Posted in: No Huddle Reviews by Gino Sassani on August 31st, 2020
"I was wonderin' if you were going to come to say goodbye."
The world said goodbye to Gunsmoke in 1975 after 635 episodes and 20 seasons. But it wasn't to be quite forever. While most of the cast would never again don the characters that made up the show's iconic ensemble, James Arness would show up for three films that would carry his story forward. Now that CBS has already released the series in individual sets as well as an impressive full series box that delivers all 635 of those episodes, there remained just one more task to perform in order to make the collection complete. There were three television movies released between 1987 and 1992. Arness would be the only star to return for all three. Deaths and other commitments made a true collection of reunion films impossible. Even Amanda Blake as Miss Kitty would return only for the first film before becoming deceased. Two of the prominent returns were characters who were basically part of a single episode or actors who played other parts along the way. But the center of gravity for Gunsmoke has always been Marshall Dillon, and these films certainly do not disappoint on that front.
Posted in: No Huddle Reviews by Gino Sassani on August 31st, 2020
"18 years of sustained combat. I learned a long time ago to remain calm in the chaos, so that the fighting doesn't bother me. But when things go quiet, I hear Father Time coming for me. A new battle on the horizon, and for the first time in my life I'm feeling an enemy I don't know how to fight."
What David Boreanaz does is create iconic television characters. He has had no trouble getting work over the years. He has had the ability to jump from one successful series to another and enjoy longevity in those roles. Unlike many actors who have had big television roles, he doesn't get at all pigeonholed or typecast. In Buffy The Vampire Slayer he originated the role of the vampire Angel, who spun off to his own series for several years. Immediately after that he took on the role of an FBI agent and partner to the title character on Bones. That job lasted a decade. Before the remains of Bones could be laid to rest, he was already working on his next new series. Now he's the field leader of a Navy SEAL team, and if the first three seasons of SEAL Team is any indication, he's going to be dodging bullets and RPG's for the foreseeable future. CBS has a big tradition of long-running shows, and I wouldn't be surprised if a decade from now I'm talking to you about the 13th season of SEAL Team.
Posted in: No Huddle Reviews by Jeremy Butler on August 27th, 2020
“What’s more important, Frederick? Freedom for one man, or freedom for all men?”
Inspired by a true legend. Emphasis on “inspired”, as this film does quite a bit of deviating from the historical data. Then again, I like to look at from the perspective of the main character: when recounting whether or not the legend that he is descended from kings is true, “It’s true to me.” Emperor is the tale of Shields Green, an outlaw slave in pre-Civil War South who went on to take part in the Harper’s Ferry raid, which is one of the events that sparked the Civil War. Dayo Okeniyi (Shades of Blue) has the momentous task of bringing this little-known historical figure to life. It is a challenge, but I do believe that Okeniyi was up to the task. While the story does have spurts of intrigue, for the most part it is told in a matter-of-fact tone, giving it the feel of reading it from a history book, minus the areas of deviation that is, which do come off as fantastical at times. Okeniyi is joined by Naturi Naughton (Power), Kat Graham (The Vampire Diaries), Harry Lennix (The Blacklist) as Frederick Douglass, and James Cromwell as John Brown.
Posted in: Disc Reviews by Gino Sassani on August 26th, 2020
"Events have been set into motion that you couldn't possibly understand."
If you're thinking of joining The Flash for the first time in season six, that's not going to work out so well for you. Hopefully you're a speed watcher, because you have five seasons to catch up on before you start in on this release. In fact, it's not just The Flash you might want to check out. The Arrowverse DC shows will become more interconnected in this season than they ever have before. It's all leading to the end of Arrow, the beginning of Batwoman, and a five-part crossover that will blow your mind. This is without question the best show in the Arrowverse television family and has been since the day it aired. You're going to love what this series has cooking, but you need to start with getting yourself caught up in order to fully appreciate what is in store for you here. In addition to Arrow, Supergirl, Legends of Tomorrow, and Batwoman, you can find out what we've had to say about The Flash. Check out our reviews of the previous five years here.
Posted in: Disc Reviews by Gino Sassani on August 21st, 2020
"Trust me. This isn't the story I expected to be telling. But you know as well as I that stories, like the people who tell them, aren't always what they seem to be. I suppose I should start here, in Gotham. Three years ago when Batman mysteriously disappeared, it divided the city. Some hoped he'd be back; others figured he was dead. I thought he abandoned Gotham for the same reason he abandoned my family. Because he didn't care."
The Arrowverse is losing its founding member. The shortened 8th season of Arrow was its last. It was certainly time. The series was starting to literally fold back on itself, and it was time to move on. But that doesn't mean the universe it created is getting smaller. It's expanding. Batwoman joined the universe, and the huge crossover this season and Superman & Lois is about to join next season. There are no empty spaces around this table, at least not for long. Enter Kate Kane, played by Ruby Rose. It's a character almost as old as the Batman himself. Kate Kane's Batwoman entered the franchise in the mid 1940's and was then a love interest for Batman. It's kind of ironic that her original appearance was intended to quell the concern that Batman and Robin were giving the appearance of being gay, and her character was intended to drive home the point that Batman wasn't gay. Now in the 21st century the concerns have shifted from the worry that a character will be thought to be gay to pressure to have gay characters and heroes in the shows. So the character that was created to deflect the idea of a gay hero becomes the first television hero who is openly gay. This certainly isn't your grandfather's Gotham City.
Posted in: No Huddle Reviews by Jeremy Butler on August 21st, 2020
This film would probably work as a student film production. In its present form as a home media release, it falls short. The Barge People does its best to come off as a suspenseful addition to the horror genre, but in my opinion, it does not accomplish the needed goal: the suspense. The film follows two couples on holiday. It is very clear that each pairing has different ideals: one couple as been together for a while, but is living in the moment not really planning for the future, while the other has their minds set directly in the future. The only thing linking these couples together are the women, who happen to be sisters. It is evident that the men have nothing in common, and that if it were not for their significant others, they would prefer to not know that each other existed. Throw some inbred cannibalistic killers on top of that, and you basically have your movie. Timing was a big reason for me that this movie missed its mark. Perhaps with a few subtle changes, I would have enjoyed it more.
In regards to those changes, one was how long it took to introduced the Barge People. It is a quarter of a way through the movie’s runtime before we get our first peek at these creatures that are the basis for the film. I understand that this time period was intended to provide the audience with insight to the characters (i.e. the couples). Unfortunately, a majority of the characters are one-dimensional, and there is not enough depth to make them really identifiable. For example, the character of Ben was very unlikeable. Granted, that was clearly by design. We were not supposed to like him because he was a snob and had a holier-than-thou attitude. That said, given the amount of time his character occupied, there should have been more to him or an explanation to the attraction between his and the Jade character. Based on what I saw, I did not get the attraction. When it comes to the other couple (Kat and Mark), the connection between the characters is better and more relatable. Their relationship is more loving, especially when Mark is giving Kat encouragement to go for help; the speech about her mom showed what motivated the character, making her the most fleshed-out character of the quartet.
Posted in: Disc Reviews by Brent Lorentson on August 21st, 2020
t’s a bold move when a film wants to compare itself to an 80’s classic like The Goonies. If anything, it more closely resembles the 2007 film Disturbia, and that film borrowed heavily from Alfred Hitchcock’s Rear Window. Had this film stuck closer to the Hitchcock formula, I feel The Wretched could have easily been a stronger film, but the biggest problem the film has is that it tried to be too clever for its own good, and as a result it comes off a bit sloppy and contrived. That doesn’t mean that this is a bad film; in fact it’s a fun late-night romp, but what’s frustrating is seeing how it could have been so much more. While I know there was some buzz for this film earlier in the year, I’m kind of wondering if this buzz was generated by those who had actually seen the film or those who had only seen trailers? The film opens up with a young girl arriving at a house to babysit. It doesn’t take long for her to see that something is wrong at the home, and of course something is definitely going on in the basement. This is our first introduction to the skin-walking, body-modifying witch. These sequences are standard in horror films nowadays and typically set up the film, but in this case it was a waste and ruins the potential mystery of the story that follows. Does it matter that the opening took place 35 years ago? There isn’t even a callback to this incident later in the film, but instead so much is given away. Perhaps this sequence was added due to pressure from the studio or investors, but it was a big mistake.
When the film’s actual story picks up, we meet Ben (John-Paul Howard) who is following the familiar story trope of having to spend the summer with his dad, Liam (Jamison Jones) after getting into trouble back home and is sporting a cast on his arm. Liam isn’t going to let his son relax in the small seaside town; instead he’s putting him to work at the marina. While the actions by Ben’s divorced parents seem to imply he’s this bad, rebellious teen, really Ben just seems like a typical lonely kid who’s dealing with his family’s separation. The marina works as a place to introduce characters, but really it’s all a distraction from what’s happening at the neighbors’ house. Sure, I understand wanting to give your story depth, but the family drama and Bens run-ins with the local spoiled kids just feels like unnecessary fluff that is a tension killer. It’s like horror lesson 101: isolate your protagonist and keep the horror nearby where his life can constantly be in peril; don’t let him be able to just leave whenever. It’s why the character in Rear Window had a cast on his leg; it’s why in Disturbia he had the ankle monitor. Sure, the marina offers Ben the chance to meet his love interest, Mallory (Piper Curda), but obviously there are other ways this could have been done.
Posted in: No Huddle Reviews by Gino Sassani on August 20th, 2020
"It's a family show with cops, not a cop show with a family."
For ten years Blue Bloods has been a staple on CBS, giving Tom Selleck a chance to completely redefine his television career. The once cocky and carefree Magnum P.I. now has established himself as the wise patriarch. It's a transition that a 1970's audience would never have bought. But now he's become a new kind of airwaves icon. The show has also managed to make it through a decade with very little change in the cast, and most of that coming from additions. This season is no exception, as we discover there's been a long-lost member of the Reagan family out there for many years. But there are big changes coming to Blue Bloods. In the real world the police have been villainized by some, and it's becoming an increasingly tougher job to do. For a family so steeped in law enforcement, the show will absolutely have to address these new realities. The second of course is the arrival of a pandemic the likes of which this country or the world has never seen. Productions were shut down and are now only beginning to ramp back up. But the outside world has changed, and it will be interesting, to say the least, to see how this cop family will reflect and respond to these new circumstances. So this is your last chance to see the Reagans like they were before everything changed. The 10th season will mark the end of a different phase of cop show, and you can have it in your own video library. CBS delivers the 10th season of Blue Bloods on DVD, and things will never be the same again for the Reagans or for us.
Posted in: No Huddle Reviews by Gino Sassani on August 19th, 2020
"You're not failing. You just haven't succeeded yet."
If you are at all familiar with the NCIS franchise, you know that the show tends to follow a bit of a formula. Each spinoff has some unique style aspects, but the episodes tend to be relatively self-contained. That means you can start with Season 6 of NCIS: New Orleans and still be able to appreciate most of what's going on. You'll get to know and understand the characters pretty quickly. That's more true of this particular member of the NCIS family than the others. It has had the most cast turnover. By the end of this season there will only be three characters who have been there since the beginning. Compare that to the L.A. version where you'll find over a decade of no lost cast members, and you'll find this one is the easiest to drop in and out of. Unfortunately, that also contributes to the fact it is my least favorite entry in the franchise. And all of that is in spite of the fact that I'm a rather big Scott Bakula fan, having been impressed by both Quantum Leap and his tenure as a Star Trek captain in Enterprise. So while you could certainly enjoy this release on its own, I still recommend you go back and catch up on the first five seasons just to get caught up and maximize your enjoyment. The good news is that we can help you with that. You don't have to wade through 10 years of JAG, 18 years of NCIS, and 11 years of NCIS: L.A., although that might be one heck of a fun binge. Just catch up on the first five seasons of this show and you'll be ready to go. You can check out those reviews here.
Posted in: No Huddle Reviews by Jeremy Butler on August 17th, 2020
I remember this was the one show that I didn’t want to watch growing up. Ironies of ironies, I was not big on scary things when I was younger. Now it is one of my favorite genres. In reference to the original series, there was just something that really scared me about the show growing up. Of course, all it took was a dare from my family to force me to try to overcome that fear. Not sure I ever really overcame the obstacle, as once this revival miniseries came across my docket, I was hit with some of the old feelings that I experienced while watching the original show. It only took the opening sequence to send my daughter out of the room, so I was forced to overcome my childhood fears on my own, while opting to not scar my child. To that end, I must say that age has definitely made me braver, but it may also have more to do with the revitalization of the series, which I found to be more in-depth and intriguing than its original incarnation. This three-part miniseries may have been limited in how far it could go as far as goriness (given that it is a Nickelodeon production), but the storyline more than makes up for that, managing to weave a creative and entertaining web that also includes slight comedy and unique characters.
Part I, Submitted For Approval, of the series sets the stage for the next two episodes as we are introduced to Rachel, a new girl in the town of Sargento. Off the bat, it is clear that she is a bit of a social outcast and has difficulty making friends. She does possess an excellent imagination that catches the attention of the Midnight Society, a group of kids from her school who eventually engage her with the invitation to join their ranks. This comes with a caveat; she must compose an original scary story to share with the group. This task appears to be more grueling than she initially anticipated until she dredges up a being from her nightmares: Mr. Tophat.