Posted in: No Huddle Reviews by Jeremy Butler on September 23rd, 2020
Season 2 of Magnum P.I. offers more of the same as it did a year before: guns, explosions, and Magnum owing people favors. That is not to say that the show isn’t entertaining; however, there is nothing earth-shattering about it. It’s not a must-see show, but if you should happen to see it, you won’t be disappointed. For my part, I am a fan and did enjoy all twenty episodes of the second season. To its credit, this season does spend some time trying to add depth to the secondary characters that Magnum tends to lean on, like T.C., Rick, and Katsumoto. There is also a long-awaited crossover episode with the recently departed Hawaii Five-0 series. Despite not deviating much from its established template in the first season, the Jay Hernandez-led series continues to remain one of the CBS staples, even after being moved to the Friday night slot, which can sometimes serve as the kiss of death for a show.
Picking up after the events of last season, Magnum continues to be a gladiator for the little, usually at the expense of his wallet. After his illegal mission in Myanmar, his relationship with Katsumoto, and by extension the Honolulu Police Department, is irrevocably fractured. He is also awaiting an answer from Higgins regarding his proposal for her to become a partner in his private detective agency. Complicating her answer is an offer from MI6 to rejoin the agency. This subplot plays out for several episodes as she tries to consider which offer is best, while Thomas does everything in his power to sway her in his direction. The inevitable and completely predictable conclusion of this subplot fortunately wraps up within a couple of episodes. It is then replaced by the banter of the two characters as they argue over how to run the business, Higgins wanting it to at least turn a profit and become legitimate, and Magnum wanting to continue to wing it and engage in questionable practices.
Posted in: Disc Reviews by Gino Sassani on September 16th, 2020
"Look up in the sky..."
He's pretty much the oldest of the comic book superheroes still fighting for truth, justice and the American way. Sure, Superman has changed quite a bit over the years. From the black and white George Reeves television series and the early 1940's cartoons to several film versions over the years, Superman has been an American icon since the 1930's. With the series of DC animated features, we have seen many of the modern incarnations of the Man of Steel. But this time Warner Brothers and DC took a step back from their ambitious ongoing stories to give fans a little bit of nostalgia and a look back to some of the earliest days of Superman. It has quickly become one of my favorite of this series, and I think you're in for a treat. This one is for the fan who is still a kid, if not in body, then in heart. And while the story might be somewhat "old school", you get to take advantage of the best of 21st century technology at the same time as Warner Brothers delivers Superman: Man Of Tomorrow on UHD in 4K.
Posted in: No Huddle Reviews by Gino Sassani on September 15th, 2020
"This is the way the world ends..."
The Stephen King cycle has turned hot once again. With the enormous success of the two-part It feature at the box office, Stephen King is hitting the kind of popularity he had back in the 1980's and 1990's when it seemed anything he put his name to had to be made into a feature film or some other grand project. The trend led to mixed results. Many of the films couldn't live up to the visceral detail that has become King's trademark. To do this, his books have taken on a large page count that has been nearly impossible to fit into a 2-hour feature film window. It split the book into two very good films. The Stand has twice made it to the mini-series format. Paramount Studios have had their hands in the Stephen King pot on various occasions. So now they've put together an interesting collection from their own library. This 5-film collection includes Stephen King's The Stand (1994), The Dead Zone (1983), Pet Sematary both (1989) & (2019) and Silver Bullet (1985). It's a mixed bag, to be sure. There are some hits and misses to be found inside this collection. Each film or mini-series has its own disc with special features only reproduced on the two Pet Sematary films. Let's take a peek at the films inside, shall we?
Posted in: No Huddle Reviews by Gino Sassani on September 15th, 2020
"I hear if you're looking for a miracle, now's the time to ask."
When Michael Weatherly left NCIS it was like losing an old friend, both for the cast and crew of the franchise and for the millions of fans who had invited him into their living rooms for almost 15 years. But he returned to both. His presence was very much alive in the last season of NCIS. He was discussed, shown in flashbacks, and somehow continued to carry on his teasing war with McGee. But he wouldn't return in person. That's because he was busy with the second season of his own show Bull. And while Bull is reportedly based on the early career of Dr. Phil, nothing could be farther from the reality that Bull is 100% Michael Weatherly. I'm not sure if the shows exist in the same television universe, but they continue to be somewhat entangled. Both shows aired an episode with the exact same title on the exact same day. The shows were called Keep Your Friends Close, and there's obviously a message to the fans in there that however successful Bull turns out to be, we're not completely done with Tony, and there's an effort to keep the family bonds close.
Posted in: Disc Reviews by Gino Sassani on September 11th, 2020
"I'm a consulting detective of some repute. Perhaps you've heard of me? My name is Sherlock Holmes."
In 1887, readers of the popular periodical Beeton’s Christmas Annual were to receive quite a special treat. There wasn’t much fanfare or hype to the event. Inside the pages of the magazine was a story called A Study In Scarlet. It was a detective story, perhaps like many published before, except for the detective himself, a certain Mr. Sherlock Holmes. Together with his faithful companion and chronicler Dr. Watson, Holmes would win the hearts of those holiday readers. It might have been an ordinary day, but the world was about to change. Sherlock Holmes would become the most famous detective in the world. His stories would remain in print nearly 130 years later. Over 100 films would be made featuring the character. There would be television shows and cartoon spoofs. No other character has appeared in more productions. When his creator dared to kill the beloved detective in order to move on to newer stories, his very life was threatened. It would seem that Doyle was on the verge of becoming a victim much like those in his stories. There was only one man who could save him from such a grim fate, and he did just that. It was Sherlock Holmes himself.
Posted in: Disc Reviews by Jeremy Butler on September 11th, 2020
“Mr. Holmes, you must widen your gaze. I’m concerned you underestimate the gravity of coming events. You and I are bound on a journey that will twist the very fabric of nature. But beneath your mask of logic, I sense a fragility. That worries me. Steel your mind. Holmes. I need you.
This was quite possibly my favorite scene from the movie, as it perfectly exemplified the journey that the character was about to embark on. This monolog was perfectly delivered by the film’s villain played by Mark Strong and could be seen as the battle cry for Robert Downey Jr.’s Holmes. With an original story from Producer Lionel Wignam, this reimagining of the beloved characters thrust us into the action right away with Holmes hot on the trail of a killer. Hired to find a kidnapped girl, Holmes locates her and prevents her from being sacrificed for a dark arts ritual. Capturing the mastermind, Lord Henry Blackwood (Mark Strong), Holmes forgoes the credit as per usual.
Posted in: Disc Reviews by Gino Sassani on September 10th, 2020
"How do you guys change so fast?"
Welcome to what has become known as The Arrowverse. It's the common name used to describe the DC Universe as it is presented and maintained on television, primarily those shows featured on the CW. It's named after the first of those shows to hit the air: Arrow. That world has been steadily expanding to the point where it began to include each of the shows as they arrived on the network. On The Flash that expansion went on to include older television shows that featured DC characters, in that case the 1990's series The Flash. Now that universe is growing to include the films both past and present and was reaching a point where it might all collapse under its own weight. It might have just been too much to handle as the comic-friendly concept of a multi-verse is used to explain these various incarnations of characters and events. It could get confusing, and that's exactly what started to happen in the DC comics in the 1980's.
Posted in: Disc Reviews by Brent Lorentson on September 9th, 2020
“Hey, You Guys!”
It was the summer of 1985 when my mom took me to see The Goonies, I remember standing in front of the movie theater and staring at the poster on display with a little nervousness and wonder. I was only five, and I simply had no concept about what I was about to watch. I remember this day fondly, because this was the day I fell in love with cinema, though it would take me a few more years to wrap my head around these emotions. I had seen movies before this, but the experience of seeing The Goonies simply floored my imagination, and it inspired me to want to know more about pirates, lost treasure, and all the possible adventures one could have. As I’ve gotten older, despite how many movies I’ve seen, this is one that will always remain as one of my all-time favorite films. For those 30 or older who still haven’t seen The Goonies, well, I feel bad for you; you’ve missed out on a cinematic treasure that stands among the other classic films of the 80’s like Back to the Future, ET, Gremlins, and Ghostbusters (sure, there are others I’m not listing, but I think you get the point). When Super 8 came along, then a little later Netflix put out Stranger Things, it started a small revival of the children-in-peril genre that flourished in the 80’s. Despite how good some of these nostalgic revivals have been, they still can’t capture the magic of The Goonies.
Posted in: No Huddle Reviews by Gino Sassani on September 9th, 2020
"We live in perilous times."
He has been called the Father of our Country. Every American history class is replete with his characteristics and important biographic details. In the upheaval of 2020, the name George Washington has taken on a somewhat different tone with populations across the country. A lot of this "cancel culture" movement is a movement of ignorance. I recently read a survey that some of the folks out there trying to bring down statues couldn't pass a rudimentary quiz on who the person even was. It's a disturbing situation. We've all heard the axiom that those who refuse to learn history are doomed to repeat it. But let’s not reduce this to oversimplistic catch phrases. History doesn't repeat itself, but as Mark Twain cleverly observed, "It rhymes." As a history teacher myself, I don't often point toward a television production for a history education, and I won't start here.What I will say is that there is indeed much to be discovered here, and so if you're planning on going out there to topple a Washington statue in the coming days, may I at least implore you to check out History's mini-series Washington. Who knows, maybe if a reporter shows up and offers you a quick quiz, you might be able to surprise them. Better yet, the four and a half hours you spend watching Washington might even offer you a point of view you hadn't considered, and maybe you'll find something else to do on Statue Removal Day. One can only hope. At the very least, know your enemy.
Posted in: Disc Reviews by Brent Lorentson on September 3rd, 2020
“Beetlejuice…Beetlejuice…Beetlejuice…”
Before Michael Keaton put on the cowl to become the dark knight of Gotham City, he and director Tim Burton came together to create a film that helped launch a career and a trademark “gothic” style that would catapult Burton’s career. Sure, Tim Burton has made a name for himself doing CGI-bloated films lately, and though they’ve made money at the box office, they don’t quite have the same magic that his films had in the 80’s and 90’s, though I’ll make an exception with Big Fish (2003). It’s impossible for me not bring a little bias to the table when discussing Beetlejuice. I loved the film as a kid and rewatched my VHS copy of it a ridiculous amount of times, and as I watched it again, I still continue to have giddy joy at seeing this film. If for some reason this film has managed to escape you over the years, or perhaps it’s been a while since you’ve dusted off this classic, allow me a moment to reminisce.