which puts the start-up company in peril. Fortunately, HBO’s brainy and bawdy tech comedy hasn’t had any problems connecting with its audience: the show’s confident and hilarious third season seamlessly mixes talk of “compression algorithms” with outrageous sight gags involving horses getting, um, familiar with each other.
Posted in: Disc Reviews by Brent Lorentson on April 12th, 2017
The trouble with most holiday films is that once the holiday passes, there is about another year of waiting till it seems right to put the film on again. Everyone knows about A Christmas Story and Polar Express, but really, the staple holiday films are sparse, but they are great. Every year, despite the high probability to fail, studios churn out some holiday films in the hopes that one of these attempted swings will turn out to be a box office giant. I believe it’s safe to say that there hasn’t been a holiday hit for a while, but despite the long odds, Office Christmas Party comes out strong with a big cast and raunchy intentions. Is it enough to lure people into the darkened Cineplex or have you want to go out to Netflix or Redbox to cure those holiday fever blues?
Posted in: Disc Reviews by J C on April 12th, 2017
“At the turn of the century, Sea Island Gullahs, descendants of African Captives, remained isolated from the mainland of South Carolina and Georgia. As a result of their isolation, the Gullah created and maintained a distinct, imaginative, and original African American culture.”
Prior to watching Daughters of the Dust, I was completely unfamiliar with Sea Island Gullahs. To tell their story, the film (intentionally) deviates from the traditional narrative playbook, which doesn’t necessarily make for the most pleasurable movie-watching experience. However, the three key adjectives used in the opening text — “distinct,” “imaginative,” and “original” — absolutely apply here.
Posted in: No Huddle Reviews by Dan Holland on April 11th, 2017
Drunk History is a good example of a good idea that lost steam very quickly. I remember when initial idea was aired as a web series produced by Funny or Die in 2007, and it was a rather brilliant idea. The show was not picked up by a major network for six years; then in the summer of 2013, it made its premiere on Comedy Central. Granted, I remember being excited about this premiere. However, about midway through that first season, I realized how too much of a great idea can be a bad thing. The format just became tiresome and dull after a few episodes. Now, four years later, the show has returned for four entire seasons, but it definitely feels it has run its course.
Posted in: Disc Reviews by Gino Sassani on April 6th, 2017
Let me tell you a few things about movie reviewers. We're the kind of people who love watching movies. We spend entirely too much time doing so, and we can find some entertainment even in a bad film. We're the kind of folks who don't ask what's playing when asked if we want to go to the movies. The answer is always yes. When someone applies to write for Upcomingdiscs, one of the first things I tell them is that they have to watch a movie all the way through...no matter how bad it might be. I've always been the kind of person who could do that. I've watched some stinkers in my day, and I never once left a film until the ending. Sure, there have been a couple of times I was tempted. I've had a few painful experiences. No film has ever put me to the test as much as Why Him? Halfway through the movie I was asking Why me?
Posted in: No Huddle Reviews by Brent Lorentson on April 6th, 2017
With Season 8 gearing up, Season 7 of Archer makes its way onto DVD, for many to binge and catch up before the season premiere. I have to admit this was a show I had watched perhaps a handful of episodes but I could never quite get into. I’ll admit at times I can be a bit thick-headed when it comes to watching an animated series. After repeated requests (or demands that may or may not have been at gunpoint), I settled in and binged a season of Archer. To my surprise, I had a blast with the show and quickly devoured more episodes which finally caught me up to Season 7. So what trouble has the former world’s greatest secret agent, Sterling Archer (H. Jon Benjamin) gotten himself into?
Posted in: Disc Reviews by Gino Sassani on April 5th, 2017
"You have to start somewhere."
I could sense a great disturbance in the Force. I could not quite put my finger on the reason, but there appeared to be much to worry about with the debut of the first ever Star Wars film that was not one of the driving episodes in the epic story of the Skywalker family and friends. There was worry that Disney might have been pushing their luck with these sidetrack stories. The Force Awakens was very good, but should the Mouse House really be tempting fate with such "filler" material? Then there were the disturbing reports that the film required so many rewrites that as much as $5 million had been spent on the services of Tony Gilroy to provide those touch-ups.
Posted in: Disc Reviews by J C on March 30th, 2017
“The price for your glory is their suffering!”
For most of us, hearing the name “Martin Scorsese” leads to iconic wiseguys, rock and roll, and Robert De Niro/Leonardo DiCaprio movies dancing into our mind’s eye. Further down the list of Marty-related things — probably even below Scorsese’s real-life film preservation work — but no less crucial to appreciating the director’s filmography is the role that faith has played in his personal and professional lives. The most obvious manifestations are the three religious epics Scorsese has directed, including his latest film Silence.
Posted in: Disc Reviews by J C on March 30th, 2017
“I’m writing a book about magical creatures.”
The wizarding world J.K. Rowling conjured for her Harry Potter series captured the imaginations of children (and many, many adults) throughout the globe because it was precisely that…a fully realized, living and breathing world with its own lingo and lore. So while spinning off a corner of that universe might seem like a blatant cash grab, Rowling’s imagination has provided particularly fertile ground for new franchise opportunities. (OK, OK…the part where Warner Bros. agreed to make five of these before the first one even came out *does* feel like a cash grab.) For example, this latest crowd-pleasing stab at a billion-dollar series is based on…a fictional textbook mentioned in Rowling’s Potter saga.
Posted in: No Huddle Reviews by Dan Holland on March 30th, 2017
Let me preface this review by clarifying that this is not M. Night Shyamalan’s 2016 thriller about a dangerous man with different personalities. Instead, this review addresses Deborah Kampmeier’s Split (2016). It is an unfortunate circumstance for films to share the same name when released in the same year, especially if one of the directors has a considerable amount of fame under his belt. Thankfully, Kampmeier’s film came through the Upcoming Discs hub; otherwise, I might never have heard about it through my traditional consumption. Split is most certainly worth the watch, but the imagery is uncomfortably intense for the majority of the film. To the average film consumer, I offer a fair warning to stay away. However, Split delivers image after image of disturbing symbolism, nearing the caliber of Alejandro Jodorowski.
