Posted in: Disc Reviews by J C on March 27th, 2014
“…I’m the f---ing Vice President of the United States, and I have something to say.”
If you’ve seen Veep, you know it’s almost impossible to quote the show without including an f-bomb or any of the show’s crassly creative put-downs. The sitcom’s central joke remains that the vice presidency might be the most high-profile unimportant job in the world. As a result, the second season of HBO’s caustic comedy sees VP Selina Meyer making moves to improve her political standing. Of course, she and her harried staff can’t avoid the humiliations and indignities that come with the job.
Posted in: Disc Reviews by J C on February 20th, 2014
“If you think this has a happy ending, you haven’t been paying attention.”
Even if Game of Thrones had inexplicably wrapped its run after two stellar seasons, the HBO series would’ve gone down as a landmark in television history because of its unprecedented scale and audacious storytelling. But then fans wouldn’t have gotten season 3, an adaptation of (roughly) the first half of “A Storm of Swords”, the third novel in George R.R. Martin’s “A Song of Ice and Fire” series. “A Storm of Swords” is considered the “Empire Strikes Back” of Martin’s novels, which is a terrifying prospect considering the “Empire” in the world of Thrones has been “striking back” since the very first episode.
Posted in: No Huddle Reviews by J C on February 11th, 2014
“I know many of you are probably wondering, ‘What the hell is Mike Tyson gonna do up here on stage tonight,’ right? Frankly, I’m wondering the same thing too.”
If you or I decided to get a face tattoo, it would almost definitely be the craziest thing that’s ever happened to either of us. On the other hand, I’m not sure Mike Tyson’s now-infamous facial ink even cracks the Top 5 list of most insane things he’s ever said or done. That very unpredictability is what makes him an ideal, endlessly compelling subject for a one-man show.
Posted in: Disc Reviews by Brent Lorentson on January 29th, 2014
Creator David Simon (The Wire and Generation Kill) has never been a show runner concerned about cliffhangers or plot twists; instead he thrusts his viewers into the day-to-day life of the everyday Joe and shows that real life generates more conflict than most fiction can ever deliver. Ever since I first watched The Wire I’ve considered myself a fan of Simon’s work, and I feel it could be argued that what Simon did with The Wire is a large factor in why we have the quality of television that we do today. With Treme he has given us an array of fleshed-out characters; whether they be real or fictional, they all come together to present this allegory of greed and corruption upon the backdrop of a city that is arguably the heart and soul of music.
In the show it has been 25 months since Katrina has torn through New Orleans, and the residents of Treme who have survived the storm are treading their way through the aftermath. The new season kicks off with trombonist, Antoine Batiste (Wendell Pierce) showing up for a Second Line memorial that is soon broken up by NOPD. There has always been a disconnect between the police/government and the people of Treme, but post-Katrina seems to have opened the floodgates for more corruption among the members of the NOPD and the city officials. This corruption introduces L.P. Everett (Chris Coy), a young journalist who is trying to uncover the truth behind suspicious deaths that have happened after Katrina that may or may not be connected to the police. L.P.’s investigation seems to have a connection to a case Toni (Melissa Leo) has been working since season 2, which already uncovered enough dirty cops in the NOPD.
Posted in: Disc Reviews by Brent Lorentson on November 21st, 2013
Creator David Simon (The Wire and Generation Kill) has never been a show runner concerned about cliffhangers or plot twists; instead he thrusts his viewers into the day-to-day life of the everyday Joe and shows that real life generates more conflict than most fiction can ever deliver. Ever since I first watched The Wire I’ve considered myself a fan of Simon’s work, and I feel it could be argued that what Simon did with The Wire is a large factor in why we have the quality of television that we do today. With Treme he has given us an array of fleshed-out characters; whether they be real or fictional, they all come together to present this allegory of greed and corruption upon the backdrop of a city that is arguably the heart and soul of music.
In the show it has been 25 months since Katrina has torn through New Orleans, and the residents of Treme who have survived the storm are treading their way through the aftermath. The new season kicks off with trombonist, Antoine Batiste (Wendell Pierce) showing up for a Second Line memorial that is soon broken up by NOPD. There has always been a disconnect between the police/government and the people of Treme, but post-Katrina seems to have opened the floodgates for more corruption among the members of the NOPD and the city officials. This corruption introduces L.P. Everett (Chris Coy), a young journalist who is trying to uncover the truth behind suspicious deaths that have happened after Katrina that may or may not be connected to the police. L.P.’s investigation seems to have a connection to a case Toni (Melissa Leo) has been working since season 2 which already uncovered enough dirty cops in the NOPD.
Posted in: Disc Reviews by J C on November 6th, 2013
“You think you had a bad day? This guy lost a billion dollars.”
Clear History is ostensibly about hot-shot marketing exec Nathan Flomm, who misses out on a billion-dollar payday after a petty disagreement. But really, this HBO Films original comedy is basically a 100-minute, all-star episode of Curb Your Enthusiasm with prettier scenery. As such, it's another opportunity for writer/star Larry David to profanely and incredulously sound off on a fresh set of social landmines, including insincere apologies and birthday e-card etiquette.
Posted in: No Huddle Reviews by J C on September 6th, 2013
“It’s not a good thing to find oneself living by an outmoded code of conduct. People take you to be a fool.”
Christopher Tietjens, the furiously principled Englishman at the center of this early 20th century drama, is simultaneously a man ahead of his time and part of a dying breed of gentleman. The most frustrating part of Christopher’s predicament is that he also has enough intelligence and self-awareness to realize exactly how out of place his behavior is.
Posted in: Disc Reviews by Gino Sassani on August 21st, 2013
"Everybody's got guns."
Lately, you might have heard a lot of folks talking about getting home for a little Nucky. Well... it's not what you think. They're talking about Nucky Thompson, played by Steve Buscemi on HBO's latest gangland series, Boardwalk Empire.
Posted in: Disc Reviews by J C on August 13th, 2013
“Well, when you love someone you don’t have to be nice all the time.”
In this current age of message boards and morning-after recaps, the pressure is on to make your voice the loudest if you want to be heard in the wilderness of the Internet. For snarky TV critics, that often means declaring something is either the “Best ____ Ever” or the “Worst ____ Ever”, with little room for anything in-between. But even within these sharply-divided times, I believe HBO’s Girls — which is brilliant just as often as it is maddening — stands out as the most polarizing show on TV.
Posted in: Disc Reviews by J C on June 12th, 2013
“In the old days, we did the news well. You know how? We just decided to.”
Sounds simple enough, so what’s keeping everyone from doing the news well? Well, other than a country that feels more politically polarized than ever and a population that mostly seems interested in cherry picking the “facts” they’d rather hear, I can’t think of a single thing. In fact, HBO’s The Newsroom pointedly compares the idea of putting on a quality news broadcast that educates the electorate and earns great ratings to Don Quixote embarking on one of his foolish quests.
