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"It's what people know about themselves inside that makes 'em afraid."

Clint Eastwood might have gotten his film career started with bit roles in the sci-fi classics Tarantula and Return Of The Creature, but he made his mark in Europe with Sergio Leone and his famous spaghetti westerns. He became The Man With No Name in a trilogy of films, and it would create the character of Clint as much as it would any film character. Eastwood was smart, and he used the time on those films to learn. He was observant and took in all of the technical aspects of the business of making movies, and it continues to serve him 60 years later, as Eastwood has become as much of an icon behind the camera as he ever did in front of it. His first directing job was Play Misty For Me, but he returned to those still fresh spaghetti-western roots for his second time in the director's chair and his first time directing a western. High Plains Drifter would fit nicely into the trilogy of Leone films. The character called The Stranger could very much be the same Man With No Name, and it's clear enough that he took away more than a paycheck from his time spent in Italy and Spain with Leone. High Plains Drifter would be Clint Eastwood's exclamation point on his earlier career and would take him to places I'm sure even The Stranger could have imagined. Let's just say he's earned more than a fistful of dollars. Now thanks to Kino-Lorber it's out in UHD/4K, and it's never looked better.

"Like a river flows, Surely to the sea, Darling, so it goes, Some things are meant to be ..." 

Elvis Presley is often referred to as the King Of Rock and Roll, at least to his fans. There's no denying the impact that he had on the music scene. He was the first rock and roll star, to be sure. Colonel Tom Parker, his long-time manager and partner, created many of the marketing traditions that are commonplace in the industry today. He knew the value of his star, not only as a performer, but as a brand. For the first time, a musician's image and name started to appear on everything from bath towels to women's underwear. Fans are often split on their feelings for the self-styled Colonel, but Elvis would not have become the name brand he still is today without him.

Many times when we watch films for the first time, we get distracted.  Maybe it's a pretty girl, money issues, or perhaps you had something else on your mind that's hurting your focus.  Whatever it is, it can really change your interpretation of a movie in a positive or negative way.  One such movie for me is Mystery Men when I saw it in early 2000.  Back when rentals were a thing, I remember renting this film and being distracted completely by someone who shall remain nameless.  I barely liked the movie and didn't really watch it again until many years later only to realize I liked the film far more than originally thought.  Four or five times later, I revisit the film again, this time in glorious 4K.  Let's see how it does.

Thunder is rumbling, and we have arrived in the futuristic Champion City.  A place of superheroes and supervillains.  The scene is a private party with some rich senior citizens.  All of a sudden, Big Red (played by Artie Lange) runs in with his gang of bad guys to rob the place.  They steal everything in sight; nothing is safe, not even a prosthetic arm.  But just when you think nothing can save these wealthy elderly members of society, we have a few heroes who might save the day.

Favorite movies are usually easy to come back to.  It's a familiar song, stars you feel at home with, and even if you recite all the lines by heart, you can find something new to come back to.  In the case of Planes, Trains, and Automobiles, even though I had seen the movie probably around a dozen times or more, I was lured by the promise of new deleted and extended scenes but also a 4K-quality picture.  But as with life, you don't always get everything you want.  Let's take a look.

Please note that portions of this review came from my 2011 article on the Blu-ray, and I have improved on it where possible (and it makes sense to).  

I certainly do not want to get political here, but cops as a rule have a certain extent of power that we as common folk typically do not enjoy.  It is often a plot point in many thriller movies that we sit and watch the officer harasses suspects or perhaps uses some shady tactics in order to get their man (or woman).  It's common, heck it's probably in film school 101 and some might even see it as a bit cliché.  Today's film is Unidentified, a Romanian film where a detective enters a very grey area in order to catch the perpetrator.  It's also the first film in a trilogy.  Yes, you read that right but more on that later.  Let's take a look.

We see the sprawling countryside of Romania.  It shifts to trees and then to lots of houses and businesses.  We arrive at the city, time is 2:45 PM and Florin Iespas (played by Bogdan Farcas) is looking at some grisly photographs of burn victims along with a picture of a suspect.  At the bosses office, he talks to Comisar Sef (played by Vasile Muraru) about the case which actually doesn't belong to him.  The case belongs to another cop named Radu who happens to be away on a vacation.

Many people will agree to disagree on the existence of ghosts.  It is probably easier to agree on the point that if those ghosts do exist, they were wronged in some fashion, or there is something left to their story that is unsolved.  That mystery is what makes the concept of ghosts so fascinating.  Today, we have another GKids anime production, this time by the genius loundraw.  It's called Summer Ghost.  Let's take a trip into the paranormal.

A light burns.   Three friends who haven't seen each other have gathered in this special place.  Summer is here again.

It has been about 36 years since the release of the first Top Gun. This is one of my earliest memories as a kid, seeing the movie on the big screen with my parents at the old Main Street 6 Cinemas. I was a bit obsessed with this movie growing up. I had a copy of the film that I had recorded off of Showtime, and over the years I’d imagine I’ve seen Top Gun at least 100 times. I was obsessed with the movie and its soundtrack. Kenny Loggins and “Danger Zone” lived rent free in my head throughout my childhood.  I know I’m not alone on this when saying just how much Top Gun is a movie I just love. It’s not perfect, but I just can’t find anything I dislike about it. Even in my forties, I look at this film as comfort food. It doesn’t matter the time of day; if it’s on, I can’t help but sit down and watch it. I’m putting this out there because yeah, when I heard about the talks of them first doing a sequel I was excited, but I wasn’t too optimistic.  Then when Tony Scott died in 2012, I thought for sure that was the nail in the coffin for any potential new Top Gun film. Ten years later, after over two years of delays, Top Gun: Maverick is finally hitting the big screen.  After all these years and all the hype, is it worth the wait?

In case you haven’t realized it, Hollywood has been riding the wave of nostalgia for a while now.  Just this week alone, Disney Plus is debuting the Obi-Wan Kenobi series, Netflix is releasing the new season of Stranger Things (that alone is borderline 80s nostalgia porn at its best), and then we have Top Gun: Maverick.  This week is simply old school pop-culture on steroids week and a reminder why it’s a good time to be alive as a cinephile.  It’s important to keep all this in mind, because when you go in to the theaters to see Top Gun: Maverick, you are not just simply getting to see a new movie, but it’s also a nostalgic trip back to the first film that will leave you excited and at times maybe a little misty-eyed reuniting with these characters we first met so many years ago.

"Look at them praying for a miracle that isn't coming. Who knows? Maybe it's my curse to leave one betrayal behind only to find a greater one here amongst the stars. They could have stopped this, but none of them had the strength to do what must be done. But I do."

Crossovers have been big events in the CW Arrowverse shows. They would involve characters from all or most of the current shows, and the episodes would play across the shows themselves. The events were always huge so that they required the combined force of the many DC heroes. Times have changed, and now The Flash is pretty much the only Arrowverse show left on the air. That creates a bit of a logistic problem for the whole crossover event idea. Or does it? This season there is a crossover, of sorts. It plays out over five episodes and includes characters from some other Arrowverse shows even though they are no longer on the air. The Flash begins its eighth season with a crossover event called Armageddon. It encompasses the first five episodes of the season and features characters from the other shows.

As many of you are aware, DC League of Super Pets was recently in the theaters (technically it's still in theaters, but at the end of its run) and drew an estimated $93 million with another $110 million worldwide for a total of over $200 million.  Certainly a hit on most fronts, I unfortunately was stuck at work while my wife and seven-year-old decided to go to a showing.  They both enjoyed it very much, and having caught it later on HBO MAX, I can certainly see the appeal.  Little did I know, but about 15 years earlier, a short-lived cartoon series named Krypto the Superdog ran for 39 episodes (72 half episodes and three full length specials).   To my amazement, the set showed up on my desk the other day in all of its complete series glory.  My son was pleased.

We start off the series with the two part episode - Krypto's Scrypto.  In this episode we are taken back to Krypton to see a young dog named Krypto (voiced by Sam Vincent) who just so happens to be the pet of Kal-El (of course, this is Superman).  One day after fiddling with the instruments aboard a rocket ship, the puppy is transported into outer space.  Eventually he finds food aboard this rocket and even plays catch with himself.  Then the puppy goes to sleep.

“We’re in his territory now.” 

Given the film’s premise, this strikes me as the perfect tagline for the film. A family on safari finds themselves trapped and stalked by a lion with a bloodlust. It definitely evokes memories of the Val Kilmer and Michael Douglas-led 1996 film, The Ghost and the Darkness. In this instance, of course, they rely on the acting chops of Idris Elba to keep the film from descending into cliché. And while there are some situations that seem avoidable and unrealistic, the film did a great job of maintaining my interest for the duration. Joining Elba is Sharlto Copley, another talent with an extensive resume. My only gripe about Copley is that he felt underutilized, and I felt there were intriguing developments with his character that if fleshed out would have added a greater degree of depth to his character. However, this of course was out of Copley’s control and in no way negatively impacts his given performance. Just one of those things that results when you only have a limited amount of time to tell a complete story. Despite this, I still found Beast enjoyable and recommend the experience. I mean, come on, Idris Elba vs. a lion; that’s worth the price of admission in itself.