Disc Reviews

75 Years Of WWII is a collection of episodes from A&E/History's various war programs that have aired on the networks and have already been released in full sets of their own. It's intended to be somewhat of a greatest-hits DVD collection. If you're not inclined to pick up any of the full sets, this might make a nice addition to your collection, but I believe the full sets are far more worth your time.

Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a (beet-eating, Bigot Parade-hosting, 3D printer-buying) state of mind. And four seasons into lovingly mocking upper middle class indulgence along with the denizens of the Pacific Northwest, the show — created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel — continues to feel more like a fully-realized destination than ever.

The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB).

“You were always such a clever troublemaker.”

When Audrey Parker (Emily Rose) entered the barn in the conclusion of season 3 of Haven, all “the Troubles” were supposed to come to an end for the small seaside town of Haven, Maine.  Sure everything seemed to go as planned, that is until Duke (Eric Balfour) took the plunge into the barn before it disappeared, leaving Sheriff Nathan Wuornos (Lucas Bryant) behind.

Considering the state the world is in, I’m a little surprised there isn’t more talk about a possible World War 3 scenario being played out.  This isn’t something I want, but watching the news, it is certainly something that resonates in the back of my mind and gives a moment of reflection.  Aftermath is the film that preys upon that fear of what a possible World War 3 could be. The results are far from promising, and it succeeds in telling the inevitable fate of the world, despite how bleak the outcome may be.

“You have just seen an authentic disclosure of conditions which unfortunately exist in some of our high schools today. The job of policemen will not be finished until this insidious menace to the schools of our country is exposed and destroyed.”

“Authentic” is probably a stretch, but High School Confidential! is certainly fascinating for a variety of reasons. Every generation has an alleged scourge that invades high schools and threatens to rip apart the very fabric of society. (Cue masterpiece eye roll.) In 1958, that menace went by the name “Mary Jane.”

Here is a film that delves into a subject not many people care to openly discuss but poses a question that everyone who’s lost someone they love can relate to.  When prayer and faith don’t seem to deliver the answers you want for those that need closure that therapy can’t seem to provide, where does one turn?  It’s this hopeless feeling of loss that seems to be what attracts Michael King (Shane Johnson) to investigate the possibility of the supernatural.

Is there anyone out there who hasn’t noticed that William Shatner the actor has become William Shatner the character over the years?  Give the man some credit for finding ways to reinvent himself. After Star Trek he was the only actor to find himself another regular television character and shakes the typecasting that most actors in the franchise have been victimized by. When TJ Hooker was gone, he found a few other shows and ways to take advantage of what could have been fleeting fame. By the time he did Boston Legal, he had completely reinvented himself as a somewhat humorous character and wonderful mate for James Spader

Adam Sandler took a bit of a beating with Blended. His previous, non-Grown Ups outing (That’s My Boy) was Sandler’s first comedy in a while to severely underperform at the box office, suggesting audiences might be tiring of the comic’s (critic-proof) brand of humor. Then came Sandler’s pre-release admission that he makes movies based on where he’d like to get paid to vacation. Blended went on to underwhelm at the box office, at least by the reliable standards of Sandler comedies. (It brought in $123 million worldwide on a reported $40 million budget, though only $46 million of that came from the U.S.) Maybe it was the lowered expectations, but I kinda liked Blended.

"It's like Prohibition never happened but for one thing. Prices will increase twenty-fold. We got a product a fellah's gotta have. Even better is that, we got a product he ain't allowed to have."

The fourth season of Boardwalk Empire began pretty much the only way it could have after the bloodbath that ended the previous season. It was an explosive season that delivered the best gangland war in television history. Now there has to be some kind of peace or at least status quo after the end of the violence. Nucky is making his peace with Arnold Rothstein and his people. He also owes Chalky White for saving his behind when war broke out.