Posted in: Disc Reviews by J C on June 10th, 2016
“I don’t know what kind of trouble he can get into in a day.”
At first glance, those words — spoken by a father in the midst of a particularly eventful weekend with his estranged son — sound like a filmmaker giving himself permission to put his characters in the most outrageous situations possible. But The Confirmation actually shines by keeping things simple. The movie is a low-key, thoroughly affecting story of a father and son forging an unexpected connection.
Posted in: Disc Reviews by J C on May 25th, 2016
Robert De Niro and Zac Efron have a combined seven Academy Award nominations and a pair of Oscar wins to their names. So it was only a matter of time until these titans of cinema joined forces on the big screen. All joking aside, none of us were expecting Dirty Grandpa to pump up De Niro’s Oscar tally. What *is* a bit surprising — other than how truly bad this charmless, dimwitted, mean-spirited “comedy” turned out to be — is that Efron kind of outclasses his legendary counterpart.
DeNiro stars as Dick (tee-hee) Kelly, who recently lost his wife of 40 years. After attending his grandmother’s funeral, strait-laced Jason Kelly (Efron) agrees to drive his grandpa from Georgia to Boca Raton, Florida at the older man’s request. Dick and Jason used to be thick as thieves, according to the poorly Photoshopped pictures in the opening credits. The pair drifted apart after Jason abandoned his passion for photography to go to work as a corporate lawyer for his dad/Dick’s son (Dermot Mulroney, getting absolutely nothing to do). The road trip is supposed to be one last opportunity for Jason and his grandpa to bond before Jason marries his uptight, controlling fiancée Meredith (Julianne Hough, admirably leaning into her character's awfulness).
Posted in: Disc Reviews by Brent Lorentson on May 19th, 2016
After Robert Eggers received best director out of Sundance, The Witch became a film that went on my radar. Following the release of the trailer to the film I was hooked; its startling yet beautiful imagery was enough to get my attention. As buzz built around the film as it continued to awe audiences in various festivals, my anticipation for this film was getting out of control. Could a film really be this great? Is it possible to make a film that still shocks and terrifies audiences? By the time I found myself getting to this screening, The Witch now was a film that unfairly had something to prove to me, I poked the bear and dared this film to blow me away. As the lights dimmed and the film played out, I came away with more than I asked for.
The film transports us to New England in the 1630’s. What is important to keep in mind is the time period. This is a time when scientific reason had no place and the settlers of the time were ruled by their faith. The land that surrounded the villages was mostly untouched, and in the darkness, evil was believed to lurk. Robert Eggers beautifully captures the time period here, everything from the sets, the costumes, to even the Old English dialect used by the characters is authentic and helps immerse us into this time. One of my few nitpicks with the film is that the language is so authentic I had trouble with some of the dialog, as did others around me. Perhaps subtitles could have been used, but I’m afraid it would have taken me out of this world created for us.
Posted in: Disc Reviews by J C on May 12th, 2016
There's a grand, lurid tradition of cinematic saps who think with the wrong head and get themselves in a heap of trouble. Misconduct tries to tap into that spirit while also mimicking none other than Alfred Hitchcock and Brian De Palma (who was pretty much mimicking Hitchcock himself). Those are some lofty goals, but — at least on paper — Misconduct has some heavy hitters on hand to help achieve them. Unfortunately, this legal thriller is guilty of sloppy, nonsensical storytelling and largely wasting the talents of a pair of screen legends.
Ben Cahill (Josh Duhamel) is an ambitious, morally flexible lawyer who works long hours, which has put a strain on his relationship with wife Charlotte (Alice Eve). Ben perks up when college girlfriend Emily (Malin Akerman) contacts him out of the blue wanting to get together. Turns out Emily works for/is involved with pharmaceutical magnate Arthur Denning (Anthony Hopkins), who is currently in the news due to some unethical drug trials. Emily claims to have evidence of Denning's wrongdoing, so Ben — recognizing an opportunity to jumpstart his career — offers his lawyerly services with the hopes of impressing senior partner Charles Abrams (Al Pacino).
Posted in: Disc Reviews by Brent Lorentson on May 10th, 2016
With every day that passes we lose those who survived the horrors of World War 2, and eventually there will no longer be those with memories to share from the past, and all that will be left are the films and newspapers from another era. As these survivors grow older, their memories fade, and all that is left are fragments pieced together from what they can remember. In the new film Remember from Atom Egoyan, he delivers an intimate tale about a man suffering from dementia who is seeking revenge for atrocities committed in the past. Considering Egoyan’s last film left me a little underwhelmed I went into this film with caution, and the result is that I think this may be Egoyan’s best work.
Zev (Christopher Plummer) is spending his twilight years in a rest home suffering from dementia. Just about every day Zev gets to wake up only to discover his wife has been deceased for some time and that things simply are not as he remembers them. With his wife gone it is time for Zev to set out and follow through on a promise he made that he could only go through with following the death of his wife. He made a pact to kill a surviving Nazi guard who is living in the States under a different name. Zev just so happens to be the only man who can recognize and identify the guard; the trouble is the guard is hiding under an alias that four people across the US have. Max (Martin Landau) has gathered all the information Zev will need for his journey; if not for being bound to a wheelchair, he would march right alongside of Zev to follow through this vigilante quest.
Posted in: Disc Reviews by Brent Lorentson on May 4th, 2016
Whatever happened to the days of telling a story without having some kind of gimmick or need to have to have a twist in the plot to show the viewer just how clever you are? I blame The Sixth Sense for this, because ever since the film came out it seems a requirement to be considered a thriller is you have to have some kind of twist, whether it’s at the midpoint or towards the end, somehow you have to find a way to jam that twist in there. I’m not saying let’s just throw the ban hammer down on all twists, but they should be used to only further the plot, because at this point it’s just gotten silly, and when you start piecing things together after the film you realize how little sense it all makes. When it comes to Backtrack, you’ll need to do more than just retrace your steps on this one, and it’s sad, because beneath all the twists there is a good story here; unfortunately it’s managed to lose its way.
Peter Bower (Adrien Brody) and his wife are mourning the loss of their daughter who was killed in an accident. Peter carries the guilt around with him, and it has begun to have an effect on how he is able to treat his patients. Very early on we are given clues to there being something not right with his patients up to the point it is discovered that all of them are dead. While this may seem like a spoiler, instead it’s key to driving the story forward for Peter to understand why the dead seem to want to make time for him on his couch. While I’m fine with this idea of him treating ghosts or simply Peter being insane, there is a practical question that bothers me. How does no one else notice how odd it is that he is treating, to the outsider, no one? How were they going about paying for visits or even scheduling visits, since it seems he doesn’t have a receptionist? It seems like I’m being nitpicky, but really, I was having a hard time accepting the reality of the story that was being presented.
Posted in: No Huddle Reviews by J C on April 15th, 2016
“Am I irrelevant? I refuse to be irrelevant.”
Outside of The Golden Girls, there haven't been too many TV shows where the entire main cast is eligible for social security. Then again, chasing the 18-49 demo that advertisers covet isn't much of a concern for a subscription-based service like Netflix, which debuted Grace and Frankie last year. Naturally, the series — whose four main actors are each 75 and older — has its share of geriatric humor. (Although the broken hip doesn't occur till Ep. 5/“The Fall”.) More importantly, it also has some genuinely funny things to say about companionship and reinvention.
Posted in: Disc Reviews by Archive Authors on April 13th, 2016
“Witches live among us. Their magic passed from an ancient race, diluted, half-forgotten, but dangerously powerful. After centuries of conflict, a truce was forged. Witches would be allowed to live and govern themselves if they followed one strict rule: that magic never be used against humans. But a truce is a fragile thing…”
Vin Diesel has made the Fast and Furious franchise into a massive global behemoth, but Diesel is not a global behemoth on his own. He has had successes and failures. He is someone who seems to be an unlikely star. He tried to make Riddick (Pitch Black, The Chronicles of Riddick, Riddick) into a multi-film franchise and accomplished it through sheer force of will, but his stardom largely rests on Fast and Furious. Diesel bristles at being typecast, so he has always tried to find new vehicles that will demonstrate his range. XXX was a big success, but Diesel did not appear in the sequel. XXX: The Return Of Xander Cage is on the schedule for 2017. He walked away from Fast and Furious for a few installments because he was so intent on diversity, but eventually relented and came back. The Last Witch Hunter is his latest attempt to start a new franchise. The film was attacked by some critics when it was released, but it is a pretty decent attempt to create a new legend out of a cauldron of Dungeons and Dragons ideas. That was the inspiration, and a group of script writers did a decent job, and the director Breck Eisner (son of Michael) also does a good job. The cast includes Sir Michael Caine, Elijah Wood, and Rose Leslie (wildling Ygritte from Game of Thrones). It also includes excellent actors such as Isaach De Bankole as a male witch who runs a restaurant that sells pastries that includes ingredients such as hallucinogenic bugs. All the elements are in place to make a great movie experience. The problem is that there is a weak link. It’s Diesel.
Posted in: No Huddle Reviews by J C on April 11th, 2016
Thanks to The Sound of Music, millions of people around the world are familiar with the von Trapp family saga. (They probably have the second most popular Austrian name among movie fans, behind some guy named Schwarzenegger.) Given that The Sound of Music is one of the most popular movies of all time, any filmmaker would be wise to offer a fresh perspective in telling a von Trapp story. Enter The von Trapp Family: A Life of Music, which puts eldest von Trapp daughter Liesl Agathe in the center of the action.
“Let's start at the very beginning. A very good place to start...”
Posted in: Disc Reviews by J C on April 8th, 2016
“Look at where the world is because of solitary dudes going mental in the desert.”
Depressed, deplorable artist Tom heads to the Mojave Desert, where he unexpectedly meets his match in crazed, charismatic drifter Jack. The fact that their tense encounter results in a death is one of the least surprising things about Mojave. What initially appears to be a cat-and-mouse game set in the desert turns out to be an interesting, uneven meditation on perception vs. reality that spills over into the vapid world of Hollywood.
