Posted in: Disc Reviews by Gino Sassani on October 1st, 2012
All good things must come to and end. Fortunately, the same can be said for the not-so-good things as well. I've been calling it the weakest link in the CSI franchise since the year it first hit our television screens. It looks like the ratings and your opinions have supported that feeling, and CSI: Miami is finally going the way of the dinosaur, both on television and in reality... extinct.
The series followed the CSI model set forth in the original Vegas version of the franchise. The lead CSI here was Horatio Caine, played by former NYPD Blue actor David Caruso. Caruso left that series because he fancied himself better as a big movie star. Several failed leading roles later he finds himself back playing virtually the same character here. It’s the same Caruso odd speaking pattern, only this time he has a lab coat to go with that gun. Adam Rodriguez plays Caine’s favorite among his lab partners, Delko. He shares a bit of history with Delko. They’ve had a few off-the-reservation missions together and have bonded somewhat. Delko wants to be just like Caine. Next in the pecking order is Ryan Wolfe, played by Jonathan Togo. Togo is the Greek-tragedy character here. It seems that every year this guy is getting the worst of it, from losing his hearing to getting roughed up by the Russian mob. He was a cop and transferred over to the CSI unit in season 2 under Caine’s wing. Emily Procter plays Calleigh. She’s the ballistics expert and all-around tough girl with a disarming southern accent. She makes a living by being underestimated. By far the most annoying character is Eva La Rue’s Natalia. Her love lives and former life baggage turn her more often than not into the helpless whimpering damsel in distress. She’s by far the most frustrating character in the entire franchise. Now I won't have to hear her whine one more season… Rex Linn plays the crew’s uniformed cop buddy, Frank Tripp. He’s getting more and more screen time and acts as the audience’s representative on the show. He’s a good tough cop, but the science just goes over his head. New to the 7th season was Megalyn Echikunwoke, please don’t make me spell that last name again, as the new medical examiner on the series, Dr. Tara Price. She’s a huge change from the previous pathologist whom I’m sure fans are already missing. She’s got a bit of a ‘tude. She also flirts too much, while Alex always had this almost unnatural respect for the dead. The best new character and one I will see sorry to go is young Omar Benson Miller, who played Walter on the show for just the last couple of seasons. He brought the freshness the show so desperately needed. I will miss him a lot.
Posted in: Disc Reviews by J C on September 30th, 2012
Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a state of mind. And according to the surreal IFC sketch series created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel, that state of mind is happily stuck in the simpler time represented by the '90s.
Armisen and Brownstein co-star in almost every sketch, and each segment lasts no more than five minutes. That shrewdly gives the audience multiple opportunities to laugh within one episode even if a particular concept isn’t working or is too bizarre. (One especially painful skit consisted of Armisen and Brownstein repeatedly calling out “Sacagawea!" Thankfully, it was over relatively quickly.)
Posted in: Disc Reviews by Gino Sassani on September 27th, 2012
"Now this is going to be so much fun."
They've just saved the world, yet again. If you watch Supernatural, you know I'm talking about the Winchester brothers Sam and Dean. You also know by now that saving the world is never the end of the story. Each time they put themselves out there to stop the big evil from putting a major hurt on planet Earth, it comes at a cost, and this season is no exception.
Posted in: Disc Reviews by Brent Lorentson on September 27th, 2012
When you pick up a movie with the title Strippers vs. Werewolves, to expect anything more than schlocky B-movie horror is a mistake by the viewer and the viewer alone. This foray into cheesy cinema is best viewed after a few drinks or just as random fun late at night when you can’t sleep. It’s never a movie trying to change the way we view cinema but instead just something to have some fun with, a simple escape where our brains can shut off and simply enjoy the show.
While giving a private dance, Justice (Adele Silva) kills a well-dressed gentleman who changes into a werewolf. Little does Justice know that he is connected to a powerful pack of werewolves that will stop at nothing to avenge their fallen pack member. But this isn’t the first run-in with werewolves by Jeanette (Sarah Douglas), the owner of the Vixens strip club; she’s fought and killed werewolves before and is ready to do it again to protect her club and the girls.
Posted in: No Huddle Reviews by J C on September 27th, 2012
If the phrase “You got served” only conjures up images of wait staff or a notice to appear in court, then Battlefield America may not be for you. The film comes “from the writer, director and creator of You Got Served” — the hip hop-flavored dance drama that became a modest hit in 2004 — but offers up a child-centric twist. For fans of You Got Served, the best way to enjoy this inferior film may be to pretend the dancers in that movie were tragically shrunk down to kid size.
Sean Lewis (Marques Houston) is a successful and arrogant agent at a Los Angeles marketing firm. After celebrating a professional victory, he gets busted for DUI and sentenced to perform 120 hours of community service. His lawyer gets him a supposedly cushy gig working at an inner-city community center run by the impossibly attractive Sarah Miller (Mekia Cox). Sarah tasks Sean with teaching a group of misfits how to dance in preparation for the prestigious Battlefield America dance battle. (At least we learn the title refers to the competition and not a misguided sequel to Battlefield Earth.) The fact that Sean can’t dance and hates kids (of course he does) doesn’t seem to matter to anyone.
Posted in: Disc Reviews by Michael Durr on September 27th, 2012
The presidential election is right around the corner. We have two candidates where either one could realistically win. We just hope that there is no funny business and that all of the voting is on the up and up. Regardless, the History Channel has produced many specials over the years that deal with different facets of the presidency. Let’s take a look at three of those specials in this 3-disc set.
Air Force One (44:51): This hour long (with commercials) specials focuses on the most famous plane in the United States, Air Force One. The first thing we learn is that Air Force can be any plane the president flies (it is a call signal). However, the plane most associated with Air Force One is a Boeing VC-25. A very heavily modified Boeing VC-25. But there is a lot more to Air Force One than just a big fancy plane with special cargo inside.
Posted in: Disc Reviews by William O'Donnell on September 26th, 2012
The first word that springs to my mind when considering this box set is “essential.” I try to use that word without all of the marketing baggage that comes with it, conjured up by countless previous DVD releases of other films that have claimed to be “essential.” This set lives up to that term perfectly. Raiders of the Lost Ark alone is an incredibly important film (as my review below explains in a gushing fanboy-ish manner) and the entire series is a must have for any true fan of American cinema. This transfer to Blu Ray is a very successful one, making this the ultimate collection to purchase.
Raiders of the Lost Ark:
Posted in: No Huddle Reviews by J C on September 26th, 2012
“‘Cause I’m a con, don’t mean I ain’t got no rights.”
The movies have done a pretty good job of showing us the action, drama, horror, comedy and, yes, sex that lies behind prison walls. But there are far fewer examples of films examining what happens once an inmate is paroled and tries to re-enter the “real world.” The most famous movie parolee is probably Brooks from The Shawshank Redemption, and that didn’t turn out so well.
Posted in: Disc Reviews by Archive Authors on September 21st, 2012
Written by Bob Ross and David Annandale
Bill Paxton accompanies James Cameron on another expedition to the Titanic, and narrates this documentary about their exploration of the ship. Though the narration is hobbled by an endless stream of pseudo-profundities, the underwater photography is simply stunning. Thanks to two remote-controlled robots, we get to see the interior of the ship. Computer animation and superimposed extras (the ghosts of the title) both re-create the ship as it once was, and help us visualize where…we are in the wreckage, and what transpired there.
Posted in: Disc Reviews by Brent Lorentson on September 21st, 2012
One of the first rules I’ve set for myself when writing reviews that I’ve managed my best to follow has been to avoid bringing up politics and religion. After all, this is a site dedicated to cinema, but sometimes these topics are injected into the films we review, and like it or not it’s something I was bound to encounter at some point. To simply spit it out, October Baby is a movie the tackles the subject of abortion and delivers a very pro-life message. So for those of you who are very passionate about this topic, I mention this not to offend or start a debate but simply give a disclaimer.
When we first meet Hannah (newcomer Rachel Hendrix) it is just before curtain call, and she is nervously going through her lines. She’s the star of the play, and it’s opening night. All the seats are full, most notably by her parents and her friends, so of course it’s fair to say she has a case of the jitters. But as the curtains rise, something is wrong as Hannah collapses on stage. After numerous tests and it is discovered it’s not just the stress of the show that got to her, but that she is sick and it is due to some complications surrounding her “birth”.
