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"I will be 100 percent committed to this half the time."

This offbeat, knowingly unromantic declaration between long-time friends Jason and Julie kicks the plot of Friends with Kids into motion. The platonic pair decide to have a child together after watching the soul-sucking effect parenthood has had on their married friends. The plan is for Jason and Julie to share parental responsibilities right down the middle while living separate romantic lives. Don't worry. I was thinking the exact same thing as you and all the other characters in the movie when they hear about this harebrained scheme: "Good luck with that!"

All funny ideas are not created equal. A concept that may have audiences laughing their heads off for a few minutes could wind up being absolutely torturous when stretched to feature film length. Few people know this better than Will Ferrell, one of the most popular and successful Saturday Night Live alumni of all time. He's cracked people up on the small-screen and in multiple comedic blockbusters. Ferrell's latest, Casa de mi Padre, seems like a classic example of an idea that would be extremely funny as a skit or a fake trailer, but becomes annoying over a prolonged period of time. The actor is surely savvy enough to realize this, and I kinda love that he decided to do it anyway.

Casa de mi Padre — directed by Matt Piedmont and written by Andrew Steele, a pair of Ferrell's SNL cohorts — is told in the overly dramatic style of Mexican soap operas (or "telenovelas") and westerns of the 1970s (with their choppy editing). It has more in common with Robert Rodriguez and Quentin Tarantino films than with Ferrell's own previous work...unless I missed any slo-mo bloodbaths in Elf. Did I mention the part where it's almost entirely in Spanish? The poker-faced movie plays it so straight with its inspiration that it's not entirely accurate to call it a spoof; it's more of an homage.

When I was eight, nine years old I remember watching two things on a regular basis. First, was wrestling (think back to the old NWA days) and the second was He-Man and the Masters of the Universe. He-Man is a very fond memory of my youth and I could always count on that show for a good adventure. I even had He-Man and Skeletor action figures and they would do battle for control of Castle Greyskull. However, I am still not exactly sure what Orko was. Perhaps we will find out in Mill Creek’s latest release: The Best of He-Man Season 1 and 2.

As mentioned, this is a best of set but since this site has not done a He-Man review to this point (which is a darn shame), I will do a quick synopsis.

The “Patch of Heaven” farm is about to be seized by the bank, unless $750.00 can be raised, and raised quickly. By lucky coincidence, that is precisely the reward being offered for the capture of cattle rustler Alameda Slim. Three plucky cows (voiced by Roseanne Barr, Judi Dench and Jennifer Tilly) decide to capture Slim and win the reward, thus saving their home.

The opening moments, with a series of Tex Avery-style catastrophes befalling an unfortunate rabbit, are very promising. Here and there are other patches of inspiration, such as when Slim reveals that his foolproof secret for stealing cattle is to hypnotize them by yodeling (leading into one of the stronger musical numbers). Unfortunately, in between are long stretches of flat storytelling and dull jokes. Roseanne Barr is as annoying a presence as a voice artist as she is an actor, and Cuba Gooding Jr.’s horse character is a pale imitation of Eddie Murphy’s work on Mulan and Shrek. There aren’t enough bones tossed to adults, and the two kids I was screening this with were bored out of the room in five minutes flat.

Taking place in the 41st century, an astronaut named Barbarella (played by Jane Fonda) has been ordered to search out a missing Earth scientist named Durand Durand. On this mission, she is forced to land on a Planet called Lythion where she must overcome various erotic obstacles in this psychedelic camp classic.

When it comes to campy productions like this, one does not sniff around for Oscar worthy performances...no...we come to see Jane Fonda stiptease in zero gravity. In fact, throughout this tale, Fonda's Barbarella uses her sexuality as her weapon of choice in the fight against robots, mad scientists, and other extra-terrestrial baddies whom wish nothing more than to see intergalactic angels slaughtered (I swear to you, that was not just me cobbling together random words...all of those things actually happen in this film).

Two sales executives have a rambunctious party at a strip club that inadvertently results in their boss's death. Though they are not fired, they are demoted to the level of secretaries, while their former cohort, whom they used to pick on relentlessly, is elevated to be their new boss.

In their new work position, these two lads are humbled into losing their misogynistic ways and turn their pranks into acts of chivalry and gender equality in the workplace. There is also a romantic subplot for each of them, but neither is all that compelling.

An undisclosed infection has decimated the world's population. This film follows a family of four who are trying to survive the fallout of this viral apocalypse by escaping a city via the woods, in search of a rural area they used to live in.

Collaborative duo Justin McConnell and Kevin Hutchinson do a fair amount with very little in this film. An amping up of tension helps to replace any large set pieces or dynamic action scenes. Though they are clearly working with a small budget, their minimalist composition does not come off as amateur for they have a nice sense of composition, made clear with their shot choices and editing.

Right before this movie hit theaters, I made a snarky joke about how I was already mentally preparing myself for American Funeral in about 20 years. (I imagined the gang reluctantly reuniting following the death of a 50-year-old Steve Stifler in a tragic, orgy-related accident involving high school girls...except it turns out Stifler faked his death to get the crew back together and shenanigans ensue.) It was an easy joke to make because I felt American Reunion came with a detectable whiff of desperation. Cast members who were missing from 2003's American Wedding were suddenly available now that they weren't quite as busy as they were nine years ago. Instead, I'm happy to say that the fourth film in the franchise — I'm willfully ignoring the straight-to-DVD American Pie Presents... titles — is mostly a love letter to fans and a pretty decent raunchy comedy on its own merits.

The film even acknowledges the odd timing for this particular reunion. I'm not even sure 13-year high school reunions are a real thing (it's not exactly a nice, round number), but that's what brings the American Pie gang back to East Great Falls, Michigan. We spend the first portion of the movie catching up with the characters' lives in their early 30's. Jim and Michelle (Jason Biggs and Alyson Hannigan) are still married, but in the kind of sexual rut that all married couples with children seem to suffer in movies and on TV. The amusing opening scene reminds us that there is no end to Jim's humiliation and the rest of the film confirms that Jason Biggs' penis is still a reliable source of comedy.

One of my favorite television pastimes is watching some Storage Wars episodes. Initially, it was the lure of finding that goldmine buried beneath a pile of trash in a storage locker. But as I got more into it, I realized that it was the people who kept me coming back episode after episode. Barry, Jarrod, Brandi (she is a cutie), Darrell and even occasionally Hester all intrigue me as I watch each episode. Here in my hands is Volume 3, let’s see if the viewing pleasure continues.

If you need to learn about the Storage Wars regulars, you can check out my Volume 2 review at https://upcomingdiscs.com/2012/02/19/storage-wars-volume-2/.

As expressed many times on these reviews, I grew up with the original G.I. Joe, the original Transformers, He-Man and so forth. In those shows, I tended to perhaps forgive some of the quirkiness and things that we would probably never see in a cartoon in this decade simply because I loved them so much as a kid. But would I be so forgiving with a G.I. Joe series that started out in the 90’s, when I was already in high school? We shall soon see when I review Season 2 of the second series of G.I. Joe.

The second series of G.I. Joe officially started in 1989 by DIC Entertainment with a 5 part mini-series which soon launched them into about forty to fifty episodes that lasted until early 1992. With this review, we are taking a look at the final twenty episodes of the show. Let us take a peek at some of the key moments.