Disc Reviews

I remember when The Golden Compass came to theaters. I know I saw it because I was a projectionist and had to screen the print, but for the life of me I couldn’t remember anything about the film. Perhaps that’s why that when I first heard about HBO doing a TV series adaption of the beloved book series His Dark Materials that I wasn’t all that thrilled.  I’d never read the young adult series, and considering the amount of awful YA film and TV adaptations that have bombarded us for nearly two decades, it too played a role in squashing any excitement I may have had in different circumstances.  To be fair, when presented the offer to review the series, the odds were stacked against it, though I do attempt to always give a show or film an unbiased chance when I sit down with it.  I feel it’s important I say all this because I want to express just how blindsided I was by this show and its story. Although its target audience with its books may be young adult, by the time the credits of the last episode rolled for its first season I found myself not just engaged with the story, but I had quickly grown attached to these characters and their story in a way I haven’t experienced since perhaps the first season of Stranger Things.

The first episode is a bit of a whirlwind as we are thrown into this world and we meet Lyra (Dafne Keen), a rebellious young girl who was left at Jordan College in Oxford as a baby. In this world everyone has what is called a daemon; it’s an animal/companion that is linked to the individual from birth to death that can take on a variety of forms and will constantly change up to the point the person reaches puberty, and then the daemon will settle on its final form.  Lyra’s daemon is Pan (voiced by Kit Conner), who for the most part switches between a white ferret and a fox. These two are inseparable; the daemon basically represents a person’s soul, but in physical form, and as he show progresses we see this can be a complicated and perilous union.  Tom Hooper (famously or perhaps infamously connected to the recent adaptation of Cats) helms the first episode and does a decent enough job of creating a world that feels similar to our own but with a flair of Harry Potter. There’s even a dining hall sequence that feels largely inspired from the films.

"Life just got complicated."

It sure has. With the world still in the throes of pandemic, it's nice to spend some time catching up on familiar characters and compelling stories. Very few television franchises are as familiar by now as NCIS. CBS brings us the 11th season of the NCIS spin-off: NCIS; Los Angeles to DVD. The series has become one of the most successful spin-off shows in the history of television. Only CSI and the Law & Order franchises have brought more episodes to our television screens, and next season the NCIS franchise will have passed CSI. The truth is, if you go all the way back to the original JAG series, this is hands down the most prolific one-hour series in television history. What is even more amazing is that the NCIS shows continue to be the most-watched franchise in the entire world, a position they have held for over a decade. No one has come close to this kind of television domination. If this collection of episodes is any indication, the ride isn't anywhere near reaching the end. All three shows have been renewed, with NCIS getting a new two-year commitment at CBS. If you haven't already caught up on all of those earlier episodes, you don't necessarily need to do that, but why wouldn't you? You might want to get acquainted with the cast and other aspects of the series. You can at least catch up with the first 10 seasons of NCIS: L.A. Here.

"At least attempt to hide the bias."

Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, Pine, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. What might appear as a clear advantage for this Amazon Prime streaming television show can be just as much a liability. When you throw in the Tom Clancy novels, comic books, and fan fiction, there is a ton of Jack Ryan history that pretty much gives us a story arc from his humble beginnings to extraordinary exploits and wearing the faces of a few good performers. It's a tall order for the series and perhaps an even taller order for actor John Krasinski, who has created a nice little horror franchise with wife Emily Blunt on the side. I don't really have the time or energy to watch streaming shows and films. There's always a backlog here of discs that need to be watched and reviewed, and I've created a rather comfortable viewing experience with my home theatre I call The Reel World. Our motto: Here there be monsters. So last year I had my first experience with this series when Paramount sent the first season on Blu-ray. It was far more of a captivating and compelling series than I expected. Now the second season has reached the Blu-ray home platform format, and while I certainly detect a sophomore slump here, there's still enough interesting drama to keep a fan engaged for another year.

"You like when I do the whole cryptic thing."

The 17th season of NCIS certainly ended with just that kind of vibe. The showrunners did a great job of keeping secret that Ziva would show up in the very last frame of the season. Everyone was sure she was dead, and while that's often no reason not to bring back a character in the fantasy genre, it doesn't often work in something like this. It brings up a lot of questions that were not going to be answered for several months. How is she still alive? Why is she here? Is she now a good guy or a bad guy? I'm sure you spent the summer with plenty of questions that didn't get answered for a long time. But it's finally aired, and now the whole story is out for home video as CBS releases the 17th season of NCIS. The team has changed faces over the years. Few of the original members remain, but as long as Mark Harmon remains in the starring role of Gibbs, there's life in this show yet. This season sees no real change in the characters of the show, but it does allow for even more growth for those still on the train. NCIS is about to enter into its 18th season in just a short time. That in itself is a remarkable accomplishment in the days of short attention spans and hundreds of shows to keep that attention. What is more remarkable is that it continues to be the number one drama in the world. What could a series possibly have left to say after 15 years? Apparently, the answer to that question is: a lot. One of the reasons the series has stayed so strong for so long is the cast. And while it has changed considerably over that time, new members are brought in who always seem to fit into that comfortable family that makes up the appeal of the series. This show has become like that ragged, threadbare shirt that you can't quite part with. That sentiment completely comes alive with that long-anticipated arrival of Ziva, played once again by Cote de Pablo. We got that surprising entrance just as last season ended and Ziva shows up in Gibbs' basement. Her new story kicks into high gear as she explains that Gibbs is in danger, and before we really get that reunion we longed for, they are under fire and running for their lives. The three episodes that feature Ziva are pretty much there to give the character a more proper send-off, and it attempts to close her story off with Tony without us seeing Tony in anything but flashbacks. Of course Michael Weatherly is busy with his own show, and if you were hoping for a cameo, that wasn't going to happen. The episodes were some of the highest-rated episodes of any television last year and helped considerably to keep the original NCIS on top all over the world. They are touching episodes, and I think they demonstrated this point of the new characters always being so perfectly chosen to retain the family atmosphere. This episode gives you plenty of moments to reflect on those changes and actually see the past meet the present, and it combines so well. I think you could bring back any of the previous cast and the show would be pretty much the same at its core. That's the secret of the show's longevity.

"It's crazy the things that happen at work."

The beginning of 2020 certainly created some crazy things everywhere in the world. A pandemic arrived and shut down productions all over the globe. Films are missing long-anticipated release dates, and most network television shows were forced to close down early to protect their casts and crews. Seasons have been called with whatever episodes were already finished. Most of those shows will continue to shoot those episodes as part of their next season when they are finally able to get back to work. That won't be the case for Hawaii Five-O. Late in this 10th season it was decided the show would wrap it up for good.  We got 22 episodes, and they even managed to get out a series finale. If it all feels a little rushed, that's because it was. This wasn't the best year to have to say goodbye, and it certainly adds to the sadness for the show’s participants and fans. Now CBS is offering those final episodes before we all say aloha.

James Cameron is easily one of the most recognizable names in the Hollywood industry. Every time he makes a movie, it manages to break box office records.  As many of us have been waiting patiently for his sequel to Avatar, it seems he was busy working on a small project that takes an intimate look into science fiction.  This isn’t a boring history lesson, though; instead he’s gathered some of the biggest actors and directors of the genre and has a discussion about the various ideas that science fiction presents its viewers and readers. Whether you’re a science fiction novice or a self-proclaimed expert in the field, there’s at least something for everyone in this six-part, four-hour-plus series. The series is broken up into six episodes. Each episode covers a specific theme in the science fiction genre, so it allows you to watch it in any order you’d like. For me, I have to be honest; it’s hard to be impartial and not let my inner geek get excited over this series.  When you have James Cameron and Steven Spielberg discussing how Close Encounters of the Third Kind came to be or see Cameron and Christopher Nolan discuss time travel, this is some engaging material.  The closest thing I’ve seen recently where we get to see talented filmmakers sit down and talk is The Director’s Chair that Robert Rodriguez hosts, but what makes Story of Science Fiction stand out is seeing these filmmakers express their appreciation of the genre and what inspired them.

The series as I mentioned is broken up into six episodes on two discs:

Despite my dad being away a lot on business as I grew up, he would often make the most of his time spent with me and leave lasting impressions on my mannerisms and character to this very day.  We would play baseball (even though I wasn't very good); he would teach me about money and how to be financially sound (which for the most part I think I do OK).  He would also introduce me to the things he enjoyed, like root beer floats and Abbott & Costello.  Even though these days I can't have many root beers, I can enjoy an Abbott and Costello movie almost any time I like.  One of those movies I remember watching with my dad was Africa Screams.  It was my distinct pleasure to watch that movie again and bring my review to you today.

Stanley Livington (played by Lou Costello) stares down a menacing creature with a gun and a whip.  Except when we pan to the fearsome creature, it's actually a small kitten.  But the tiny cat does have a snarl, and it's enough to send Stanley back into the department store from which he came.  Buzz Johnson (played by Bud Abbott) comes around to tell Stanley that the cat is not that scary, but Stanley is still a little concerned.

After enjoying Shudder’s revival of Creepshow, I’ve been looking forward to seeing what else they’d be bringing to their streaming service.  When Belzebuth came along, I’ll admit I wasn’t exactly excited about the title. At first glance it seems like yet another possession/exorcism movie.  Maybe it’s because I went into this with lowered expectations that this film managed to make an impact on me, but one thing is for certain, nothing about this film is “typical”.  Recently I has reviewed Season 1 of Evil, and I’m glad that show is still simmering in the back of my mind, because Belzebuth is a nice companion to the show with one big exception. Belzebuth doesn’t pull its punches, and I’ll say this right now: it’s not for everyone, and it’s a film that will get under your skin. Grab your crucifix and keep a bottle of holy water nearby, because this little film out of Mexico isn’t afraid to show us what evil may really look like.

When I say this film isn’t afraid, the opening sequence is a brutal glimpse at just what I’m saying. When we first meet Emanuel (Joaquin Cosio), we see him in one of his happier moments in the hospital with his wife and their newborn son.  Just as Emanuel is being called away to return to the police station, one of the nurses has seemed to have lost her mind and kills all the babies in the hospital’s nursery, including Emanuel’s son.  This is literally in the opening minutes of the film, and is a huge risk taken by the filmmakers, because in most audiences even intense horror fans will be easily be put off by this kind of violence, especially so early in the film.  I’ll be upfront; if violence towards children bothers you in any way, this film is not for you. Run as far and as fast as you can away from this one.  For me I took this sequence as a sign that this movie is definitely going to keep me on my toes, and I had to see how this was all going to end.

Let me start by saying that my daughter was all about this movie. Leading up to the watching of the film, she literally asked me almost like clockwork when we were going to watch the movie. With me there is always a bit of reservation when it comes to animated films since becoming a parent. I suppose you can call it bias, but I prefer the cartoons (as we used to call them in my day) of my childhood over the present content. I think that opinion is one many share. To Trolls World Tour’s credit, it does impart a lesson that I believe is very important in the present climate that the world is facing. To that end, I can say that I found the film to be quite enjoyable. The comedy was more of a situational variety and very clearly directed towards a younger audience, which meant that most of it went over my head, but the aforementioned lesson that the film taught was time-honored and showed the importance of diversity and tolerance. Anna Kendrick and Justin Timberlake reprise their roles from the 2016 original film and are joined by a host of celebrities that include Kelly Clarkson, Sam Rockwell, Rachel Bloom, and music legends Mary J. Blige and George Clinton.

Picking up after the events of the last movie, Poppy (Anna Kendrick) has been crowned queen and is looking forward a long and prosperous reign. Meanwhile, her companion, Branch (Justin Timberlake) tries to find the words to confess his feelings for her. Poppy finds her reign threatened by another tribe of trolls, the Hard Rock trolls, led by Queen Barb (Rachel Bloom), who invites her to join her on a world tour. Believing this to a sincere offer of friendship, Poppy looks forward to the Tour; however, her father, King Peppy, warns her of the danger: each tribe represents a specific genre of music (Pop, Funk, Classical, Techno, Country, and Hard Rock) with each tribe possessing a magical string that powers the specific genre of music. Years ago, the tribes lived in harmony until an uprising caused each tribe to take their string and separate from the others. Peppy believes that Hard Rock intends to steal the other tribes’ strings for the purposes of taking over all music.

In the local newspaper here in the Tampa Bay area there has been a long-running series of articles called One Tank Trips or something of that nature. The idea is that the writer would introduce you to some natural or otherwise splendor that you could visit in a relatively short distance but which you might not even know exists in your own back yard. I can't exactly make the connection, but that series kept intruding on my thoughts as I watched the first season of these little experimental Star Trek shorts. The idea appears to take us to places in the television universe of Star Trek to small events that we didn't even know were going on but which might have even had a large impact on the things we did know about. The first of them were pretty much extras on the Star Trek: Discovery DVD releases and told prequel/side stories directly related to episodes of the main show. They play pretty much like the kind of release extras you might get with any home video release. Somewhere along the way someone got the idea that these side trips could go beyond the current episode supplement idea and reach across the world of Star Trek, leaving the window open for almost any era, place, or character to show up, often in some unexpected form. An idea like that has great potential, but it's fraught with the danger of a very uneven presentation, and that's the inherent blessing and curse you will find in this single-disc DVD release of Short Treks.

The first two are called The Brightest Star and Runaway. Both appear on the second season release and tell stories that are directly a part of second season episodes. You already have them if you have that set. Calypso is also related to Discovery, but not directly to an episode. We find ourselves far into the future, where Discovery has been abandoned in deep space. It's likely been centuries since the ship had a crew, and the ship's AI has evolved and now finds itself lonely. When the ship encounters an escape pod, the man inside is rescued and brought back to health. The man, Craft, played by Aldis Hodge, participated in a war and was on his way home to his wife and family. The ship AI develops a kind of relationship with Craft, but ultimately understands it must release him to return home. If the story sounds a little familiar, it means you are up on your classic literature. It's Homer's story of The Odyssey, where the title character tries to get home after fighting in The Trojan War, chronicled in Homer's earlier book The Iliad. Odysseus must pass through many strange places and creatures before he finally makes his way home. It's actually quite well done and an unexpected emotional journey that really only flirts with the Star Trek concept.