Posted in: No Huddle Reviews by Brent Lorentson on February 22nd, 2019
It was 1985 when The Key to Rebecca first aired. It was a made-for-TV film based on the novel by Ken Follett. I had never heard of the film until a couple of days ago and had no knowledge of the book, so I was pretty much going into this with nothing more than the blurb you can read off the back of the DVD box. The one thing that jumped out at me was the running time on the film: 3 hours and 14 minutes, so one thing I knew was it would be a film I’d be spending a decent amount of time with. I have nothing against long film. I don’t care what the runtime is on a film, just so long as the film is good, and unfortunately The Key to Rebecca didn’t turn out to be the suspense-filled spy film I had hoped it would be.
The film takes place during the 2nd World War and is set in Cairo, Egypt. It’s in the middle of the desert; where the film opens up and we see Alex Wolff (David Soul) is being rescued. It doesn’t take long before we discover that Wolff is working as a spy whose purpose is to supply information to the Nazis as they prepare to advance into Egypt and seize control. This is where Maj. Vandam (Cliff Robertson) comes in. Basically he is a spy hunter, and after it is discovered that a spy is responsible for the murder of a British soldier, he is put to task to find the spy and uncover his mission. It’s a fun setup, but with a 3-hour-plus running time, there is so much padding to this story that it loses its punch.
Posted in: Disc Reviews by Brent Lorentson on February 20th, 2019
When I first heard that Bradley Cooper would be making his directing debut with A Star is Born, honestly, I kind of groaned. It’s not because I didn’t believe he’d have the chops; after all, he’s worked with many successful directors over the span of his career. I groaned because I believed the world didn’t need yet another remake of the film. This will be the fourth incarnation of the film, and while many can debate on which version is their favorite, the film was pretty much a relic I felt should have stayed in the past. I mention this and want to also put it out there that even after some of the trailers I had caught for the film, my excitement level was pretty low going into this. Well, this turned out to be the sleeper hit of the year for me. Sure, many could have told me this would be a hit, and because of the cast I wouldn’t dispute it, but when I walked out of the auditorium I felt like I had experienced something special (even if it had been made three times before).
The film opens with Jackson Maine (Bradley Cooper) taking the stage and performing for a large crowd. After his show he’s looking to get a drink and stops off at the closest bar; as it turns out it is one that caters to drag queens. Jackson doesn’t care about the location; all he’s interested in is getting some drinks, but that all changes when he sees Ally (Lady Gaga) perform on stage. As the night stretches on and the two continue to get to know one another, one thing is undeniable; the chemistry between Cooper and Gaga is phenomenal. The flow of the first act of this film is perfect, and by the time Maine has Ally convinced to go on tour with him, I was convinced this movie would be a box office smash.
Posted in: No Huddle Reviews by Jeremy Butler on February 20th, 2019
American Vandal is a mockumentary series that premiered on Netflix back in 2017. For those unfamiliar with the term “mockumentary,” it is a parody film or television series in the format of a documentary. This particular series is a parody of the Netflix series Making a Murderer and a investigative podcast called Serial. American Vandal has been on my radar for quite some time thanks to a friend of mine that sang its praise for weeks, trying to convince me of the show’s merit. My buddy’s recommendation had me intrigued, but as you can imagine my queue of media content is a long one, and I was waiting for inspiration to strike to push the series to the front of the queue (thank you, Upcomingdiscs). First thing I did after watching the series is call up my friend and let him deliver his “I told you so” speech.
The series follows two student investigative reporters, Peter Maldonado and Sam Ecklund, as they begin to investigate an act of vandalism that left 27 faculty cars defaced with phallic images. Following the incident, class clown Dylan Maxwell is quickly deemed to be responsible and promptly expelled. Dylan is a notorious prankster, and his prior history of drawing phallic images makes his guilt a forgone conclusion. However, as Peter and Sam begin to examine the evidence more closely, Dylan’s culpability becomes less clear.
Posted in: Disc Reviews by Gino Sassani on February 15th, 2019
Steve McQueen has established himself as a rather talented director. 12 Years A Slave was one of the better films of 2013 and one of the few times I happened to agree with the Oscars’ choice for Best Picture. When he tackled the heist format, I expected something unique, and I wasn't at all disappointed. McQueen managed to put a clever spin on a tired genre and provide us with a superior and inspired cast. It wasn't all completely his idea, of course. The film is based on a Canadian miniseries that goes back to the 1980's. That doesn't mean he hasn't found a way to imprint the material with his own style and bold choices. There's a lot to love about Widows, but I have pretty low expectations for this film at the box office. More on that later. Let's get down to it, shall we?
Harry Rawlings (Neeson) is a career criminal. His wife Veronica (Davis) knows where the money comes from, but she's willing to feign a great deal of ignorance to the fact, because she has become used to the comfortable style in which they live. But it all comes crumbling down when Harry's latest heist appears to go horribly wrong and Harry perishes in an explosive encounter with the police along with his entire crew. Now Veronica is feeling the grief that comes with the death of a spouse, but there's more to deal with than that. The man Harry and his crew took down was a gangster by the name of Jamal Manning (Henry), who has taken a dip into politics. He's going up against the corrupt Jack Mulligan (Farrell), who is running to take his father's alderman seat. Manning's $2 million war chest was Harry's target, and the money appears to have been destroyed in the explosion that took down the crew. Now Manning has gone to Veronica and has given her one month to refund his money.
Posted in: Disc Reviews by Gino Sassani on February 15th, 2019
"They have assembled here from the four corners of the earth. Fifty-five warships, among them the newest and most sophisticated ever produced. The United States is here. Great Britain, India, Japan, Canada, Australia, Germany. Twenty-six nations together; each will introduce the latest in naval technology in their arsenals."
And this is actually the true subject and focus of the latest IMAX/4K release from Shout Factory. If you came strictly to spend 45 minutes on an aircraft carrier, you went away a little disappointed. But now that you can have it at home to watch in UHD whenever the mood strikes you, there's less to be disappointed in here.
Posted in: Disc Reviews by Michael Durr on February 15th, 2019
It is interesting to see two or more of a director's works in a short period of time. One sees similarities, differences, and how the filmmaker hones his craft as they improve with every production. Masaaki Yuasa is certainly one of those directors, and if you enjoyed my review on Night is Short, Walk on Girl, then you will want to go ahead and read my review today on Lu Over the Wall. While there are similarities, I can safely say that is quite the departure from the previous film. Let us take a look in the animated world of merfolk and the people who live around them.
A boy taps his fingers next to a microphone for an Internet streaming session as we read the comments below his video. There seems to be a lot of interest below his post including the potential for some band-mates should he ever want to expand his horizons. We soon meet the boy named Kai as he shuffles downstairs to have breakfast with his grandpa and father.
Posted in: No Huddle Reviews by Brent Lorentson on February 14th, 2019
Shout Factory is at it again, releasing yet another cool and unappreciated film from the past, so hopefully a new audience can possibly embrace this fun, punk-rock, exploitation gem. Writer and director Penelope Spheeris, who created the brilliant documentary The Decline of Western Civilization (1981), followed her documentary with the 1984 film Suburbia. It’s no surprise that she would follow her punk documentary with a low-budget film that delves into the lives of kids who are entwined in the punk scene. Seeing how Roger Corman is listed as a producer on the film, it should come as no surprise that this is shot on a low budget; this is one of those times where cheap goes a long way in setting the tone for a film and keeps the look of the film honest. But is it worth taking a trip through Suburbia?
The opening sequence of the film has Sheila (Jennifer Clay) hitchhiking and being picked up by a young mother who has her child with her. They are driving along through a rough area when the car gets a flat, and the passengers have no choice but walk to find a pay phone. It’s while waiting for a payphone that we see the young child get attacked by a wild dog. It’s a random and violent act, but as you continue watching you can see that there is a message hidden in this savage attack, and it’s also setting us up for the story that follows.
Posted in: Disc Reviews by Gino Sassani on February 12th, 2019
"Is this the real life or is this just fantasy?"
I think even Queen's biggest fans might have trouble distinguishing between the two in the Freddie Mercury/Queen biopic Bohemian Rhapsody. And that's absolutely OK. If you look at the film's trailers, the movie looks less like a bio-film and more like a celebration, and that's exactly the kind of experience you're going to have from beginning to end. I'm sure that a lot of film and Queen fans shared more than a little skepticism over the project. I know that I certainly did. But all of that magically disappeared when the first trailer hit the internet and we all watched in amazement as actor Rami Malek appears to be channeling the manic spirit of Queen front man Freddie Mercury down to the smallest detail. Suddenly I believed that everything was going to be OK. But just as our hopes and expectations were about to hit the ceiling, the film started gathering controversy after controversy like a snowball rolling down a steep hill in the winter. Everyone already had an opinion before the film was even finished. For months the web has been filled with issue after issue, and it all seemed to threaten the buzz we all got from the trailers. We're going to talk about those issues, to be sure. If you let any of that filtercrap keep you from checking out Bohemian Rhapsody, you're going to be missing the next best thing to actually seeing Freddie and the boys live in concert. Since that's not going to happen, this is where you want to be.
Posted in: No Huddle Reviews by Gino Sassani on February 11th, 2019
"When telling our story, it's impossible to separate the truth from the myth."
Isn't that always the way? The Golem attempts to reach back deep into Hebrew history and update one of the world's oldest monster stories. It's a myth very much steeped in tradition and cinema history. A golem is a creature made from clay/dirt and animated as a means of revenge. Think of it as Pumpkinhead without all of the claws and teeth. The creature has been the subject of a few films going all the way back to the classic 1915 silent film of the same name. One of the more underappreciated versions of the story appears in the 1967 Roddy McDowall film It. Of course, the original story is a cautionary tale akin to the old saying that a man intent on revenge should begin by digging two graves. It's a popular story, and it's no surprise to find that it still has legs 100 years after its first appearance in film and centuries after the traditional story. With a limited budget and an authentic Israeli team, there are some aspects of this one that just might end up worth a quick look.
Posted in: Disc Reviews by Michael Durr on February 8th, 2019
As with probably most people in this business, I am indeed addicted to the concept of collecting movies. It should probably come as no surprise that I have well over 1,000 movies in all disc-based formats. Anybody with a rational mind should question why I have to own all the movies in a given series. Yes, I own Darkman 3, Hollow Man 2, and Bloodsport 4, among other strange and utterly awful movies. But somehow despite that completion-ist mindset, my addictions and OCDs pale in comparison to a deadly drug such as alcohol, a drug that can overtake your life and kill you in an instant. Our review today takes us to a TV movie from the 70's named Sarah T: Portrait of a Teenage Alcoholic.
We start with an upbeat commercial showing a bunch of teenagers having fun with a Courey's Beer. Then we get some cold hard facts from the time period. There are 500,000 pre-teen and teenage alcoholics. Three in four teenagers have had a drink, 1 in 20 have a serious problem with alcohol, 1 in 10 of those people will become an alcoholic. But it certainly makes you popular and easygoing with your friends, or at least that's what they say, anyway.
