Posted in: Disc Reviews by Michael Durr on September 4th, 2012
Remember when I mentioned the difficulty of reviewing a season in the middle of the show’s run? This week, I shall attempt to review two different HBO shows at the end of their respective run. Yes, I will be piecing together a show that is in its last season with very little (or no knowledge) of the seasons before. This should be a fun ride and our first entry is the third season of the HBO Comedy: Bored to Death.
Our very own M.W. Phillips was able to review the second season of this show, so feel free to check that out. He will probably be much kinder than I am.
Posted in: Disc Reviews by J C on September 3rd, 2012
"A military mystery that lasted 2,000 years."
White Vengeance assumes a certain level of knowledge about ancient Chinese history that, except for all you ancient Chinese history scholars reading this review, most of us don’t have. As a result, the film’s disorienting opening act had me constantly backtracking to figure out who was who, and why they were betraying or trying to assassinate each other. In other words, I started to feel like getting to the end of this ambitious movie might take a little under 2,000 years.
Posted in: Disc Reviews by William O'Donnell on September 2nd, 2012
This Naval Criminal Investigation Service lead by Agent Jethro Gibbs (played by Mark Harmon) continue to sift through suspense filled tales of deviance in the military that takes them from all the way from political offices to the streets to battle villains.
Previous seasons of NCIS have been covered on this site, such as this:
Posted in: Disc Reviews by Bob Ross on August 31st, 2012
I never really meant to have 3D TV in my home theater. But our Sony Blu-ray player was 3D-ready, and the receiver and monitor both needed warranty replacement about the same time. Bingo: All I needed were a couple pairs of glasses ($40 each at Amazon) and some 3D programming. Having seen almost every 3D big-screen release already, I was pretty sure the TV version would be an inferior format. I was wrong. The electronic-shutter glasses beat the heck out of those old red-and-green gimmicky glasses. They work as well as the polarized lenses at the multiplex.
To me, 3D television is sort of like a talking dog: It doesn’t matter what the pooch says, the miracle is that he can speak at all. My Internet hookup provides two 3D channels but they are mainly short demo reels and trailers for films and video games. So now my DVD and Blu-ray collections are joined by a much smaller shelf of 3D Blu-rays. It includes a very view features (A Very Harold and Kumar 3D Christmas is an absolute hoot) and several documentaries, mainly travelogues from the IMAX catalog.
Posted in: Disc Reviews by Gino Sassani on August 31st, 2012
Anyone who has watched enough of the SyFy original movies has a pretty good idea of what they're getting. The network has made a bit of a name for itself with low-budget to no-budget monster movies. Most of the creatures are mutant and large and appear like they escaped from a bad 1950's drive-in theater. The computer generated stuff usually looks like a kid drew it up on their pocket computer, and the cast is going to be made up of unknowns with a few known names to give the whole thing some street cred. The movies are usually good for a few laughs; some of them might even be intentional. It's all usually harmless fun. But, after watching Jersey Shore Shark Attack I believe that Steven Spielberg must be rolling over in his grave. He's still alive, you say? Wait until he catches this movie on his Tivo. In fact, if he's got it on his Netflix queue, I'm taking Steve in the next dead pool that comes out. Unfairly harsh? A bit too critical? See for yourself, I dare you. I double dog dare you.
The movie is a combination of Jaws meets Jersey Shore meets The Sopranos. And in case you didn't get it yourself, the cast includes Jersey Shore's Vinny Guadagnino in a cameo as a television reporter and The Sopranos’ own Paulie "Walnuts" Tony Sirico in what is basically an extended cameo as a beach club owner.
Posted in: Disc Reviews by J C on August 30th, 2012
It’s impossible for me to discuss what I feel didn’t work in Touchback without talking about the movie’s big plot twist. I’m not even sure it’s accurate to refer to it as a “twist” since it comes in the first half hour and is an essential component of the film. On the other hand, the movie’s official plot description is intentionally vague — for the record, the film’s trailer is considerably more forthcoming — and seems designed to conceal a major part of the story. Having considered all that, I’m only issuing a Mild Spoiler Alert.
Touchback is the story of former high school football hero Scott Murphy (Brian Presley), who led his tiny Coldwater High School team to a state championship in 1991. Unfortunately, Scott shattered his leg when he scored the game-winning touchdown, derailing his collegiate and professional football dreams. Twenty years later, he’s a broken man in more ways than one. He has become a disheveled, bitter soybean farmer who is married to Macy (Melanie Lynskey), the compassionate girl who fell in love with him after his injury, and is jealous of Chris (Marc Blucas), his wildly successful former teammate.
Posted in: Disc Reviews by Gino Sassani on August 30th, 2012
George Romero created the modern zombie movie in 1968 with his low-budget masterpiece The Night Of The Living Dead. While we can debate the direction the genre has gone in the last 40 years, it's hard to argue that Romero defined the rules of the game with that first film and the series that followed. And while zombies have been populating the comic scene since the early days of Creepy and Eerie, it took the likes of Robert Kirkman and Tony Moore to give us a compelling interpretation of the Romero zombie in the form of a comic book series. That vision is the foundation for the first effort to populate a television series with zombies as the ongoing antagonists. It took American Movie Classics to have the vision to allow this creative team to dream big and put it all on our television screens on a weekly basis.
The first thing you should know about The Walking Dead is that it's unlike any television series you have ever seen before. The images here are intense, and the crew has been given a blank check to create this vision without the burden of censors looking over their shoulders. There are plenty of blood-and-gore effects that rival any of the Hollywood zombie films you've seen in the last few years. The makeup effects are handled by the very capable hands of KNB and supervised personally by Greg Nicotero (the N from KNB). KNB isn't treating this like a television production, and while I personally get tired of the cliché about making a movie each week, this one lives up to the hype. They aren't doing anything different here than they would do for a big-budget film. The zombies look incredible, and the effects are completely first-rate.
Posted in: No Huddle Reviews by Gino Sassani on August 30th, 2012
Inspectors 81 are back on the tough streets of San Francisco for a fourth season of gritty police work. Remember, these are the same streets Dirty Harry worked during the same decade. There are some memorable moments in this next half season release of “Streets”. In case you don’t know the show, here’s a rundown. Detective “Iron” Mike Stone (Karl Malden) is a seasoned veteran of the San Francisco Police Department. He’s an old-fashioned, no-nonsense detective whose life has taken some bitter turns of late. Much to his aggravation, he gets partnered with Keller (Michael Douglas), a green detective who hasn’t lost his belief that he can make a difference. Together they just might be able to teach each other something. Before long the two develop a teacher/mentor relationship that works well enough to solve the cases and get the bad guys.
If you weren’t around in the 1970’s, you might be surprised to find out that film superstar Michael Douglas was once in a television cop show. It was this influential crime drama that allowed Douglas to show off the acting chops that would earn him a spot in the Hollywood elite for decades to come. It didn’t hurt any that he was able to team up with Karl Malden, an undervalued talent in his own right. The two of them bring the show to life. The series was run by Quinn Martin, himself no stranger to groundbreaking television. Martin was the same talent who created the crime drama with The Untouchables. His uncanny ability to come up with a clever premise was responsible for such milestones in television history as The Invaders and The Fugitive. Later he would continue to shape the look of television with shows like Tales Of The Unexpected, The FBI, and Most Wanted. He was the Steven Bochco of his time. Long before NYPD Blue, Martin was able to make San Francisco, the city itself, an iatrical character for Malden and Douglas to interact with. The show had tremendous style, even if the cases were purely formula. Certainly you won’t find anything in these plots you haven’t seen a hundred times before. What you will find is a unique presentation that somehow makes even the most mundane story appear quite compelling. If you enjoy the Bochco and Wolf dramas or fall in with such classics as Starsky and Hutch or Miami Vice, you owe a tremendous debt to Martin for setting the table for all of those fantastic meals that would follow.
Posted in: Disc Reviews by M. W. Phillips on August 29th, 2012
“We decided to tour round Serbia. We’ll go to villages. It will be interesting to see farmers’ reactions to our sexual provocations. Sexual education for Serbs. Widening the horizons. This is our guerilla mission.”
I like to think I am not a prude. My taste in film runs to the controversial, and I don’t shy away from extreme cinema. I think Salò, or the 120 Days of Sodom and Caligula are masterpieces; A Serbian Film impressed and affected me, although I have no intention of watching it again. Even the brief inserts of hardcore porn in “mainstream” movies like Shortbus, Antichrist, Brown Bunny or the previously mentioned Caligula don’t offend me, but I must admit I found The Life and Death of a Porno Gang unpleasant and soulless.
Posted in: No Huddle Reviews by Brent Lorentson on August 29th, 2012
After solar storms ravage the earth causing the soil to overheat and scorch our forests, the few who survive are left in a barren wasteland that stretches across the globe. The concept is an impressive one to explain the desert world we are first introduced to in the opening moments of Hell, though what’s more impressive is how this low-budget, post-apocalyptic film managed this look with simple camera tricks. With Roland Emmerich involved as executive producer, you may be expecting big-budget recreations of famous landmarks exploding and wiped away in a giant tidal wave. Instead what you get with Hell is an intimate tale of two sisters struggling to survive in a world where their hope rests in simply finding a small part of the world where water is readily available.
When we first meet Marie (Hannah Herzsprung) and Leonie (Lisa Vicari) they are passengers travelling along an empty stretch of highway with newspapers taped over the windows with only a hole large enough for the driver, Phillip, to see out of. Stopping at what remains of a gas station, our trio of survivors scavenge the place for gas and any supplies to take with them. It’s here that they encounter Tom, a mechanic who offers his skills in exchange for some cans of peaches and to join them on their journey into the mountains to find water.
