Posted in: No Huddle Reviews by Gino Sassani on June 23rd, 2014
"There's a Tibetan word for it. It's called Bardo. It literally means in-between state, the state between life and death."
If you're a fan of the 1985 comedy staring Michael J. Fox, that statement is particularly appropriate. We all remember the cute high school romp where Michael J. Fox discovers that his family has been hiding a long dark secret: they are werewolves. Now the young teen finds himself having to deal with the usual growing pains of adolescence on top of dealing with the family curse.
Posted in: Disc Reviews by J C on June 23rd, 2014
What would you do if you spotted your exact duplicate? Would you take a closer look so that your brain could try to confirm what your eyes were seeing? Check with your parents to make sure you didn’t have a long-lost twin they never told you about? And how long before you pinched yourself to ensure you weren’t dreaming? These were the sorts of questions that popped in my head as I watched Enemy, a stylish and mind-bending psychological drama.
Posted in: Disc Reviews by Gino Sassani on June 22nd, 2014
"A mouse can only be friends with a bear in a fairy tale."
And that's exactly what we have here. Ernest And Celestine is a charming little tale told through a wonderful watercolor world of animation. It certainly looks very much like the storybooks I remember reading from as a small child. Indeed, the film is based on a series of book from Belgian artist Gabrielle Vincent. The first book appeared in 1981 and continued for 20 years, delighting children the world over. As an artist it makes some sense that the books had a very unique visual style
Posted in: No Huddle Reviews by Archive Authors on June 22nd, 2014
Godfrey Reggio made Koyaanisqatsi in 1983. It was followed by two other films, Powaqqatsi and Naqoyqatsi. The trilogy of films were all scored by Phillip Glass and filmed by John Kane. They are the Hopi Indian words for imbalance, transformation and war. Nothing like them has penetrated the culture to such a pervasive extent. Their subversive content is unchallenged. They stand alone, and to say they are unique is a massive understatement. If you have seen them, you know what I mean.
Posted in: Disc Reviews by Gino Sassani on June 19th, 2014
"You're either gettin' or gettin' got".
It's very tricky to make an historical drama. Writers and directors have to carefully balance the needs of entertainment over facts and authenticity. There comes the inevitable moment when they will be in conflict, and a decision must be made as to which direction will have priority in the telling of the tale. It might have been an unfair expectation on my part, but when an historical drama mini-series comes to a place like The Discovery Channel I tend to look for any conflict to be resolved in the favor of historical accuracy
Posted in: No Huddle Reviews by J C on June 19th, 2014
“I got kids and I work, and it's hard sometimes. But, you know, boilerplate misery...alone in the world...might as well be a maggot sucking a dead cat's face. What's the point?”
That's how Louis C.K. describes his life during a season 3 episode of Louie. And since the FX comedy series — that is only nominally a comedy series — stubbornly and brilliantly defies any sort of easy categorization, the sad-sack declaration is also the best description you're likely to get of what the show is about.
Posted in: No Huddle Reviews by Brent Lorentson on June 18th, 2014
As we get even closer to the release of Michael Bay’s next foray into the Transformers universe with Transformers:Age of Extinction, Shout factory releases yet another series to help whet our appetites. As a kid growing up in the 80’s it was impossible to exist without knowing who Optimus Prime was or being able to hum (if not sing) the theme song to the cartoon. But since the release of the original cartoon there have been so many spinoffs it’s hard to keep them all straight. In 2007 Cartoon Network and Hasbro Studios set out to capture the imaginations of a younger audience following the success of the movies. How does the series stack up to the 80’s classic?
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2014
First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time. The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but instead an artist would be assigned and create these beautiful and amazing covers.
Posted in: No Huddle Reviews by Gino Sassani on June 17th, 2014
It's hard to start a series in its fourth season. That's particularly true of today's huge mythology-arc shows that require you to be up to date at all times. Such was the task I found myself facing when we got a copy of Rizzoli & Isles to review. Fortunately, this is one of those pleasant exceptions to the rule. While I'd suggest that newcomers pick up the first three seasons anyway it's not an absolute necessity. So if, like me, you're discovering this one a little late, fear not. They'll be a little work to catch up, but the fun kind.
Posted in: Disc Reviews by J C on June 17th, 2014
“You are the most talented, most interesting, and most extraordinary person in the universe. And you are capable of amazing things.”
There’s a worthwhile message in The LEGO Movie about the importance of deviating from life’s instruction book and indulging your imagination. But for me, the biggest thrill came from the way it became the first film without Toy Story in its title to tap into the anarchic (and anachronistic) spirit of playing with toys.
