Posted in: No Huddle Reviews by Gino Sassani on September 7th, 2012
The considerable talents of Arthur Rankin, Jr. and Jules Bass are probably best known for their Christmas classic Rudolph The Red-Nosed Reindeer. It's been an annual holiday classic since the 1960's. There have been quite a few other television classics over the years. But the team did not restrict themselves to just doing television specials. Not at all. With the enormous success of Rudolph they looked toward the feature film business. At that time Disney pretty much had a monopoly on the animated feature, and Rankin & Bass decided to give the Mouse House a run for their money.
The first of these films was the now-forgotten Willy Bean & His Magic Machine. The film was actually begun during the Rudolph production and featured pretty much the same talent both in front of and behind the camera. While it's a forgotten film today, it led to distribution deal and a couple of other relatively unknown releases. The deal culminated in the release of Mad Monster Party. While it tanked at the box office, the property found new life in syndicated television and would show up as an annual Halloween staple for many years. The film actually played better in its trimmed television condition. The truth is that much of the film was padded to make it more of a feature film. It was there on television that horror fans fell in love with the little film that could.
Posted in: Disc Reviews by Bob Ross on September 7th, 2012
What’s the latest home video gimmick? 3D, of course. And what’s the leading genre for cheap thrills on a low budget? The goofball horror movie, right? So it makes sense – sort of – for an enterprising filmmaker to throw together a low-comedy fright flick with cheesy gross-outs and bouncing breasts. See, in 3D, those babies can bounce big-time. And if that’s not enough boost for the boys in the audience, you also get severed heads, detached limbs, barf jokes and the dopiest plot this side of Lake Placid the Final Chapter. OK, you caught me. I never saw that one, it just sounds ridiculous.
But I did sit through Piranha 3DD, which was not difficult because (a) I still enjoy the novelty of 3D home video, (b) it’s only 82 minutes long, and (c) the film earns its R rating (for “sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use”) while refusing to take itself seriously for even a moment.
Posted in: Disc Reviews by Gino Sassani on September 7th, 2012
To the point, Criminal Minds is very compelling television. Ever since The Silence Of The Lambs and perhaps long before, we have been fascinated by serial killers and the profilers who try to get inside their heads. To see evidence of the continuing trend, one needs only look toward the success of films like Zodiac and shows like Dexter. Of course, serial killers are not the only prey this FBI team pursues, but they are certainly the marquee item on the agenda. To be sure, there are equally disturbing subjects such as arsonists, bombers, kidnappers, and rapists to give the show a touch of variety, but let’s face it, it’s the killers that keep us tuned so attentively to Criminal Minds.
Let’s not take anything away from the show’s true force here. This is an excellent cast being fed brilliant scripts playing to an awesome crew. Everything just clicks on this series, and it only got better in the second year. I am truly impressed with how much these characters are fleshed out and how much we learn about them without the need of office romance. No precious show time is squandered on excessive personal life stories. We’re given just enough to bring the characters alive beyond their team dynamic, which is quite strong. Each character is constructed through the subtle nuances the actors infuse their performance with. From the moment you watch your first episode, you will find this team believable enough to care about them and their work. Surprisingly, the show often gets muddled in a ton of exposition, but somehow it’s carried off by the cast so that you never find yourself going numb with clinical information overload. Granted, the material itself is attention-worthy, but these guys pull it off no matter how interesting the information might be. Add to the stellar portrayals a writing team second to none in the industry. The support teams do everything they need to make sure these talents are never wasted.
Posted in: No Huddle Reviews by Brent Lorentson on September 7th, 2012
“It’s times like this you need to think like a stoner.”
It’s not every day you get the chance to say the quote above and apply it with conviction. But when you watch High School or any other “stoner” movie, you simply have to view them through smoke-filled glasses or the viewing experience will be in vain. Kind of like watching The Rocky Horror Picture Show, as a movie it’s bad, but when you see it with a live performing act it becomes a completely new experience. Now I’m not advocating that everyone light up before every movie, but to understand that some films ask their viewers to sometimes step outside their comfort zone.
Posted in: No Huddle Reviews by Brent Lorentson on September 7th, 2012
Watching this film is like unearthing a time capsule, not just to another time, but what seems like another world. It’s crazy to see how much has changed since this film’s original theatrical release back in 1975. One moment that stuck out in particular: when they are driving along the streets of Los Angeles you might notice a sign at a gas station posting gas at 56 cents a gallon. This is a family that is already sick of life in the big city. I can only imagine how they would react to big city life now; would they run further into the hills or simply accept the advances in modern technology?
The family initially makes the decision to leave the city life behind for the sake of their sickly daughter. Skip (Robert Logan) is tired of his job and fed up with the stresses of the city, so in the car returning from a visit to the doctor he asks his wife Pat (Susan Damante) what she’d think about moving out and into the country. This is something the two of them had always talked about when they first got together, but having kids and jobs seemed to put these dreams on the back burner. But with the health of their daughter being their biggest concern, the family sells everything they own and purchases some property in a remote area in the Rocky Mountains.
Posted in: Disc Reviews by J C on September 6th, 2012
Everyone on TV has nicer clothes and a bigger house than you do. And I’m not just talking about TV doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. (Friends is probably the most famous example.) We complain about how unrealistic it is for a barista and a line cook to be able to afford such a nice place, but part of the appeal of turning on the tube is temporarily turning off our real-world problems.
CBS’s 2 Broke Girls — along with Fox’s Raising Hope and ABC’s The Middle — seeks to follow in the blue collar sitcom tradition of shows like Roseanne and Sanford and Son. (Though 2 Broke Girls is nowhere near as good as either of those shows.) Despite the fact that their apartment is big enough to literally fit a horse, 2 Broke Girls is one of the few shows on TV where the main characters actually worry about money. (Not counting shows where the main characters are gangsters or meth dealers.)
Posted in: Disc Reviews by Gino Sassani on September 5th, 2012
“Ride into this world all alone. God takes your soul. You're on your own.
The crow flies straight, a perfect line on the devil's back until you die.
Gotta look this life in the eye”.
If you've already read previous reviews, skip ahead to find out what's new this season. When these guys send a message, they don’t use Western Union. Not only will they blow up your warehouse, but they’ll catch one of your guys and plant a stick of dynamite in his butt cheeks to set off the explosion. That’s the world of the motorcycle club, the Sons Of Anarchy. In the wake of The Shield, FX stays true to form with the latest from that show’s alumni Kurt Sutter. Sons Of Anarchy has a familiar tone and quality to it for fans of that now-gone cop drama. There’s a lot of handheld camera stuff, and you have very similar themes.
Posted in: Disc Reviews by Gino Sassani on September 5th, 2012
"There is a town in Maine, where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."
ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history in a television series. That time has arrived and the result is Once Upon A Time. It's the most clever and original series to hit the tube in a long time.
Posted in: Disc Reviews by Brent Lorentson on September 4th, 2012
Before watching this Blu-ray my knowledge of Staind consisted of only what I’ve heard in passing on the radio. I wouldn’t call myself a fan or go so far as to say I dislike them, I simply view (or hear) them as something to fill the void when the radio is on. Where I did grow a bit of an appreciation for the band was in an interview that’s included on the disc that turned out to be more insightful than the standard fluff piece you may expect.
But I’m getting ahead of myself.
Posted in: Disc Reviews by M. W. Phillips on September 4th, 2012
“Money, right yeah it matters, but it’s one piece of the puzzle. Let me tell you something. Sometimes who you are doing business with is a lot more important than the business that you are doing.”
When How to Make It in America season two begins, Ben (Bryan Greenberg) and his best friend, Cam (Victor Rasuk) return from their business trip to Japan after spending their new-found cash on a load of “Japanese soft cotton” hoodies they intend to silk screen with their new Crisp fashion label and find a way to mass distribute. Ben’s ex-girlfriend Rachel (Lake Bell), now unemployed, hits the job market and scores a gig with an uptight home improvement magazine. Thug with a heart, Rene (Luis Guzmán), continues his rocky road to legitimacy, enjoying the new-found success of his Rasta Monster energy drink while struggling to please his skeptical girlfriend Debbie (Andrea Navedo).
