Posted in: No Huddle Reviews by J C on December 3rd, 2014
Tis the season to be...overwhelmed with a crushing number of Christmas-themed movies on our television screens. In addition to holiday staples like A Christmas Story, It's a Wonderful Life, and Die Hard (yeah, I said it), many networks roll out original, made-for-TV yuletide tales. The Hallmark Channel is certainly doing its part this year with its “Countdown to Christmas”, which includes 12 new movies. One of those films transports us to the fictional land of Cordinia for the painfully cliched romantic-comedy stylings of A Royal Christmas.
Emily Taylor (Lacey Chabert) is a Philly girl who has been dating her charming boyfriend Leo (Stephen Hagan) for almost a year. Leo is a foreigner who came to America to attend business school, and Emily is a seamstress/aspiring fashion designer. (Get it? She's a seamstress...and her last name sounds like “tailor”...it's *that* kind of movie.) As the couple prepares to spend their first Christmas together, Leo is summoned back home by his mother. It's right around this time that Leo reveals to Emily that he's actually Prince Leopold, heir to the throne of Cordinia.
Posted in: Disc Reviews by J C on November 28th, 2014
“How the hell did this happen? I mean, I’m on the other side of the planet, and people know who I am and they’re laughing at my jokes.”
Despite his status as one of the biggest draws in stand-up comedy, Jeff Dunham really does seem taken aback by his success. On one hand, you wouldn’t necessarily expect a ventriloquist to be one of the hottest names in comedy in 2014. Then again, the hard work and precision he has put into his act is evident every time he takes the stage. For his latest comedy special, Dunham packed up his puppets and took his show on the road like never before.
Posted in: No Huddle Reviews by Jeremy Butler on November 27th, 2014
Holiday movies, to be more specific holiday kids’ movies: talk about being out of my depth. It’s been quite some time since the days where I used to sit down to enjoy a kids’ movie; dare I say that I don’t have the slightest clue what the kiddies are into these days? Seems to be a lot of movies about planes, trains, and automobiles (pun intended) dominating the box office; however, not the case with Frozen in Time, which is centered around the most popular holiday of all time: Christmas. To give this film the proper justice that it deserves, I turned to someone who would be able to watch this with the objective view needed: I sat down and watched the film with my godson Amare.
Frozen in Time tells the tale of mischievous brother and sister, Eric and Patty. It’s Christmas Eve, and the family is loading up the car to spend Christmas with their inventor grandfather. From the start of the film, Eric and Patty demonstrate the traits that lead kids into being put on the naughty list; they fail to listen to their parent’s instruction, they blow off chores in favor of having dangerous fun, and they attempt to sneak cookies when they are told that they can’t have any. However, it is one act of disobedience that land them in the biggest trouble they have ever been in. When the two sneak into their grandfather’s workshop and come across a mysterious clock, intrigued by the clock the two accidently break the clock. What they don’t know that this is not an ordinary clock. By breaking the clock, the two have thrust themselves into a time loop, doomed to repeat Christmas Eve over and over again, and we all know what the biggest problem with that is: never getting to open the presents the next day.
Posted in: No Huddle Reviews by Brent Lorentson on November 26th, 2014
It’s great to see the love that comic books and their characters are getting from the public; only a couple decades ago people didn’t look so kindly on the medium. Growing up it wasn’t the wisest decision to broadcast to your classmates about your enthusiasm over the new Punisher or Batman comic. I got lucky and never really had to deal with bullies, but I had friends who had their fair share of torment over liking the kind of music, movies or comics that they did. The comic book store was a safe haven away from it all, and it was between the pages that all of us comic book geeks would escape and live vicariously through the animated panels before reality came barreling in.
In the documentary Legends of the Knight, writer and director Brett Culp seems to have two goals. First is to tell the story of how Michael Uslan made it his personal mission to bring Batman to the screen and to be viewed as a serious character, unlike the parody of what he was in the Adam West series. There is also the other side of this documentary; the heart of it that after watching this film I don’t think it is possible to view superheroes the same way ever again. I don’t mean to imply there is anything negative here. In fact it is quite the opposite, and the stories that fill this feature will tug at your heartstrings to the point that I believe it could possibly change and make a difference.
Posted in: Disc Reviews by Brent Lorentson on November 24th, 2014
As adults we somewhat have a better understanding of how our dreams work and understand that those fears of the dark when we were children were somewhat silly in retrospect. But when we were kids, the nighttime was a mysterious time that held so many possibilities, where the magic in the world around us was something that was very real for us all. In the new Spanish language animated feature Nocturna, the first-time filmmakers (Adria Garcia & Victor Madonado) seem to have tapped into that childlike wonder and have crafted a film that I simply adore.
Tim (originally voiced by Helene Bizot) is a young orphan boy who like most young kids has a fear of the dark. To help him with his fears, he has become fascinated by the stars above, and on the roof top of the orphanage he has mapped out many of the constellations, but his favorite of all the stars above is Adhara. For Tim this is his last connection to his mother, who has told Tim that anytime he feels alone or frightened he basically will always have this star to count on. Unfortunately, one evening Adhara seems to vanish from the sky.
Posted in: Disc Reviews by J C on November 24th, 2014
“Welcome to the 21st century!”
Sylvester Stallone has dedicated the better part of the last decade to giving moviegoers what they wanted 20 years ago. It started with 2006's Rocky Balboa, which closed out Stallone's signature franchise in the satisfying manner fans have been craving since 1990's Rocky V debacle. We’ve also gotten another Rambo sequel, as well as long-awaited team ups with icons both real (Schwarzenegger in Escape Plan) and cinematic (Grudge Match was “Rocky vs. Raging Bull”). But Stallone's biggest recent success is the veritable fantasy team of action stars he's assembled for the Expendables films.
Posted in: Disc Reviews by J C on November 21st, 2014
Breaking news: anyone who goes to see movie called Into the Storm is probably more interested in “the Storm” than they are in any of the people running away from it. The good news is the film understands this, to an extent, and clocks in at a slender 89 minutes. Of course, the titular Storm doesn’t appear for every one of those 89 minutes. This is very bad news because Into the Storm is populated with characters and storylines that are both forgettable and irritating. It’s basically Twister with somewhat better effects, but much less interesting people.
Into the Storm is mostly set in and around the fictional town of Silverton, Okla. A group of storm-chasers — led by cranky, road-weary Pete (Matt Walsh) — has been struggling to film tornadoes, and Pete is taking out his frustrations on the entire team. That includes data-driven meteorologist Allison (Sarah Wayne Callies), who steers the team toward Silverton. The decision looks like a bust until a dissipating system comes back with a vengeance. The storm erupts during a high school commencement ceremony, where Vice Principal Gary Fuller (Richard Armitage) realizes his oldest son is missing (and very inconveniently hanging out in an abandoned paper mill with his would-be dream girl). Gary eventually crosses path with the storm chasers, who help him in his quest to find and rescue his boy.
Posted in: Disc Reviews by J C on November 19th, 2014
Laughing out loud and getting startled out of your wits are two of the most visceral reactions you can have as a moviegoer. For a director to elicit either reaction is challenging enough, which is why I was so delighted to be feeling both during the thrilling, funny finale of Housebound. It’s an even more impressive feat when you consider it was accomplished by a first-time filmmaker working on a shoestring budget.
We first meet Kylie Bucknell (Morgana O’Reilly) as she and an accomplice comically fail to steal money from an ATM. She is a professional screw-up who has battled alcohol and meth addiction. Instead of sending Kylie to her umpteenth rehab program, the judge sentences her to eight months of house arrest at her family’s rustic home. Given Kylie’s unpleasant childhood memories there and the fact that she now has to share space with batty, blabbermouth mom Miriam (Rima Te Wiata), it seems like Kylie might have preferred spending time in prison.
Posted in: Disc Reviews by Gino Sassani on November 18th, 2014
"If anybody gets up, they're dead. Anybody moves, they're dead. Anybody makes a sound before I leave this movie, ..."
You get the idea. These are the words of one John Wojtowicz, better known as The Dog. On August 22, 1972 he attempted to rob a Chase Manhattan bank in order to finance his male lover's sex change operation so that he could become a woman. The heist was about as amateur as the come and went horribly wrong from the start. In a matter of minutes the bank was surrounded by a swarm of police units and a growing mob of bystanders. In the hours that followed, The Dog interacted with the crowd, gave a radio interview, and managed to whip the crowd into a frenzy by throwing thousands of the bank's dollars out of the front door. If this all sounds familiar to you, it should. While you may not have heard of these exploits directly, you surely saw the movie Dog Day Afternoon. Al Pacino played John Wojtowicz, and now you know where he got the nickname The Dog.
Posted in: Disc Reviews by Brent Lorentson on November 17th, 2014
I’m not the biggest fan of Japanese animation. I don’t think it’s awful or anything, but animation is one of those things where I’m just picky about what I like. Though I can say I am a big fan of Hayao Miyazaki (Spirited Away and Princess Mononoke) and most of his work. I think this is worth mentioning, because though I may not be as well-versed in this genre, I’d like to feel I still go into it with an open mind, and I’m always excited to find a title that excites me that I never saw coming. And that it precisely what Patema Inverted did.
Imagine if one day the laws of gravity were broken, and during this time friends and family all around seemed to be randomly sucked towards the sky, and you were helpless to do anything about it. Those who would be lucky to survive and keep their feet planted firmly on ground would have to go on living in this world that had fundamentally changed overnight. But what about those who have been floating up into the ether, what about these lost souls and their fate? This is the fundamental springboard by which Patema Inverted takes us to a world where those who survive live in separate “realities” where some seek to live deep beneath the earth to survive, while others have created their own world in the sky that has evolved as well.
