Disc Reviews

Drunk History was inspired by a conversation the creator of the show, Derek Waters, had with actor Jake Johnson (New Girl). Johnson was drunk and told Waters a crazy story about Otis Redding predicting the plane he was getting on was going to crash. Waters took that germ and refined it considerably with co-conspirator Jeremy Konner. They released some videos on Funny or Die (that are readily available on Youtube). They have since made shows for Comedy Central, which are the two seasons included here in this collection. 

Two disclaimers should be made right up front. You should not get this drunk at home, kids, but anyone watching will probably be dissuaded from ever drinking again after seeing the narrators make complete fools of themselves. Also, you should be warned that the narrators are not bleeped on the DVD, because there is liberal use of a certain word that is always bleeped on TV. It should be also noted that various bodily functions kick in periodically (burping being the least offensive). On the other hand, the creators claim that all the history recounted is verified and accurate. I can't verify it, but they do. I believe it is fundamentally correct even though these story tellers often make segues, sidetracks and digressions that are outrageous. That's the fun of it, though. It may seem infantile, juvenile and childish, but these are adults with too much to drink.

“Are you telling me that the fate of thirty million inhabitants is in the hands of these criminals?”

Now that we are in the middle of phase two of Marvel’s movie universe, a new batch of characters have been given a movie of their own to help set the stage for what is to come in the ever-expanding Marvel cinematic universe.  The Guardians of the Galaxy announcement for many left fans scratching their heads; after all, just how would a talking raccoon, a lumbering tree and various other space aliens fit in with the established Avengers team comic and film fans have grown to love already?

With the exception of killer clowns, I think the creepiest villains you can find in a horror film are possessed kids.  After all, they’re kids, so the knee-jerk reaction of letting them be overtaken by evil or letting them die is a bad thing in many circles.  Personally, if I’m being chased by some murderous kid who claims to have the devil in him, well, I’m not taking any chances, and they are going to end up on the unfriendly end of a handgun.  Thankfully I don’t believe the evil will be rising any time soon to kick off the ultimate war between good and evil.

In the new horror film Speak No Evil, the members of a small town are confronted with the dilemma “to kill, or to pray” after the children of their town are possessed by an evil that seems to have an unquenchable thirst for murder.   Seeing possessed kids isn’t anything new; in fact Here Comes The Devil and Come Out And Play are a pair of recent releases that set the standard for creepy possessed kids films.  Oddly enough, if you were to blend the plots of these two films together, you would get Speak No Evil, unfortunately without as much impact.

Screw you, it's 'Merry Christmas!'”

A decent chunk of Jeff Dunham's Very Special Christmas Special is devoted to taking back the most wonderful time of the year from anyone who insists on saying “Happy Holidays” instead of daring to utter the C-word. The wildly successful comic certainly knows his audience, and the live crowd here eats up Dunham's assault on rampant political correctness. My feelings on this particular DVD release, on the other hand, are closer to “Bah, humbug!

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr.  Burr had a commanding presence on our screens and enjoyed a well-deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason.

Perry Mason officially ended in May of 1966, but that wasn't going to be the end. Twenty years later the surviving cast members reunited for Perry Mason Returns. It was Perry and Della back together again. Both Raymond Burr and Barbara Hale returned to their roles. William Hopper had died in 1970, so William Katt joined the reunion as Paul Drake, Jr. Katt might not have really been Drake's son; he was Hale's son. When Katt left the films he was replaced by William R. Moses as Ken Malansky. Ken was a young law student helped by Perry once when he was framed in law school for a rival's murder. He ends up being both a legal assistant and investigator for Perry in the reunion films. Ken's girlfriend is Amy, played by Baywatch's Alexandra Hastings. Amy was a rich girl who had too much time on her hands. It led to her involving herself in Ken's investigations. The films also often starred James McEachin as Lt. Brock, the cop on many of the cases. The team would continue to do 30 television movies from 1985-1995. CBS has now begun to package these reunion films in collections like this.

Stop me if you've heard this one before: single gal(s) looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. It's an effective, well-worn story hook that has now gotten a funny, tremendously weird spin thanks to Comedy Central's Broad City.

I'm an adult, I'm gonna buy my own pot.”

The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story. 

The cast is impressive including Shia LeBeouf, Uma Thurman, Christian Slater, Jamie Bell, Willem Dafoe, Connie Nielsen, Udo Kier among others. The director is Lars von Trier, the famed Danish auteur and provocateur. Von Trier has always tried to find hidden and shameful areas of human behaviors in his films. Many of his films are rigorous exercises in the depths of human pain. They attempt to push expectations. They explore behaviors that seem too absurd to be real, but that is because most of us refuse to acknowledge certain parts of ourselves.

The story is simple. It chronicles a conversation between two people. Joe (Charlotte Gainsbourg) is found bloody and beaten in an alley by an older man, Seligman (Stellan Skarsgard). He takes her to his sparse flat to care for her and help her. What takes place is a long conversation full of intellectual digressions about Joe. It slowly reveals what led to her downfall. Seligman is a sheltered bookworm who has a detached curiosity about her story. 

The cast is impressive including Shia LeBeouf, Uma Thurman, Christian Slater, Jamie Bell, Willem Dafoe, Connie Nielsen, Udo Kier among others. The director is Lars von Trier, the famed Danish auteur and provocateur. Von Trier has always tried to find hidden and shameful areas of human behaviors in his films. Many of his films are rigorous exercises in the depths of human pain. They attempt to push expectations. They explore behaviors that seem too absurd to be real, but that is because most of us refuse to acknowledge certain parts of ourselves.

I wish...”

There's no shortage of wishing (not to mention pining, longing, yearning, etc.) in some of our most beloved fairy tales. Into the Woods — the Tony-winning Broadway musical created by Stephen Sondheim and frequent collaborator James Lapine — illustrates what happens when certain characters get their storybook ending. Since there's a big, shiny Disney adaptation on the way, it made sense for Image Entertainment to offer a performance of the stage show on Blu-ray. However, I wish...some more effort had been put into this release.

I don’t say this often, but I’m always happy when I get an opportunity to say it: this movie took me by surprise. I not usually one for the holiday film; don’t get me wrong, I’m no Grinch; however, I have found that magic of Christmas tends to wear off when the illusion of Santa is destroyed. (To all those who are still believers I recommend you stop reading now.) That being said, I have no shame in admitting that in case of Signed, Sealed, and Delivered, I felt the magic once again. Don’t call me a believer again; however, let’s just say it made me want to believe again.

Signed, Sealed, and Delivered as it turns out is actually a full-on Hallmark television series following the everyday lives of characters who work in the  dead letter office of the United States Postal Service. Led by Oliver O’Toole (Eric Mabius), this group that includes Shane McInerney (Kristin Booth), Rita Haywith (Crystal Lowe), and Norman Dorman (Geof Gustafson), works overtime ensuring that letters make it to the intended party, believing in the significance that each piece of parcel can bring into the lives of the intended. This time around, it’s Christmas, and their final letter has a very challenging recipient: GOD.