Posted in: No Huddle Reviews by Gino Sassani on January 27th, 2015
His uncle played Christian music, and he sang bass in a chorus for some years. His father gave him a guitar and started him on lessons at age five. With all of that background, it seems no surprise that Trace Adkins became a hit on the country music scene. It was obvious to everyone but him. Instead he looked to sports and a chance to be a lineman for Louisiana Tech until he blew out his knee. When the doc told him he had no chance at a football career, did he turn to that music? Nope.
Posted in: No Huddle Reviews by J C on January 26th, 2015
“Hello, please allow me to observe you working.”
A sign bearing those words hangs inside Studio Ghibli, the Japanese animation factory responsible for films like Grave of the Fireflies and My Neighbor Totoro. It's one of many polite directives that adorn the airy workspace, but it also describes the mission of The Kingdom of Dreams and Madness. The movie gives fans an unprecedented look inside the world (and walls) of Studio Ghibli, and watching the creative process is alternately fascinating, frustrating, and exciting. However, the documentary also surprisingly turns out to be an elegy for a dying art form.
Posted in: No Huddle Reviews by Jeremy Butler on January 25th, 2015
Justice or vengeance: how often the lines of the these two things become blurred. At what point does justice become vengeance, or when does it become warranted to take the law into your own hands? Zarra’s Law tells the story of two men who have lived their life coloring inside the lines, doing the right thing, only to see the murderer of someone they loved dearly walk free after a less-than-satisfying sentence. Retired cop Tony Zarra’s (Tony Sirico) life is frozen at the moment he witnessed his brother’s murder. Despite being on separate sides of the law (Tony being a cop and his brother being a member of the mob),
Posted in: Disc Reviews by Gino Sassani on January 22nd, 2015
"If we're good today, we'll be better tomorrow."
The final season of Boardwalk Empire breaks the mold of what the show has been for the first four years. The action jumps ahead several years to 1931. It's a necessary plot point if we're going to be ending the popular series in the fifth season. I understand the jump and why it works. I guess my only real question is: why are we jumping ahead to end what is one of the best shows on television?
Posted in: No Huddle Reviews by Brent Lorentson on January 22nd, 2015
Whether you believe in horoscopes or not, just about everyone out there knows their “sign”. I never really put too much stock in astrology; it always seemed like harmless fun people can have for a few moments each day as they read their horoscope for the day to see what possible good fortune can come their way. In the new film, Zodiac: Signs of the Apocalypse, the film takes a different look at these astrological signs. Rather than be signs that help reveal one’s personality, these symbols instead are supposed to be warnings for the upcoming apocalypse.
Posted in: No Huddle Reviews by Brent Lorentson on January 22nd, 2015
Thanks to Chappelle’s Show, Comedy Central has helped pave the way for comics on the cusp of breaking out to produce their own sketch comedy shows to springboard themselves to a larger audience. Key & Peele has flourished in the sketch comedy scene, and now there is Nick Kroll with his own sketch comedy show Kroll Show. But in the world of sketch comedy, is there really a need for more shows? After all, NBC still has Saturday Night Live; well, to be fair, it has been a while since SNL has been consistently funny.
Posted in: No Huddle Reviews by Gino Sassani on January 20th, 2015
"It's complicated."
Fox has decided to jump off The Bridge. In a move I find more than a little surprising, the show ends here with this second season. From the sets extras I get a strong idea that no one involved with the production saw it coming either. This was one of the better shows on television, and with Sons Of Anarchy also finished, Fox is losing some extraordinary quality to their lineup. At least Sons Of Anarchy got to run its course and tell its story. Sadly, the same can't be said for The Bridge. I was looking forward to more from a show that was getting better as it moved into its own invention.
Posted in: Disc Reviews by Archive Authors on January 20th, 2015
Boyhood is all the rage right now. With all the hoopla surrounding the film, it should be noted that it is ordinary. It is just about people living their lives. One could even call it boring. One can say that because life is boring. It is not as exciting as it is in the movies. Life is about small moments that add up to memories and then it is over. Boyhood doesn't make grand statements about boyhood, or about motherhood or fatherhood for that matter. It is just about a few people and what happens to them.
Posted in: No Huddle Reviews by J C on January 20th, 2015
We can blame thank Liam Neeson — or “Liam Neesons” — for this recent run of action movies about men of a certain age who tear their way through some part of Europe in the name of their missing or dead children. Viktor — a French/Russian production starring Gerard Depardieu and Elizabeth Hurley — is one of these latest Taken take-offs. Unfortunately, it’s also one of the more inert revenge films you’re likely to see.
Posted in: Disc Reviews by J C on January 19th, 2015
What if Elvis Presley had an identical twin brother no one ever knew about? (It would certainly help explain all those Elvis sightings years after the King's death.) That's the kooky conceit at the center of The Identical. Unfortunately, rather than embracing the absurdity of its premise, the movie is an amateurish, uninspiring combination of “by-the-numbers musical biopic” and “painfully-earnest family drama.”
