Posted in: Disc Reviews by Jonathan Foster on December 3rd, 2012
Jimi Hendrix. Carlos Santana. Jimmy Paige. Eddie Van Halen. Slash. These are arguably some of the greatest guitar gods to ever rock the stage. Yet somehow this pantheon feels incomplete. I humbly submit Peter Frampton’s name for inclusion with these mighty warriors of rock. In 1976, the singer released his most successful album — Frampton Comes Alive! — and, according to this Blu-ray’s box, “the best-selling live album in the world.” In 2011-2012, Frampton went on tour in celebration of its 35th anniversary. This concert Blu-ray was filmed over two shows on this tour and features 26 songs. The first 14 are the entirety of Frampton Comes Alive! played front to back, with the remainder of the songs being highlights from his long career all the way through his most recent album, Thank You Mr. Churchill.
At 62, Frampton hasn’t mellowed at all. His vocals and guitar-playing prowess haven’t diminished one bit and blend smoothly with the backing vocals and guitars of Rob Arthur and Adam Lester. Arthur pulls triple-duty, playing keyboards as well. Stanley Sheldon and Dan Wojciechowski anchor the concert on the bass and drums, respectively. An especially cool moment occurs when Frampton invites his son, Julian, to come on stage and sing with him. Julian Frampton performs “Road to the Sun” and “I Don’t Need No Doctor”. I wish he had sung some more, because his energetic voice pairs well with his dad’s epic guitar playing.
Posted in: Disc Reviews by Jonathan Foster on December 3rd, 2012
In 1975, Gerald Ford was President of the United States, Wheel of Fortune made its debut, disco was groovy, and Patti Smith burst onto the music scene with her debut album, Horses. She would go on to become known as the “Godmother of Punk” and greatly influence the New Wave genre of music. I admit, before watching this concert, I had only heard one of Smith’s songs — her #1 single, “Because the Night” — so I was curious to hear more of her material. The fact that my aunt says she still owns an LP of Horses she bought as a teenager intrigued me more.
This concert was filmed during the 2005 Montreux Jazz Festival in Switzerland. Smith and her band spend 83 minutes playing 12 songs, including 11 from Smith’s records and a cover of Bob Dylan’s “Like a Rolling Stone.” The entire group performs with the ease and familiarity that only comes with years and years of playing together. Lenny Kaye and Tom Verlaine’s guitar work anchors each song and blends very well with Tony Shanahan’s bass and Jay Dee Daugherty’s drums. Smith herself even jumps on guitar for a song or two, but someone needs to keep her away from the clarinet. I’m no expert, but I’m pretty sure the clarinet shouldn’t sound like someone strangling a sick goose. I actually ended up muting my TV whenever she got to wailing on the clarinet.
Posted in: Disc Reviews by Michael Durr on November 30th, 2012
So you say Shipping Wars was not enough Waring for you? Are you back for more? Alright, let us dig through the review pile and get some more action for you reality show freaks. How about Hamster Wars? Okay, okay perhaps Paper Airplane Wars? Never mind, I can not stand paper cuts. Ah I have the perfect one here, a spinoff of one of the most popular reality shows out there. Its name is Storage Wars: Texas. Well yee-haw and get me my cowboy hat. This might be a hootenanny after all.
This season one of Storage Wars: Texas is actually something of a misnomer. It contains sixteen episodes and actually it is comprised of the first two seasons of the show. There is a distinction between the seasons which I will explain in just a little bit. As with any reality show, there are usual lists of players who need some introduction.
Posted in: Disc Reviews by William O'Donnell on November 29th, 2012
This is the eighth and final season of this slightly offbeat crime drama. Nothing has brought me more joy than seeing that instantly recognizable CBS packaging that is used for older programs being revived onto DVD releases such as Perry Mason or Barnaby Jones. Now Mannix has the opportunity to wow me as I have been before. Will this be a pleasant experience or surprisingly disappointing?
This show is pleasant enough to behold and was certainly surprised by the strange, almost comedic attributes that are injected. To draw this comparison again, I'm not talking about the endearing way that Barnaby Jones always drinks milk in his own series. I'm talking about Mannix getting hired by a politician to while riding a carousal, or surprising a musician at home who is walking on his hands for absolutely no reason whatsoever. Such things do not explain the plot any better nor suit the intensely serious tone these stories always end up taking. There were times where this series was reminding me of Police Squad! (a complete lampooning of shows like Mannix) when it should be demonstrating the seeds being planted for serious crime shows to follow. When a character refers to another as “baby” or says they “dig it” I can understand that as symptoms of taking place in 1974, but this show goes further than that into oddities. Heck, even the opening credits contains a mixture of images that includes gun fights, fights, skiing and Mannix burning his hands on some toast...I just don't understand what tone this show is trying to set.
Posted in: No Huddle Reviews by Gino Sassani on November 29th, 2012
Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial. While we may not remember the novels, we all remember the man in the persona of Raymond Burr. Burr had a commanding presence on our screens and enjoyed a well-deserved 11-year run as the clever lawyer. What makes this run so amazing is that the show followed pretty much the same pattern the entire time. We always know what’s going to happen, but we wait eagerly for that gotcha moment when Perry faces the witness on the stand. We know when he’s got the guy squarely in his sights, and we can’t sit still waiting for him to pull the trigger. OK, so maybe that’s a little over the top, but so was Perry Mason. From the moment you heard that distinctive theme, the stage was set. To say that Perry Mason defined the lawyer show for decades would be an understatement. Folks like Matlock and shows like The Practice are strikingly similar to Perry Mason. If you haven’t checked this show out, this is your chance. See where it all began.
Raymond Burr did not carry the show on his own. There was a very fine cast of supporting characters. The most famous has to be his faithful secretary Della Street, played by Barbara Hale. The two were inseparable. Perry had the help of a good private investigator in the Raymond Chandler style. William Hopper played the tough-as-nails Paul Drake. One of Orson Welles’ famous Mercury Theater Players took on the part of Police Lt. Tragg. Ray Collins starred in Citizen Kane as the political party boss Gettys. He was a fine example of top talent working in television. Mason was often pitted against prosecutor Hamilton Burger, whose name too often reminded me of hamburgers. There wasn’t anything funny about Burger, however. He was a worthy opponent who drew the short straw most of the time because he was up against Perry Mason. The task was accomplished with a lot of style by William Talman, a one-time evangelistic preacher.
Posted in: No Huddle Reviews by Brent Lorentson on November 29th, 2012
Like many others I love a good gangster film. Not every film has to be epic like Once Upon a Time in America or The Godfather; the simple ones are just as good like Snatch and Sexy Beast. In fact there are so many good gangster films out there I could almost argue is there really a need for any more entries into an already bloated genre? Okay, silly question, because we’ll always want more of a good thing, but unfortunately with the good we have to take the bad.
When we first meet Jack (Julien Courbey) he’s running a little scam in a basement where he has high rollers playing a form of kneecap Russian roulette. The concept I like, but there’s simply no suspense. We don’t know who these people are who are putting guns to their legs. For those who have seen The Deer Hunter you know how intense these kinds of scenes can get, but instead all we have is a guy trying to look cool while two high-rolling thugs play this insane game of chance.
Posted in: Disc Reviews by J C on November 29th, 2012
Some movie titles are almost comically blunt. Recent examples that didn’t leave much to moviegoers’ imaginations include Cowboys & Aliens, The 40-Year-Old Virgin and, of course, Snakes on a Plane. So when I saw the title of Disney’s latest live-action, family-friendly offering, I wondered just how odd this movie could really be. (At the end of the day, we’re still talking about a Disney film here.) Turns out, The Odd Life of Timothy Green is a strange little flick for a variety of reasons.
Jennifer Garner and Joel Edgerton star as Cindy and Jim Green, a childless couple living in fictional Stanleyville, “the Pencil Capital of the World.” The movie very quickly and subtly — no need to bum out or bore the younger members of the target audience — establishes Cindy and Jim are not able to have children of their own. The couple is understandably dejected. To cheer his wife up, Jim suggests they write down the qualities their ideal child would possess — including having a big heart and being honest to a fault — and place the pieces of paper in a box, which they bury in their garden.
Posted in: Disc Reviews by William O'Donnell on November 29th, 2012
Before his 19th birthday, Frank Abagnale Jr. posed as a pilot, doctor, lawyer and secret service agent in an uncanny crime spree that saw him forging millions of dollars worth of fraudulent checks. This film chronicles the fantastic yet true adventure with large doses of fun injected into the 2 and a half hour long chase.
Abagnale committed these crimes in a time that was far more trusting than it is now (in fact, Abagnale would go on to use his skills to boost the security of the currency and checks he took advantage of before). Whenever Abagnale's crimes are described, his statistics are read like highlights from a sportstar rather than someone malevolent. We do not see any actual victims. Even his nemesis, Agent Carl Hanratty (portrayed by Tom Hanks), eventually gains a lifelong friendship after multiple years of pursuing (and frequently being humiliated by) Abagnale.
Posted in: Disc Reviews by Gino Sassani on November 28th, 2012
"I promise you the secrets of the universe, nothing more..."
It's been an astonishing 15 years since Will Smith and Tommy Lee Jones first teamed up as Agents J and K respectively for the intergalactic police force Men In Black. The film was like a breath of fresh air. It combined top-flight science fiction fantasy with whimsical humor. It was a hit at the box office, and like most wonderfully original hits it was quickly followed by a sequel that had almost none of the cleverness and freshness of the original film. The film was so unmemorable that I sat with other critics getting ready to see Men In Black 3 and none of us could actually remember what the second film was even about. Years went by and most of us put the franchise in our rearview mirror.
Posted in: Disc Reviews by J C on November 28th, 2012
"In 1920 they passed the prohibition act making the sale of alcohol illegal. Well... at least it was supposed to be."
I know what you’re thinking, and I was also incredibly disappointed to learn this film was not a biopic of Xena: Warrior Princess actress Lucy Lawless. (This hypothetical film would obviously star the ageless Kiwi, because the actress still looks incredible.) Fortunately, Lawless makes up for its startling lack of Lawless by being one of the better films I’ve seen this year.
