Disc Reviews

Often in columns, writers are basically forced to do enough research on their own to qualify as experts. But that is not always enough. Sometimes, we are a lot better off if we just consult an expert from the get-go and ask them all of the pertinent questions we need answered. My wife happened to be that expert I needed for the latest season of True Blood, Season Four. Without her, Sookie Stackhouse might just be another girl from the Jersey Shore. Wait, which show am I reviewing again?

Gilbert (Gilbert John) is a film student with a radical idea: make a documentary about someone who is going to commit suicide. Get to know why, get to know the person, follow the whole process, right up to the very end. Collaborators Valerie (Valerie Hurt) and Michael (Michael Traynor) have deep misgivings about the project, but sign on when the apparently ideal subject is found. This is Matt (Matthew Tilley), who suffers from a brain tumour and simply wants to choose his moment to bow out with dignity before the pain becomes too severe.

"This Martius is grown from man to dragon. He has wings. He's more than a creeping thing. There is no more mercy in him than there is milk in a male tiger."

There's a certain hierarchy when it comes to the amount of cinematic interpretations of William Shakespeare's plays. At the top tier, we have the endlessly adapted Romeo and Juliet, Hamlet, Othello and Macbeth the Scottish Play. A step below that, you've probably got your King Lear, As You Like It, A Midsummer Night's Dream and a few more. And about a dozen tiers below that, we finally come across Coriolanus.

Steven Spielberg’s very-long-in-gestation adaptation of Hergé’s Tintin finally came into being over Christmas. The story, very much in keeping with the globe-trotting adventures of the comic books (drawing heavily, in fact, upon The Secret of the Unicorn), has Tintin (voiced by Jaime Bell) become embroiled in a treasure quest after buying a model ship that has one third of the secret concealed in its mast. Captured by nefarious evil-doers who will stop at nothing to find the treasure, he encounters Captain Haddock (Andy Serkis), and a legendary friendship is formed.

"It's Memorial Day. What am I supposed to remember?"

Happy Memorial Day, everyone! When I saw that I would be reviewing a movie called Memorial Day, I was afraid Garry Marshall had made another one of his awful ensemble romantic comedies — ala Valentine's Day and New Year's Eve — that stars everyone in Hollywood...and Hector Elizondo. Thankfully, this film is simply an (overly) earnest dedication to the men and women who have served in the Armed Forces, as well as their families.

There is something about the disaster film that I can’t resist, and that something is seeing things get destroyed.  I think we all have this in us, where the little Hulk inside us all just wants to smash or see things get smashed.  Thankfully we live in an age where CGI and other special effects can allow us to see all kinds of havoc unleashed from the safety of our living room.   With Metal Tornado in my hands to review I knew what to expect, so I turned off my brain and let the mayhem ensue.

Growing up as an only child, I did my share of strange things. I staged wrestling matches with my wrestling figures, ran baseball games with myself (against myself) and also did my share of creating battles with my G.I. Joes. Feel free to call me a nerd or introvert at any time. As a result, every time I see a wrestling match or watch some baseball, I am reminded of those unique moments I shared as a child. Perhaps when I watch the new G.I. Joe Show: Renegades, I can relive some of those moments yet again.

“His name is Samson. He’s big with his cat, with mama and with his stick. Black Samson… he’s mean and clean and rules the scene.”

In the 70s and 80s, filthy little theaters littered New York’s 42nd Street, sandwiched between adult bookstores, porn theaters, and peepshows. These dens of celluloid sin hosted an endless loop of “B” movies affectionately known as grindhouse films. They ran exploitation films, drive-in double features, and European softcore of every subgenre, ranging from Blaxploitation to Sexploitation, from Euro-crime to Sci-Fi and Horror. Some theaters projected these movies 24 hours a day, seven days a week

"It's funny how you wake up each day and never really know if it will be one that will change your life forever. But that's what this day was. The day I left the city to spend a week in the house where my mother grew up. A day I'll never forget."

The Secret World Of Arrietty comes from the collected works of English writer Mary Norton. The first book, The Borrowers, introduced us to the Clock family. They were a race of tiny humans known as Borrowers. They lived beneath the floorboards of normal-sized humans and lived off the things they could "borrow" from the human family.

This fly on the wall experience follows Ray Romano and his friend and opening act Tom Caltabiano as they engage on an 8-day 7-city stand-up tour while driving from Miami to Atlanta.  This candid experience is filmed not with a giant production crew but with one intern Roger Lay Jr. who is just as much a character in this documentary that follows the highs and lows of touring.  What could easily have been a forgettable snooze-fest instead turns out to be an eye-opening glimpse into the life of TV star Ray Romano that has more than its fair share of laughs and enjoyable moments of awkwardness.