Lionsgate / Maple Pictures

"This used to be a gentleman's game."

I must confess that I had not even heard of the comic book titles created by Warren Ellis and Cully Hamner. I think that might have been one of the best things that could have happened to me as I sat down to watch the film Red. With a cast this strong, there was little doubt that they would provide a powerful stamp on these characters. No insult intended toward the graphic novels, but I can't imagine these characters any other way now.

“It’s important to enjoy life while you still can.” 

My word, Bruce Willis must be exhausted, helming three movies this year so far and six last year alone; jeez, I know I’d be in need of a serious break. Luckily in RED 2, Willis doesn’t have to hold down the fort alone. Not when you have Malkovich, Mirren, and Parker available to help pick up the slack. That’s right, like Joe Matheson (Morgan Freeman’s character from RED) said in the original, The band is getting back together.”  And this time they are picking up some new members as Catherine Zeta-Jones and Anthony Hopkins join the cast. RED was great, but RED 2 is epic.

"No, they have to make the choice of their own free will. Otherwise, the system doesn't work. It's like the Harbinger. It's this creepy old f#$%, practically wears a sign, 'You will die.' Why do we put him there? The system. They have to choose to ignore him, and they have to choose what happens in the cellar. Yeah, we rig the game as much as we need to..."

When I first heard about The Cabin in the Woods, I admit I was not impressed.  I thought it was just another run-of-the-mill slasher flick a la The Last House on the Left or Amityville Horror.  My mind quickly changed, though, as soon as I heard that Joss Whedon was the writer.

Suspenseful, intriguing, and exciting, The Lincoln Lawyer makes the legal system entertaining.  With all the TV attorney shows pushing for top ratings, this film comes at the right time.  A strong cast, excellent direction, and a riveting storyline make The Lincoln Lawyer a must-see. Mick Haller (Matthew McConaughey) keeps his legal business close to him, in his car.  Defending the lowlifes or whoever desperately needs legal assistance, Mick turns down very few clients.  While working on a questionable case, his confidant Val Valenzuela (John Leguizamo) gives him the name of Beverly Hills playboy Louis Roulet (Ryan Phillippe).

"You wanted me back. I'm back."

Keanu Reeves has enjoyed somewhat of a career renaissance thanks in no small part to the success of John Wick in 2014. There he teamed up with some stunt friends of his going back to The Matrix, and together they brought a new action hero to the screen that was as much graphic novel as it was action film. It would become the directing debut of the stunt team of Stahelski and David Leitch. Along with their action star, everyone stuck to what they knew and refused to overcomplicate the whole thing.

"I got this..."

When Sly Stallone delivered his homage to the 1980's action film in The Expendables he hit a lot of the action film requisites. It was old-school fun with a new-school level of effects and production design. But with all of his efforts to bring back the 1980's action star hero, there was one beat he couldn't have connected with until a couple of years later. You see, action films are like potato chips. You can't have just one. Films like First Blood, Die Hard, Terminator, and all of the others always had one final thing in common...the sequels. In case you thought that The Expendables was a one-off, the sequel was inevitable. And this is one case where the second film might be a little better than the first. Sure, it's somewhat of a two-hour cliché, but who says there's anything wrong with that?

"Man, we'll die with you. Just don't ask us to do it twice."

Remember the old days of the action movie? Those films where someone like Stallone or Schwarzenegger would run around and take out armies of bad guys while barely breaking a sweat. You know the kind of movie I'm talking about. The ones where the hero goes up against a hail of bullets and explosions and manages to pick off the bad guys without catching a single slug himself. These were the days when a guy like Bruce Willis could fall thirty floors, get a spike impaled in his ribcage, have a ton of concrete wall fall on his head, and get run over by a truck, but still manage to take out the bad guy while muttering some witty little catchphrase that we would all be repeating, because if we could deliver the line just right that meant we were tough guys too

Ewan McGregor has had an interesting career in front of the camera; he’s gone from playing a heroin addict (Trainspotting), to being a Jedi and several roles that just about make him impossible to typecast. With his new film, McGregor is doing double duty by also helming the film as director for the first time.  When I first heard about McGregor taking on American Pastoral, based on the book of the same name by Philip Roth, I was worried that perhaps he had bitten off a bit more than he could handle with his first time at bat.  What’s surprising is how relevant the film is at this point in time as the country is so divided, and because of this it adds a new perspective to the film.

"John Wick isn't the Boogeyman. He's the guy you call to kill the Boogeyman"

Taking a shot as a hitman in his latest film John Wick, Keanu Reeves delivers his character with authority in this explosive crime drama.  The film turns out to be an ideal fit for the star and his former stunt double turned director as they move to one perfectly choreographed fight scene after another. It’s a fast-action gauntlet that lasts nearly the whole 96 minutes.

It’s been 40 years since the release of The Man Who Fell to Earth, and in that time a lot has changed. If I’m being honest, this isn’t a film that really holds up too well.  Last year the star of the film, David Bowie, passed away, and it would seem prosperous and logical to crank out an anniversary edition of the film.  As it stands this film isn’t considered so much a classic, but a cult film that fans of Bowie and certain sci-fi fans hold in high regard.  For me, this was simply a title I had heard of in passing during talks about Bowie or sci-fi films, but it was never a film that really called to me.  To the disappointment of several friends, I’m not much of a fan of David Bowie’s music, and science fiction just isn’t a genre I’m in love with.