Posted in: Disc Reviews by J C on April 6th, 2016
“Welcome to the 21st century!”
Welcome to the world of 4K UHD Blu-ray. This is our first 4k review. It won't be the last.
Posted in: Disc Reviews by Brent Lorentson on April 3rd, 2016
Keanu Reeves is a guy who I don’t think anyone would be crazy enough to say is a “great actor”, but instead he’s a guy who has been in some pretty great films. For me he’s an actor I grew up with from his days doing the Bill and Ted movies and Point Break. (Seriously, how dare they attempt to remake that gem?) Between Speed and The Matrix, those are the two movies I’ve held onto for so long as his career took a more interesting turn; that is until John Wick came along and blew my mind with all the insane coolness that was up on the screen. Finally it seemed I was on track to getting the Keanu Reeves that I grew up watching. I know, so what’s the point of all this? Well, until now, none of the Reeves films that I’ve liked could I really say it was because of his performance, and Exposed is finally the film he’s needed where he can show he’s more than just a brooding action star.
Isabel (Ana De Armas) is a young woman who has done everything she can to be a good person. She’s filled with love and devotion to her husband and family, and when it comes to her job, working with children, there is no better-suited person to be tasked with watching your kid. Basically Isabel is as close to perfect a person can get through the eyes of her faith. When we see her walking alone late at night through a subway station, you just know this can’t possibly end well for her, though what follows is a bit of a head-turner as she encounters a strange albino man in a suit who has the ability to float above the tracks. Is it an angel that has come to her, or is there something more sinister at play? This is something that isn’t answered until things seem to get even stranger for her.
Posted in: Disc Reviews by Jeremy Butler on March 23rd, 2016
It’s the one that fans have been waiting for. The conclusion of the only adaptation series to rival the star power of Twilight in my opinion (Divergent comes close, but the popularity is clearly with this Jennifer Lawrence-led series). Hunger Games Mockingjay Part 2 is the culmination of all the action set up in the first film. It’s time to finally take the fight to President Snow, and this film delivers in every aspect. Action sequences are tier-one as well as being character-driven, all the while staying faithful to the source material. Accomplishing all these tasks is always difficult; however, this film appears to do it with ease.
I think the number one thing loyal fans of the book were looking for was for the film to maintain the faithfulness to the original material. The series has always done a very good job of this, but I think it was best done here. As someone who has read the trilogy, I was very happy with how closely the two mirrored one another. The setting of certain scenes changed naturally (which was to be expected), but much of the dialog was the original text. I love to see a film maintain that level of commitment, because much of the fan base is made of people who fell in love with the books and wanted to see that same story illuminated on the silver screen. I don’t imagine that anyone will be disappointed in that regard.
Posted in: Disc Reviews by J C on March 17th, 2016
“When I was small, I only knew small things. But now I'm five, I know everything!”
Room opens on the day that Jack, the movie's relentlessly curious young protagonist, turns five. Jack is our entry point and guide through this story, but there's at least one important thing he doesn't know. In Room, we see how a mother and her son cope with one of the most harrowing circumstances imaginable. It should make for a grim experience, but this wonderfully-crafted film winds up being a moving story about resilience and how parents and their children can draw strength from one another.
Posted in: Disc Reviews by Gino Sassani on March 14th, 2016
"There’s always some variable you didn’t account for."
Manhattan is one of those variables. It's one of those dramatic stories where mankind is altered forever. If it weren't absolutely true, someone would have had to make it up. Every child in schools around the world knows about the atomic bombs that ended World War II. We've all seen the terrible destruction that exceeded even the expectations of the scientists and engineers who designed and built these bombs. We all live in the aftermath of these events. Yet little is known about the people who devoted their lives to making it a reality, not only those directly involved, but their families and the support network necessary to bring them all together. Enter WGN America, and the tale is finally told. Manhattan enters its second season on Blu-ray.
Posted in: Disc Reviews by J C on February 25th, 2016
“Don’t ever threaten my family again.”
In Extraction, a government analyst embarks on an unsanctioned rescue mission after his father — an over-the-hill CIA field operative — is kidnapped by a shadowy group of bad guys. In a related story, I think I got my dad a CD for Father’s Day last year. But while the hero of Extraction might edge me out in the Son of the Year race, the rest of this crummy actioner is basically a harmless debacle.
Posted in: Disc Reviews by Gino Sassani on February 17th, 2016
On the surface MI-5 looks to be a mundane direct-to-video film attempting to cash in on a couple of things. Mission Impossible: Rogue Nation is the fifth in the series and often referred to as MI:5. The new James Bond film has a plot involving the head of MI-5 attempting to take down the MI-6 department and our beloved 007. None of these would contribute to the fortuitous name. Rather it’s the difference in racial sensitivity between Britain and the United States. MI-5 is actually a feature-film version of the long-running British series Spooks. The film’s original title happens to be Spooks: The Greater Good. It seems that even foreign nations have noticed we can be offended by words that have completely innocent meanings so long as someone out there can find an offensive albeit completely unintended meaning. Don’t believe me? Just check in with how many sports media refer to the Washington Redskins these days. It’s unfortunate, because I like the original title. It’s more original. MI-5 is so generic these days.
If you’re up on the show, you already know the Intelligence Chief of MI-5, Harry Pearce, still played by Peter Firth. After 10 years he’s now a disgraced agent and on the run after terrorist Adam Qasim (Gabel) escapes from a prisoner transport that Pearce was in charge of conducting. Some inside the agency think that Pearce was a part of the escape plan.
Posted in: Disc Reviews by J C on February 9th, 2016
The story is the star in Freeheld, which chronicles a same-sex couple's fight for equality. The film is based on the Oscar-winning documentary short of the same name and follows Laurel Hester, a New Jersey cop with terminal lung cancer, as she attempts to pass her pension benefits to domestic partner Stacie Andree. Despite being a modest production, Freeheld was able to enlist some top-drawer acting talent. Unfortunately, it also attracted a risk-averse team of filmmakers who tell Laurel and Stacie's story in a thoroughly rote and uninspired manner.
The movie begins in 2002 with Laurel (Julianne Moore) bailing her partner Dane (Michael Shannon) out of a jam during a sting operation. This opening is meant to illustrate that Laurel is an exceedingly capable police officer, but the clumsily-staged sequence has the unfortunate side effect of shining a light on director Peter Sollett's limitations. (Same goes for a subsequent storyline involving a double homicide that is equally clunky.) Laurel is also a lesbian who worries about someone at her job finding out about her sexual orientation, so she drives to Pennsylvania to take part in social activities. That's where she meets Stacie (Ellen Page), a younger woman who sparks Laurel's interest.
Posted in: Disc Reviews by Archive Authors on February 8th, 2016
“Witches live among us. Their magic passed from an ancient race, diluted, half-forgotten but dangerously powerful. After centuries of conflict, a truce was forged. Witches would be allowed to live and govern themselves if they followed one strict rule: that magic never be used against humans. But a truce is a fragile thing…”
Vin Diesel has made the Fast and Furious franchise into a massive global behemoth, but Diesel is not a global behemoth on his own. He has had successes and failures. He is someone who seems to be an unlikely star. He tried to make Riddick (Pitch Black, The Chronicles of Riddick, Riddick) into a multi-film franchise and accomplished it through sheer force of will, but his stardom largely rests on Fast and Furious. Diesel bristles at being typecast, so he has always tried to find new vehicles that will demonstrate his range. XXX was a big success, but Diesel did not appear in the sequel. XXX: The Return Of Xander Cage is on the schedule for 2017. He walked away from Fast and Furious for a few installments because he was so intent on diversity but eventually relented and came back. The Last Witch Hunter is his latest attempt to start a new franchise. The film was attacked by some critics when it was released, but it is a pretty decent attempt to create a new legend out of a cauldron of Dungeons and Dragons ideas. That was the inspiration, and a group of script writers did a decent job, and the director Breck Eisner (son of Michael) also does a good job. The cast includes Sir Michael Caine, Elijah Wood, and Rose Leslie (wildling Ygritte from Game of Thrones). It also includes excellent actors such as Isaach De Bankole as a male witch who runs a restaurant that sells pastries that includes ingredients such as hallucinogenic bugs. All the elements are in place to make a great movie experience. The problem is that there is a weak link. It’s Diesel.
Posted in: Disc Reviews by Gino Sassani on January 31st, 2016
"Stealing from the Pope is suicide."
We're not talking about that pope. We're talking about Robert DeNiro in his latest direct-to-video feature film Heist. It's true that DeNiro hasn't exactly been picky lately with his parts. He commands a big paycheck, often for just showing up on the credits. It's common among actors particularly those like DeNiro who have made quite a name for themselves and find themselves in the back nine of their career. You have to at least give him a little more credit than most. He's the kind of actor who always puts in the effort for a project no matter how big or small the film or part happens to be. You could say that gangster parts like Pope come naturally, and he doesn't really have to act. If you believe that, you've just glossed over the actor's best talent. He always makes it look easy. More than giving his best, DeNiro is an actor that appears to bring the best out of everyone else, as well. Most of the cast and crew refer to him as Mr. DeNiro in the bonus material here. That's the kind of respect he's earned from his peers. If he wants to have a little fun on a direct-to-video film from time to time while padding the bank account, I say what's the harm. Keep doing them and I'll keep assigning Robert DeNiro movies to myself every time.
