Studio

When Duran Duran's new concert film arrived at UpcomingDiscs headquarters, the staff was practically fighting over the Blu-ray. ("You take it!" "No, YOU take it!") Needless to say, no one was tripping over themselves to spend a significant amount of time with a band once dubbed "the prettiest boys in rock." When I expressed admiration for a few of their songs, I became this site's Duran Duran Fan (By Default). After watching this lively 2011 performance, I feel pretty good about removing the "By Default" portion of my title and simply calling myself a fan of the band.

Filmed in Manchester's MEN Arena in December 2011, A Diamond in the Mind capped a roller coaster year for the band. (More on that in the Special Features section.) Duran Duran was formed in Birmingham, England in 1978 and quickly achieved superstardom in the early 1980s. Though there have been several different groupings throughout the years, the "classic" Duran Duran lineup — singer Simon Le Bon, keyboardist Nick Rhodes, guitarist Andy Taylor, drummer Roger Taylor and bassist John Taylor (believe it or not all the Taylors are unrelated) — reunited in the early 2000s. That same lineup (except for Andy Taylor, who left in 2006 and was replaced by Dom Brown) is featured in A Diamond in the Mind.

“Come on Ryan! These are big existential questions, best left for boring Russian novelists and teenagers on acid. Real people don't think about this shit!”

As Wilfred: The Complete First Season begins, Ryan Newman (Elijah Wood), a miserably depressed out of work lawyer, just reached the end of his rope. One night, after meticulously composing the final draft of his suicide note, he downs a handful of pills, chugs them back with a bottle of NyQuil and heads off to bed. Nothing happens. He can’t even fall asleep. The following morning his hot next-door neighbor, Jenna (Fiona Gubelmann), shows up at his door asking if he would watch her dog Wilfred for the day. Thing is, where everyone else sees a big, shaggy mutt, Ryan sees a scruffy Australian man (Jason Gann) in a furry dog suit… a wisecracking, pot-smoking, frequently profane man who stands upright and seemingly has opposable thumbs under his costume.

An aimless slacker named Jeff shambles out of his mother's basement (where he lives, hence the movie title), tasked with a chore, but is sidetracked by a theory that he is being given signs. What are these “signs” meant to mean? Not even Jeff knows as he runs into his brother and mother along his seemingly random path. The films asks, is said path truly random? Or is he finally on a journey to find true meaning in his life?

This film is essentially about people who are dissatisfied about their placement in life and are in need of something drastic to shake them out of it. Jeff, played by Jason Segal, seems to focused on fruitless theories and journeys to ever make something of himself. His brother, played by Ed Helms, suspects his wife of infidelity after she blows up at him over buying a new Porsche without consulting her. Their mother, played by Susan Sarandon, is a widow who has not had excitement in her life since her husband passed on. When an anonymous love note arrives, she takes the chance of discovery who her “admirer” is.

Any movie that features one man flying through the air before slicing another guy's face clean off within the first three minutes and concludes with a swordsman using his female companion as a bow to launch himself in the air like a human arrow so he can rip straight through a bad guy's body pretty much defies criticism. (And I didn't even mention the part where the bad guy comes back a few minutes later, despite the fact that he'd also been decapitated.) Believe me when I say I haven't even scratched the surface of the insanity that is Butterfly Swords.

I mean, this 1993 movie can't even decide if it wants to be called Butterfly and Sword (the title that appears during the opening credits and on the film's IMDb page) or Butterfly Swords (which is what's plastered on the latest DVD release, out July 10), not to mention the fact that the confusing description on the back of the new DVD case gives away the entire movie!

It’s a little hard for me to realize it really has been 20 years since Stone Temple Pilots emerged out of the grunge scene with their album Core.  I remember hanging out at my friends house playing Sega Genesis while listening to this tape (yes, cassette tape) over and over with some Pearl Jam and Nirvana thrown in as well.  For me these guys are like moments of time from my past that I’ll always look fondly upon.  Whether it was my first mosh pit or first house party, this was the music that surrounded me.  I feel the need to divulge this simply because no matter how impartial I may try to be, it’s hard to be critical and removed with every review that comes along.

With that being said, I’m going to come out and say I love this performance.  Once I put this in my player, I cranked up the volume and just allowed my ears to ingest this musical delight.  Sure my neighbors may not have been happy after all the sound hits like a punch, but this is what I’ve come to expect from STP.

Even though by many standards, I am probably considered old, I would like to think I can still experience new music, especially when it comes to me for review. Of course, you are also reading the guy who loves to annoy others driving down the street with Whitesnake and Motley Crue. Anyway, I was definitely interested to take a gander at this blu-ray that showcased the talents of a band called Kasabian who performed in late 2011 at the O2 Arena in London. Let's take a look.

In 1997, Tom Meighan (vocalist), Sergio Pizzorno (guitarist), Chris Edwards (bassist), and Christopher Karloff (lead guitarist) formed the band Saracuse. They all resided from England (Countesthorpe and Blaby) and put out their first demo EP in 1998. It only had three songs: "What's Going On", "Life of Luxury" and "Shine On" and they were recorded live. However, it helped to launch a band who was struggling to finds its mark.

Have found footage films jumped the shark? (If the answer is yes, someone's going to have to hunt down the beast that ate the shark-jumping cameraman so we can retrieve the tape and see exactly what happened.) Though the genre dates all the way back to 1980's Cannibal Holocaust, it saw a spike with 1999's Blair Witch Project and has become the horror delivery vehicle du jour thanks to recent hits like The Devil Inside and the Paranormal Activity films. To be fair, The American Dream doesn't completely qualify as a found footage film — as far as I can tell, no one finds the protagonist's camera — but the movie is a sign that the genre may have already seen its best days.

Like Cloverfield, Chronicle and Project X, The American Dream proves that horror films haven't completely cornered the found footage market. Luis (Jamil Walker Smith) and Ronald (Malcolm Goodwin) are lifelong friends and newly-enlisted Marines who are about to ship off to Afghanistan. Luis is an aspiring filmmaker who idolizes Spike Lee (Smith also directed the film under the moniker J. Smith), so he decides to document his and Ronald's last few days with their families and friends before they leave.

Mirror mirror on the wall, which is the fairest Snow White movie of them all? (Or at least 2012.) Well, if we're going by box office receipts and critical reception, the winner is Snow White and the Huntsman, the gothic, snarlier twist on the classic tale starring Kristen Stewart (everything starring Stewart is automatically snarlier), Charlize Theron and Chris Hemsworth. However, if we're going by costumes, production design and general shiny-ness, Mirror Mirror easily wins. I realize that sounds like faint praise, but this family-friendly take on Snow White has its quirky charms.

Julia Roberts headlines this version as a wicked Queen who is fond of lavish parties and elaborate gowns, but rules over a frigid, destitute kingdom following the disappearance of the popular king she married. Snow White (Lily Collins), on the cusp of her 18th birthday, is the king's daughter and the rightful heir to the throne. After the jealous Queen tries to have Snow White murdered, the exiled princess enlists the help of a noble prince (Armie Hammer) and seven outcast dwarves to take back her kingdom.

"Squeal like a pig..."

It's one of those lines that you know even if you've never seen Deliverance. The line and film have entered our pop culture and have been referenced in hundreds of films that followed. Along with the iconic rendition of Dueling Banjos, taken from the traditional piece Feuding Banjos, well... you might feel like you've seen the film even if you haven't. Deliverance is a film about Americana that has itself become a large part of Americana. Most of us have found ourselves in a situation where we start hearing those familiar notes in the back of our heads. The truth is, they just don't make them like this anymore.

"Now, if you're unfortunate right now and don't have any weed, I'm sorry. But please stop this movie right now — it just won't work if you can't watch this without no weed."

Did I mention that this disclaimer at the start of Mac & Devin Go to High School comes from a profane talking joint named Slow Burn (voiced by rapper Mystikal)? Anyway, I can't say I wasn't warned.