Posted in: Disc Reviews by Gino Sassani on October 3rd, 2013
All good things must come to an end, and so it was at Walt Disney Studios. The Golden Age of feature film animation had started with Snow White And The Seven Dwarves in 1937. By the end of the 1970's it was all but gone. As the studio entered the 1980's the things had gone from bad to worse. Walt was gone, and so it seemed was the magic. Most of The 9 Old Men had either retired or passed away. The studio leadership was considering closing the animated studio and moving on to live-action films only. It was a dark time for the artists and creative folks at the Mouse House. A shadow had fallen. Sounds pretty much like the beginning of a Tolkien tale, doesn't it?
Enter a new regime. Michael Eisner became the new head of the company, and Jeffrey Katzenberg teamed up with Walt's brother Roy Disney to head the new studio. The first thing they did was banish the animation studios from the Disney lot and set them up in warehouse-like trailers in the middle of industry nowhere. It looked like the axe had finally fallen. But the exile turned out to be the best thing that ever happened to this new generation of Disney talent. Under the new leadership the creative forces banded together and began to do something they hadn't in a long time. They began to dream once again.
Posted in: No Huddle Reviews by Jeremy Butler on October 3rd, 2013
“What makes a song beautiful is not always the quality of the voice but the distance that voice has had to travel.”
Well said, Mrs. Redgrave, well said. I should broach this subject early; I am not a fan of musicals or musically-themed films. That said, Unfinished Song is much more than a musical; it is a tale of an emotionally crippled man who has only formed one meaningful connection and about what you do when you lose that connection: do you lie down and die, or do you find a median to that will allow you to form new connections? As stated above, it is about distance rather than quality; however, in my opinion Unfinished Song accomplishes both.
Posted in: Disc Reviews by J C on October 3rd, 2013
For a variety of reasons, fewer people seem to be retiring when they turn 65. That’s long been the case for legendary musicians like Bryan Ferry, who was at that milestone age when he filmed this concert in Lyon, France during the summer of 2011. Ferry has always combined his own "old soul" sensibility with a forward-thinking approach to creating music. So this show, with Ferry now an actual senior citizen, turned out to be an ideal time to check in on the former Roxy Music frontman.
Live in Lyon was part of a tour supporting Ferry’s 2010 “Olympia” album, and features music from the singer’s staggering 40-year career. As a result, the show highlights Roxy Music hits from the ‘70s and early ‘80s, as well as a generous helping of cuts from Ferry’s accomplished solo career, which also includes his haunting covers of other artists. (The album that preceded “Olympia” was a 2007 collection of Bob Dylan covers called “Dylanesque.”)
Posted in: No Huddle Reviews by Brent Lorentson on October 2nd, 2013
Family Guy has reached a level of impact upon the American pop culture where I believe the characters need little to no introduction. Is there anyone, really, that doesn’t recognize Stewie; after all he’s reached the status of icon and has even become a fixture of the Thanksgiving parade as one of the many floats. Where The Flintstones, then later The Simpsons were at one time the dominating animated family on the television tackling day to day struggles of the modern American (each in their own and unique way), Family Guy (love it or hate it) now seems to be the go-to animated family.
In this collection of 23 episodes, the creative force, Seth Macfarlane, and his team continue to deliver the laughs along with their twisted moral messages. Instead of jumping right into it and discussing the season’s lows and highs, I want to mention the oddball of the group Screams of Silence: The Story of Brenda Q. In what starts out as an amusing tale about Quagmire barely escaping death while experimenting with some kinky sex, quickly the story shifts instead to the abusive relationship his sister is in. For television, with the added bleeps it may not have seemed so harsh, but with the uncensored set the viewer stands by and watches the verbal, physical and emotional abuse Brenda goes through, and it is intense. The gang feels there is little to do knowing Brenda will never leave the boyfriend, so they decide to schedule a camping trip where they plan to kill him and have it look like an accident. Before any feminist groups get upset feeling the show is making a joke out of abuse towards women, surprisingly it’s the opposite; the episode is dark and at times uncomfortable and shocking as the story unfolds. For a twenty-two minute episode they cram a lot in to deliver a message as subtle as it may be, but I applaud the creative team behind it for using their creative forum to get their message out.
Posted in: Disc Reviews by Gino Sassani on October 2nd, 2013
We all remember Ed O'Neill as Al Bundy from Married With Children. It's an iconic role that he'll never be able to shake no matter what he does for the rest of his life. After that series ended its 11-year run, he even attempted to get out of comedy and take more dramatic roles. I'm sure there was a deliberate intent to try to distance himself from Al. It's not that he likely didn't love playing the role. He just wanted to avoid getting forever typecast in the mold. Those efforts weren't all that successful. But now he's back where he belongs again in a pretty solid sit-com. He's not playing Al Bundy any more, although you won't have to look very hard to find some of Bundy in Jay from Modern Family.
I have become somewhat frustrated over the television comedy genre for a lot of years. It seems that they all take the same path no matter what the show's actual concept might be. It's usually the same jokes, just in a different environment. I don't have children, but I expect that it must be near impossible to sit down and watch a comedy with your family any more. If I were a stranger visiting this planet for the first time, I would quickly come to the conclusion that sex is about the only thing that's funny here. Thank God that once in a while something fresh comes along and swims against the current tide of innuendo and toilet humor. Modern Family is the kind of show you can enjoy with the entire family. And guess what? It's pretty darn funny on top of it all.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"I met him fifteen years ago; I was told there was nothing left; no reason, no conscience, no understanding; and even the most rudimentary sense of life or death, of good or evil, right or wrong. I met this six-year-old child, with this blank, pale, emotionless face, and the blackest eyes... the devil's eyes. I spent eight years trying to reach him, and then another seven trying to keep him locked up because I realized that what was living behind that boy's eyes was purely and simply... evil."
In 1968 Marvin Gaye / Tammi Terrell hit the American pop charts with the song Ain't Nothing Like The Real Thing. They didn't know it at the time, of course, but they were talking about John Carpenter's original 1978 Halloween. The sad fact is that this original classic sometimes gets lost, or worse, considered along with the various sequels and remakes. It's a crime, to be sure. The first film is nothing like anything that followed and should be considered more as a standalone film than it is now. That was always Carpenter's intention, and that's how I'd like you to consider the 35th Anniversary Blu-ray of Halloween.
Posted in: Disc Reviews by Gino Sassani on October 1st, 2013
"Toilet time is the last bastion of American freedom."
In this case it's toilet humor. I often have trouble believing that South Park has been around for as long as it has. It’s not just the passing of 16 years, but the sheer brilliance in the face of an increasingly politically correct society. It’s like watching old episodes of All In The Family. Who believes that Archie Bunker would have any chance of survival in the 21st century? It’s no wonder that Norman Lear has become involved in the series. It’s the last remaining vestige of a once great freedom to be ridiculous and offend. Eric Cartman’s a lot worse than Archie ever was. We always knew that, in his heart, Archie had a soul. Cartman’s a psychopath without a conscience, and in a civilized society we would be terrified of the existence of such a demon spawn…except he’s just so dang funny. Trey Parker and Matt Stone have been walking a tightrope for over 16 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines.
Posted in: No Huddle Reviews by J C on September 30th, 2013
Suburbia has always been presented as an otherworldly place to city folk. In The Neighbors — ABC’s underrated gem of a sci-fi sitcom — a New Jersey family moves from the city to the suburbs and discovers their new community is comprised entirely of placid, color-coordinated aliens. Each episode delivers fish-out-of-water planet laughs and a lesson in what it means to be human, in all our imperfect glory.
Debbie Weaver (Jami Gertz) always wanted her husband Marty (Lenny Venito) to take some initiative. Unfortunately, Marty overcompensates by hastily moving his entire family — which also includes surly teen Amber (Clara Mamet), and rambunctious younger children Max (Max Charles) and Abby (Isabella Cramp) — into an exclusive suburban community. What Marty doesn’t know is that the new neighbors in matching golf attire are friendly extraterrestrials disguised as humans.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2013
"My name is Oliver Queen. For five years I was stranded on an island with only one goal: survive. Now, I will fulfill my father's dying wish to use the list of names he left me and bring down those who are poisoning my city. To do this I must become someone else. I must become something else."
That someone...that something else is the DC Comics character Green Arrow. Not to be confused by the same-colored Hornet or Lantern.
Posted in: No Huddle Reviews by Jeremy Butler on September 25th, 2013
I am not a huge fan of documentaries, but I am coming around. Something about their format always reminded me of the educational films I would have to watch in school, and considering I spent most of my time trying to escape school, I suppose I was never willing to give proper documentaries the attention that they deserve. However I am much older (and mildly wiser) now, and I was able to give Dark Girls my full and undivided attention, and it proved to be worth every second of it.
Colorism: Prejudice or discrimination based on the relative lightness or darkness of the skin; generally a phenomenon occurring within one’s own ethnic group.
