Lionsgate / Maple Pictures

“I just need you to not freak anybody out tonight.”

Flower ends up being a pretty strong reflection of its promiscuous protagonist: both the movie and the anti-heroine at its center are sharp, profane, a little all-over-the place, and contain a surprising undercurrent of emotion. The movie is a polarizing experience, to be sure, but I enjoyed going on this particular wild, unpredictable ride.

I think it’s a fair assumption to say the DTV market for film is pretty much the best it has ever been in regards to securing talent to star in the films.  When you look at a film like Bent and its cast of Karl Urban (Dredd), Sofia Vergara (Modern Family) and the great Andy Garcia (The Godfather 3, and my personal favorite Things to do in Denver When You’re Dead), it’s difficult to not get excited over its potential.  To sweeten the pot, the film’s director, Bobby Moresco, has produced two films that have best picture Oscar nominations, so one has to wonder, what went wrong?  I’m not saying the film is bad, but instead you’d just expect this film to be in another tier and not simply settling with a soft release in the new release section at Wal-Mart.

Like probably most folk out there in the real world, I learned everything I know about foreign diplomats from television and film. They dress in expensive suits, usually have a drinking or smoking problem, and harbor some immense secret that could bring about the fall of a whole country or even the world. They don't have friends or associates, instead they have pawns that they move around a theoretical chess board for influence and money. Finally, they would sell out their own grandmother if it meant a little more information at the bargaining table. Today, I review Backstabbing for Beginners, a movie that deals with UN Diplomats and the country of Iraq. Somehow, I don't think my opinion is going to change.

Lin Oeding has been involved with stunt work in film and TV for nearly two decades; it should come as no surprise that his first feature film would showcase some excellent stunt work throughout.  Before Braven, I knew Jason Momoa had done work on Game of Thrones and had his bit as Aquaman in Justice League, but I had never gotten the chance to see him genuinely flex those acting muscles of his till now.  I’m not about to say Momoa delivers a tour-de-force performance here, but it’s nice to see that he’s attempting to show a little range while beating up on the bad guys in the process. One would think the pairing of Oeding and Momoa would equal a surefire action hit, but instead we get an action film that unfortunately lacks any substance beyond some of its unique kills.

I’ve been a fan of The Walking Dead ever since the first episode aired on AMC. I’m a sucker for zombie films and the original Dawn of the Dead remains as one of my all-time favorite horror films. I mention this because when the idea came along to do a spin-off of The Walking Dead, I was stoked. But when Fear the Walking Dead first aired, I have to admit there was something about it that just didn’t hook me. So I gave up after a couple episodes. I wish I had held out just a little bit longer.

"The games have begun again, and they will not stop until the sins against the innocent are atoned for."
It has been about seven years since last we heard Tobin Bell ask if we wanted to play a game. From 2004 until 2010 we were treated to seven films in quick succession, with The Final Chapter apparently bringing the popular franchise to an end. But most of us were pretty sure that the end wasn't quite so near. The films brought in billions of dollars and even inspired a new escape room industry around the globe where people could work out puzzles and attempt to beat a ticking clock to get out of a themed room.

Sounds like you don't have a lot of faith in faith.”

You know how sports teams retire the jerseys of their most beloved, outstanding players so that no one can ever wear their number again? Well, we are well past the point where movies about exorcisms need to be hanging from Hollywood's rafters. Simply put, no one has ever come close to doing it as well as William Friedkin did almost 45(!) years ago with his adaptation of The Exorcist. If anything, The Crucifixion is an even more egregious misfire than other head-spinning stabs at the genre because this movie is actually based on an intriguing, horific real-life case.

In 2003 Open Water hit the screen; it was a success since at the time the found-footage genre hadn’t yet saturated the market.  I thought it was a fun little movie that was creative, and what impressed me most of all was the use of the sharks in the film.  The danger always felt real, and to a point it was a convincing film.  It was inevitable that a sequel would follow, though it came and went so fast, it’s not big surprise that many seem to have forgotten the film existed.  Now it’s nearly a decade since the sequel came out that we now have a third installment, Open Water 3: Cage Dive.

“This is a corpse infected with the plague. It is uncaring, unfeeling.”

When it comes to the overwhelming majority of zombie fiction, it’s all about brains (or rather, BRAAAINS!!!) It’s what the undead hunger for, and a well-placed headshot is usually the only way to kill them (again). And that doesn’t even cover the popular device of using the walking dead as an allegory for an increasingly mindless society. Warm Bodies stands out because it’s more concerned with an entirely different bodily organ. Based on Isaac Marion’s popular novel of the same name, the zombie romantic comedy deals directly with matters of the heart.

"In between the years when the oceans drank Atlantis and the rise of the Sons of Aryas, there was an age undreamed of, when shining kingdoms lay spread across the world. Then came the dark empire of Acheron, where cruel Necromancers sought 'Secrets Of Resurrection'. They crafted a mask from the bones of kings, and awakened its wrath with the pure blood of their daughters. The mask summoned spirits of unspeakable evil, giving them power that no mortal man should possess."

The character started as a pulp fiction serial by Robert E. Howard in the 1930's.