Posted in: No Huddle Reviews by Brent Lorentson on April 27th, 2012
Can someone please explain to me what happened to Val Kilmer? I can remember the days when he was an A-list celebrity and in some of the highest grossing films of the 90s. He was the Iceman in Top Gun, Doc Holiday in Tombstone, and he even put on the cape and cowl for Batman Forever. My point is that at one time the name Val Kilmer actually meant something to a film, but any more it seems he has disappeared into obscurity, and that bothers me. Sure, the famous can’t rule the top forever, but Kilmer still has the acting chops and deserves a career revival; his part in Kiss Kiss Bang Bang goes down as one of my favorite P.I. roles on the big screen. Sure people have every right to disagree with me, but I’m certain that everyone can agree he deserves better than being in 7 Below.
The film kicks off in a home in the middle of nowhere. A mother is trying to get her children settled for bed when her foster child ends up slaughtering her and the rest of the family. It’s not a bad start, but this is nothing the average horror fan hasn’t seen before. The film jumps ahead a hundred years to present day where five strangers are stuffed in a shuttle bus on vacation. Following a stop at the gas station the shuttle bus is back on the road where everything is fine till a lady in a white dress appears in the middle of the road causing the bus to swerve off the road and into a tree. With one dead driver and a nasty storm on the way our strangers are rescued by Jack (Ving Rhames) who kindly offers to bring them home so they can use his phone and get out of the storm. But we know something just isn’t right about Jack or the ominous storm lurking in the distance.
Posted in: Disc Reviews by Gino Sassani on April 26th, 2012
"Contestants are experienced marksmen operating on a closed course. Do not attempt this at home."
So just in case you have access to all kinds of firearms and a few spare acres to set up a range, you might want to think twice before trying to reproduce the challenges you'll find in History's latest reality show Top Shot. It's part Survivor and part Big Brother with the added dimension of marksmanship. And, honestly, it's quite a bit more compelling than either of those shows.
Posted in: No Huddle Reviews by Brent Lorentson on April 25th, 2012
For over twenty years Patton Oswalt has been working the comedy stand-up circuit, and with his fourth full length album being released on DVD he shows no signs of stopping. Over the years I’ve found myself becoming a fan of Oswalt’s work. Most fans may know him from King of Queens and as the voice of Remy in the Pixar film Ratatouille.
Though his tour was under the title Finest Hour, I don’t believe this to be his best act, but it is still filled with its fair share of laughs. With bits covering the super powers Jesus has, gay stereotypes in romantic comedies, and man’s greatest creation being sweat pants, the hour long special covers a lot of territory with not too many low points. For me this act, though amusing, just didn’t have the belly laughs I expected considering after all I have watched and rewatched his acts before and knew what to expect.
Posted in: Disc Reviews by J C on April 25th, 2012
"One must never let the public behind the scenes for they are easily disillusioned, and then they're angry with you for it is the illusion they love."
Sure, this quote is spoken by a very minor character and awkwardly shoehorned into the story, but it still makes its point. I realize it's almost impossible to imagine now, but there was a time we didn't have to capitalize the words "Real Housewives" and people were actually ashamed if they came off badly in front of a camera. HBO's Cinema Verite tells the behind-the-scenes story of the creation of An American Family, the PBS documentary widely considered to be the first reality television show.
Posted in: Disc Reviews by Michael Durr on April 24th, 2012
Most of us are aware (well movie and comic book fans anyway) that on May 4th, the Avengers movie will be released to the public. For years now we have watched the Iron Mans, Thor, Captain America and even a Hulk movie or two in anticipation of something greater. With that day coming closer all the time, I received a very nice 3 movie set of Avengers, animated style. Avengers might be the best movie of the summer (sorry Dark Knight), but this might be the best animated blu-ray value of the spring.
Ultimate Avengers
World War II among many other things brought us a great hero, Captain America. Steve Rogers with the help of a Super Solider serum became the mighty hero and was very successful in fighting the Nazis. However, after a missile explosion, Rogers crashes into the North Atlantic and is frozen for decades. Years later, Nick Fury and a SHIELD team would find his frozen form and revive him back to full health.
Posted in: Disc Reviews by J C on April 24th, 2012
At the very least, London River deserves credit for exposing audiences to a different side of English life beyond "upstairs, downstairs" period drama (Gosford Park, Downton Abbey), twee stories in a small-town setting (Waking Ned Devine, Calendar Girls) or the rich white people problems of Woody Allen's contemporary London (Match Point, Scoop).
Set against the backdrop of the 7/7 terrorist bombings that rocked London in 2005, London River follows the parallel stories of Elisabeth (Oscar nominee Brenda Blethyn) and Ousmane (the late Sotigui Kouyate) as they travel to the English capital and search for their respective children in the wake of the attacks. The two parents eventually meet and try to put aside their cultural differences and prejudices — though one of them clearly had more prejudices to put aside — so they can support each other in their journey.
Posted in: Disc Reviews by Michael Durr on April 24th, 2012
I am not sure about others, but I often I think I daydream more than most. Perhaps it is about being a published author, perhaps it is about being an adventurer in mythic times. When I watch movies, I want to travel to a New World, whether scary or magical where I can let my fantasies wander in any direction I wish. Today, I review Witches of Oz which sounds like it might involve the magical land of Oz. In reality, it only involves the world of New York City. Wicked witches indeed.
Stop me if you have heard this part before. Ages ago, when magic filled the land and all sorts of magical creatures roamed the landscape. Now, there was good and dark magic. However, evil always has dark intentions and was able to conquer good magic. The world grew dark except for something called “The Changing Word” which was used to create a new realm called Oz. “The Changing Word” was never supposed to be used again.
Posted in: Disc Reviews by Gino Sassani on April 24th, 2012
"At the top of the world, there's a job only a few would dare. The Ice Road Truckers are back.."
It was the peak of the 1970's, and CW McCall was teaching ordinary people like us about Cabover Petes with reefers on and getting by those Smokeys. The man practically started a new genre of music with the hit song Convoy. The song was so popular that the backup band used their cut to start a little project of their own. They became Mannheim Steamroller and used the cash to cut their own music. The movies started giving us things like Smokey And The Bear. Truckin' was in fashion, and a good time was had by all.
Posted in: Disc Reviews by M. W. Phillips on April 23rd, 2012
“Here in Tresock, I believe the old religion of the Celts fits our needs at this time. Isn’t that all you can ask of a religion?”
In 1973 Director Robin Hardy captured lightning in a bottle with the classic The Wicker Man. Based on David Pinner's 1967 novel Ritual and loosely adapted into Anthony Shaffer’s sharp screenplay. Shaffer painstakingly researched paganism giving the film an undeniable authenticity, The Wicker Man became a genre of its own known as Folk Horror. The beauty of the film was the war of counter-religions, Christianity vs. Celtic Paganism. Both religions were well respected and represented, never sinking to the point of parody or cynicism. Of course, the lion’s share of the cultural clash leaned to the side of the pagans, robustly embracing their music and daily rituals. The film served as a horror movie for Christians and a victorious feel-good movie for pagans. Either side found it unforgettable.
Posted in: Disc Reviews by David Annandale on April 21st, 2012
The fourth Mission: Impossible entry exchanges digits for a subtitle, and brings in Brad Bird to direct his first live-action feature. So the man whose The Incredibles made fun of the sort of thing that is the bread-and-butter of the M:I franchise is brought in to revitalize said franchise. Result? Job done.
Gotcha. You thought I was going to say, “Mission accomplished,” didn’t you?
