Disc Reviews

"In New York City's war on crime, the worst criminal offenders are pursued by the detectives of the Major Case Squad. These are their stories."

Dick Wolf used to pretty much own NBC and prime-time drama. His flagship series Law & Order lasted 20 years, tying the record held by Gunsmoke for the longest-running scripted drama. It was his wish to break the record, but by season 20 the franchise had lost some steam and was axed by NBC. It wasn't a total loss for Wolf, who had two other Law & Order shows still running at the time. Law & Order: SVU has been the more successful, but Law & Order: Criminal Intent had a pretty good run as well.

“Through the good times and the bad, you were the best I never had.”

Who became successful? Who completely changed? Who stayed the same? For all the questions that are asked at every 10 year high school reunion, 10 Years is dedicated to you. Equipped with a stellar cast of Hollywood’s next generation elite: Channing Tatum, Justin Long, Rosario Dawson, Kate Mara, Brian Geraghty, Ari Graynor, Kate Mara, Oscar Isaac, and the list goes on.

Who doesn’t get a little creeped out any time they see an old van cruising slowly through their neighborhood?  Now, I’m not talking about the soccer mom mini-van you see plenty of, but I’m talking about those vans from the 80s and beyond that seemed to be the vehicle of choice in films where kidnapping is involved.  Creep Van takes the idea of the sleazy van and uses it to its fullest, transforming this white metal beast into the ultimate death trap on wheels.  Unfortunately the van and the gore are pretty much all the film has going for it.

Cambell (Brian Kolodziej) is a little down on his luck; with a new job working at a car wash and having to take the bus, things are far from easy.  To make matters worse, his living situation isn’t much better with a roommate with a few fetishes and the roommate’s girlfriend who has an unexplained hatred for Cambell and enjoys kicking him down when she gets the chance.  Just about the only good thing going for Cambell is his cute co-worker Amy (Amy Wehrell).  Things begin to look all the more promising after Cambell comes across a white van that’s for sale and in his price range.

At the turn of the millennium, we seemed to collectively decide that we wanted our heroes to be dark and gritty. The X-Men traded in their yellow spandex for black leather in their first big-screen adventure. Batman went from exchanging quips and painful puns with Mr. Freeze to brooding magnificently for director Christopher Nolan. And Hollywood almost completely stopped making candy-colored spectacles like Dick Tracy.

It’s not difficult to understand why this happened. Though I have a soft spot for pulpy ‘90s period pieces like The Rocketeer, The Shadow and even The Phantom, they didn’t exactly set the box office on fire. The star-studded Dick Tracy was actually the most successful film from this group, grossing over $100 million, earning seven(!) Oscar nominations and winning three of those trophies. However, the fact that Dick Tracy’s closest doppelganger is probably the ultra-violent Sin City — another tale with tough-talking cops and crooks that looks like it was ripped directly from the pages of its source material for the big screen — tells you where moviemaking has gone from then to now.

A small mining community in Western Australia get visited by a vagabond dog. This Red Dog (named after the fact that the red dust of that desert region stained his fur that colour) has a deeply significant effect on every worker's life yet not one of them can truly claim to own him until an American bus driver begins working there. Red Dog was a big fan of hitchhiking across the country and seems to be attracted to riding great distances on a bus with his new best (human) friend.

I should have known what I was getting into when I saw that this was a dog story. All the best dog films are incredibly sad. This film was based on true events and its saddest portions include heavy references to the saddest (true) dog story of all time (nope, not Old Yeller), Hachi-ko, the story of a dog that waits for his master after they have died (was adapted twice onto film, as well as laid out the groundwork for the most depressing episode of Futurama “Jurassic Bark”). The story begins with miners resolving that they cannot shoot Red Dog after he ate poison, but this is not the saddest part. Over half way through the audience gets an emotional kick to the throat that I, for one, was not prepared for. By no means is this a criticism of their storytelling, more a warning to those that may think they're in for a family-ready delight (ok...they ARE but certainly not without a box of tissues as a prerequisite).

I’ll say this about a program that has remained  consistent in quality for twenty seasons…it makes for challenging reviews. Talking about each season of Gunsmoke is difficult in that you either write briefly to try to avoid redundancies, but might seem too hasty, or you have to labour over each episode, in which case, you’re only going to have hardcore fans paying attention. Since this website has touched on previous seasons: ( https://upcomingdiscs.com/?s=gunsmoke ) I shall opt for the former option, and hope y’all out there catch that I’m not being hasty…but respect a show that warrants no fresh complaints after 7 years a-runnin’ thus far.

The most obvious change to the show that happened in this Seventh Season is expanding from half and hour to a full hour for each episode. This can be a great challenge for a show that was not originally created in this format. Doubling the length of each episode has allowed for more focus on developing the guest characters. There are no major plots that overlap several episodes so we can see how the hour long format aids this type of show, as well as helping to lay the groundwork for hour-long adventure and/or crime dramas to follow.

Even if you managed to catch the little-seen Budz House when it was released on DVD earlier this year, chances are you weren’t exactly begging for more. (At least not if you’re one of my esteemed colleagues.) The cast of the wannabe cult stoner comedy featured a handful of comedians, some of whom have reunited for this hybrid talk show/stand-up special. Although too many of the jokes rely on tired clichés, these live performers seemed infinitely more comfortable in their natural habitat.

The 67-minute special is hosted by actor/comedian Faizon Love, who played a character named (wait for it) Big Shitty in Budz House. We first see Love hanging out in a green room with some of his fellow Budz House actors talking about what they want to do next with their lives. Two female cast members say they want to be Avatars — one blue and one red — while another actor wants actress Danielle E. Hawkins to fart in his face. I realize the previous sentence sounds like something I made up just to see if you’re still paying attention, but I promise you this actually happened. After resisting the strong urge to turn this off after less than two minutes, Love reveals that he’s always wanted to host a talk show. And we’re off!

"When you said you wanted an ocean view, you didn't think you'd get the whole ocean, did you?"

When Finding Nemo was released in May of 2003 there were a ton of skeptics. It was certainly a divergence from the tried and true Pixar formula, and even the people involved with the project were concerned that it would become Pixar's first flop. They needn't have worried. The film was far from a flop. It took in over $70 million in just its first weekend. The final total would be just shy of a billion dollars. The animated feature took the Oscar for best animated feature that year. But that would be just one of 35 awards the film would go on to win. Still, the true success of a film can not always be found in the box office take. Truly classic films are timeless. It's been one of Walt Disney's defining characteristics over the decades. It might be too early to tell if Finding Nemo will fit that timeless classic mold, but it has already left a pretty strong impact on our pop culture.

The longest running show in prime time doesn’t feature cops, doctors, or lawyers. It’s hard to believe that The Simpsons have existed as long as the Fox network. While the series didn’t really begin until Fox’s second year, the characters were part of The Tracey Ullman Show, which did start the first year of Fox. Who could have guessed that an animated short from an otherwise horrible and doomed variety show would explode into such a phenomenon? The Simpsons have not only dominated the pop culture; they have placed everything else into context with their show. Like Doonesbury, it could be said that the only thing worse than being made fun of on The Simpsons is not being made fun of on The Simpsons. With that said, you’ll understand my warm feelings and appreciation for this show.

This thing has been on forever. Still, it never gets old. The show has a charm yet edginess to it that can’t be beat. Let’s not forget that while kids might love the show, this stuff is intended for adults. We’re not talking South Park trash talk here; every episode is a veritable treasure hunt of subtle and not-so-subtle cultural references. Even after seeing an episode several times, it’s not uncommon for me to find something that I missed before.

"Meet the Robertsons clan. They turned duck calls into a multi-million dollar empire.  But running a family business is tough when the family just wants to run wild."

I have to admit when I got handed this to review my expectations were not just low, but part of me just wasn’t looking forward to this.  I’m just not a fan of reality television with the exception of every ghost hunting show out there.  I have no shame in admitting I want to believe. So a show about good ol’ boys that are millionaires for making duck calls, it simply sounded painful.  But by the time I got a couple episodes in, I couldn’t believe it; I was actually looking forward to what shenanigans the Robertsons were going to get into next.