Posted in: Disc Reviews by Brent Lorentson on October 25th, 2013
Nicolas Winding Refn is a director who may not be a household name but is easily one of the most unique directors working at this time. With films like Pusher, Bronson, and Valhalla Rising, he has managed to make a name for himself for doing artistic films filled with beautiful visuals as well as intense violence. It was the film Drive, though, that most people know him for. I was already a fan of Refn going into Drive, and for me it is one of the best films I’ve seen in the past decade, where the film is a rare piece of perfection that broods with atmosphere and simply captivates me from the opening frame to the closing credits. I know the film has its viewers who find it dull; it’s a film that doesn’t attempt to please anyone but simply tells a brilliant tale of love and violence for those looking for more than a brainless romp.
I mention all this because from the moment I first saw the trailer for Only God Forgives, it wasn’t just a film I wanted to see; it was a film that I HAD to see. The trailer teased more of the same that I loved about Drive, and the images in the promotional materials of Ryan Gosling beaten to a pulp struck a nerve. But then it had its premiere at Cannes, and the reaction surprised me; people actually seemed to be hating this new film. This didn’t make any sense to me, but it caused me to rein in my expectations, and I believe that is what saved my experience with viewing this film. This film is nothing like Drive, but feels much closer to Valhalla Rising, not just for its lack of dialog but for its tone and its spiritual nature.
Posted in: Disc Reviews by J C on October 25th, 2013
Hugh Laurie is not the first — and he certainly won’t be the last — actor who decided he wanted a career in music too. The move might come as a surprise to people who primarily know Laurie from his sterling eight-year run as the misanthropic title character on House M.D. (Though not if you watched the show carefully.) In the past, Laurie has rocked out with some of his small-screen comrades for charity. But it turns out that after eight years of playing one of the crankiest characters in television history, Laurie was ready to sing the blues.
Hugh Laurie: Live on the Queen Mary aired on PBS in August. The concert finds the actor and the first-rate Copper Bottom Band performing aboard the legendary luxury liner, which is permanently moored in California. For Laurie, dressed for the occasion with a captain’s hat as he took the stage, the show was the realization of a lifelong dream. You wouldn’t necessarily expect an Oxford-born Englishman to be obsessed with New Orleans jazz/blues, but Laurie acquired a passion for that music as a teenager. Laurie was especially dazzled by blues legend Professor Longhair, who had recorded his own “Live on the Queen Mary” album in 1975.
Posted in: No Huddle Reviews by Jeremy Butler on October 25th, 2013
Well, this is a new one for me; usually when I see a movie about a couple being abducted it generally involves a couple backpacking their way through Europe, but in this case, a good old-fashioned trip to Hollywood has become hazardous. No complaints about the change of locale, however, because it actually makes for great contrast from films with similar premises. Abducted does a good job building suspense towards a conclusion that I would have never guessed.
On what is supposed to be a romantic trip to Los Angeles, couple Dave (Trevor Morgan, The Sixth Sense) and Jessica (Tessa Ferrer, Grey’s Anatomy) find themselves taken by masked abductors from their romantic perch on Mount Hollywood. Sedated, the two wake up in a mysterious room that they have no hope of escaping from. Continuously drugged and constantly watched, the two try to put the pieces together behind who has taken them and for what purpose, all the while receiving cryptic orders from their kidnappers via their cellphones.
Posted in: No Huddle Reviews by Gino Sassani on October 25th, 2013
It appears that Kevin Sorbo has shed his heroic image for that of the direct-to-video family film. Back in 2009 we interviewed the actor for another horse film called Tommy And The Cool Mule. Interestingly enough, Storm Rider also involves a mule. He appears quite comfortable with the change. And while he's not playing the kind of heroes he did in Hercules or Andromeda, he has been working quite a bit in these smaller productions. I'm sure that the fans would love to see him once again in the larger-than-life roles that made him famous. For now you'll have to settle for heartwarming and small-budget. For now, you'll need to settle for Storm Rider.
Dani (Churchran) is used to getting what she wants. Her family is filthy rich, and she gets to ride thoroughbred horses in competitions. As the movie begins, we see she has a rather huge collection of blue ribbons for such a young teenage girl. It all comes tumbling down when her father (Howell) is busted by the Feds for security fraud. Now we know how they got so rich. Her stepmother (Sorbo) jumps ship as soon as things go bad. That's no big loss, but she takes Dani's younger half-brother with her. She's forced to sell her favorite horse Admiral to her rival. Since Dad's on his way up the river, she has to move in with her Uncle Sam (Sorbo).
Posted in: No Huddle Reviews by Archive Authors on October 25th, 2013
The right honorable 5th Baron Haden-Guest is a well known multi-hyphenate. He is probably best known as Nigel Tufnel who likes to turn things up to 11. He is also renowned as Count Tyrone Rugen, the evil six-fingered man. He has also been called Corky St. Claire, Herb Minkman, Rajeev Vindaloo, Senor Cosa and Harlan Pepper, but only when he has the appropriate costume. He is married to Jamie Lee Curtis, and she likes to be called the baroness. I should say that the hyphens I mentioned are used to divide his many tasks like screenwriter/director/composer/actor/comedian/musician/American/Brit (with official dual citizenship), and he holds a hereditary British peerage and was active in the House of Lords until the House of Lords Act of 1999. He was part of the early days of National Lampoon with Chevy Chase and John Belushi but didn't follow them to Saturday Night Live until much later, pairing up with Billy Crystal on the show. He also guest-starred on All In The Family as a friend who in a flashback episode set Mike(Rob Reiner) and Gloria on their first date. Rob Reiner and Billy Crystal would reunite with Guest in two subsequent films, This is Spinal Tap and The Princess Bride. This led him to making a series of films that many consider the finest examples of “mockumentaries”, but Guest would say that he mocks no one but has respect and love for the various groups he has essayed and displayed. These films are Waiting For Guffman, Best in Show, A Mighty Wind, For Your Consideration, and now the HBO series Family Tree starring Chris O'Dowd.
Family Tree is different than the films because it is more a journey by one person through his own heritage than the joining of a crew of like-minded individuals as in the other films. O'Dowd (Tom Chadwick) is best known for his charming supporting appearance in the film Bridesmaids, but he is the anchor here. It is his journey initiated by the inheritance of a trunk of junk that seems to unlock the secrets of his family's history. He is recently heartbroken and unemployed, so he has nothing better to do than hunt down clues from the trunk. In the first season it leads him from various towns in England to halfway across the globe in California where he uncovers many, many surprises. Three of the surprises include relatives like a Jewish movie cowboy, a grandfather that may have fought on both sides of the Civil War, and a genuine great-grand- Indian squaw. Tom's perpetually horny best friend and his sister with a surly, cheeky, foul-mouthed monkey puppet always by her side are his support system and wind up joining him in California (because they are both so messed up). Guest regulars Ed Begley Jr., Bob Balaban, Kevin Pollack, Fred Willard and Michael McKean make required appearances in the first season.
Posted in: No Huddle Reviews by Gino Sassani on October 24th, 2013
"There's nothing like good wine and friends. Or cheap wine and relatives."
No one is going to get you closer to Mama for the holidays than Time-Life and Star Vista. It's the moment that fans have waited for over 20 years to arrive. The complete series of Mama's Family is finally out on DVD, and that means there's a lot to talk about. No one is trying to say that Mama's Family was the best sit-com to hit television. I'm not even sure I'd put it in the top ten. But it's the little show that could and survived six years on television and even longer in reruns. Few shows have beaten the odds this many times and come out on top. Mama's Family did just that, and here's how it happened.
Posted in: No Huddle Reviews by Brent Lorentson on October 24th, 2013
The Furious 5 are back in the new collection of episodes from the Nickelodeon hit show, inspired by the film Kung Fu Panda. It wasn’t too long ago that I reviewed the first batch of episodes in the collection Good Croc, Bad Croc, and I had a good time with that set. Now with the new collection, would it fare as well as the first, or will it blow my mind with its kung fu awesomeness? Well, why waste any more time, and get right to it. For those unfamiliar with the show or movies, that is fine, because the opening credit music does a good job catching you up to speed telling Po’s story from working at his father’s restaurant to becoming the great dragon warrior and defender of the village. In the feature films, Po was voiced by Jack Black, but for the animated series Mick Wingert takes over the voice work duties, and he nails it.
In this DVD release we are given seven exciting episodes that the entire family can enjoy. The first episodes Scorpions Sting and Love Stings focus on the female villain Scorpion; though small, she makes up for it with her cunning ways and ability to create dangerous potions. Whether it’s Scorpion using her abilities to turn Monkey into a mind-controlled zombie or brainwashing Po’s father into falling in love with her, she always manages to have a trick up her pincher. Love Stings actually has one of my favorite moments in the set, where Po and Monkey practice in the new art of Dizzy Kung Fu; it’s silly and fun and seems to be a wink to Jackie Chan’s Drunken Master.
Posted in: Disc Reviews by J C on October 23rd, 2013
Hollywood (rightfully) gets a lot of flack these days for being creatively bankrupt. But you can’t throw a rock down Broadway without hitting the marquee for a musical that’s based on an existing film. It’s not exactly a new phenomenon — and it doesn’t always work — but some of the most successful and beloved musicals feature stories you already know and fell in love with on the big screen. The trend seems to have really picked up at the turn of the century, and it doesn’t appear to be slowing down anytime soon. So adapting a massive hit like Shrek for the stage must’ve been a no-brainer.
Then again, Shrek wasn’t your typical cartoon musical. The most notable "musical number" involved Smashmouth’s cover of “I’m a Believer” — remember when “Smashmouth” was a thing? — and the film, based on William Steig’s book, actually took some not-so-thinly-veiled shots at the Disney machine. Although I’ve enjoyed the various Shrek films on their superficially lighthearted terms, I’ve always had an irrational grudge against the first one after it beat out the infinitely-superior-in-every-way Monsters Inc. for the Best Animated Feature Oscar more than a decade ago. However, I’m a semiprofessional, so I put aside my bias when I sat down to review Shrek: The Musical, now out on Blu-ray.
Posted in: No Huddle Reviews by Jeremy Butler on October 23rd, 2013
“Maybe this could be whatever happens on tour, stays on tour.”
Yeah, because that always ends so well; when are people going to learn that there’s no such thing as continuous casual-nobody-gets-hurt sex? Sooner or later (especially sooner), feelings develop on both sides, or on one side rather. In the case of one-sided feelings, Plush is the latest in films to show us what could possibly happen.
Posted in: Disc Reviews by Brent Lorentson on October 23rd, 2013
In the wake of Captain Phillips being released in theaters, another tale of a ship being held hostage by Somali pirates is released on Blu-Ray and DVD. This true story comes out of Denmark and has made a successful run through the festival circuit, but how does it fare up against the mighty Tom Hanks and his tense, nail-biting thriller? Well, to be fair, though the two films deal with the same subject matter, the execution is vastly different, but A Hijacking manages to deliver an equally stunning film filled with great performances and filmed in such a way we feel as though we are one of the hostages on the ship, or in the negotiation room where numbers are crunched to ensure survival of the crew but also preserve the company’s bottom line.
On board cargo ship,The Rozen, the ship and its crew is getting ready to head into Mumbai where the ship’s cook Mikkel (Pilou Asbaek) is excited about returning home to his wife and daughter. Unfortunately those plans are indefinitely delayed once the ship is taken over by a group of pirates. In Denmark, the CEO of the shipping company, Peter (Soren Malling) is notified about the ship’s capture, and the motions quickly roll into place to return the ship and the crew safely.