Posted in: Disc Reviews by Brent Lorentson on May 16th, 2022
Director Ang Lee has come a long way since his 1991 debut film Pushing Hands. When you look at Ang Lee’s impressive resume, the only film that stands out is sadly his only major misstep as a director, and that’s the 2003 film Hulk, the movie I feel audiences have been trying to forget and comic fans simply want to pretend doesn’t exist. When you look at the rest of his resume, there are some impressive titles that have made a difference within the Hollywood cinema landscape. Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi are just a few of his films that are standouts that were commercial successes but at the same time define his unique style and focus when it comes to character. Pushing Hands is character study that was released during the rise of independent cinema in the 90’s when film focused more on characters and finding unique voices that could tell great stories on a limited budget. What makes the film all the more unique is that it’s a martial arts film without the violence we’re used to seeing on the big screen, and instead its focus is more on the holistic methods of tai chi.
The film opens with Mr. Chu (Sihung Lung) and Martha (Deb Snyder), his American daughter in-law, at odds with one another. The two butt heads most because of their cultural differences, and we get to see how difficult it is for them to live under the same roof. Back in China, Mr. Chu was a well respected tai chi master, but now he lives in America with no understanding of the language, living under his son’s roof, and he simply rejects the American way of living because he is stuck in his old ways. Martha is a housewife who is attempting to write her first novel but is thwarted by her father-in-law’s antics that are a constant distraction. Alex Chu (Bozhao Wang) is the dutiful son who is caught in the middle of being a loyal and loving husband while being the caretaker of his father. This dynamic and how it’s presented is very relatable for those in culturally blended families. If this was the only layer to the story the film would still be pretty good, but there is so much more going on that makes this a fun and charming viewing experience.
Posted in: Disc Reviews by Michael Durr on May 10th, 2022
From the beginning of civilized history, the government regardless of where it resides has always preferred its society to conform, to act alike so that there is no trouble or dissenting. It is far easier if people fall in line so that the ruling class can continue to prosper while its peasants struggle along. Truth is that most citizens would rather not rock the boat, so they forsake their personality and their soul for another day that was like yesterday. Even when there is conflict or angst within a society, it's often manufactured by the government in order to give its people a perceived outlet for their deepest and darkest emotions. Today, we explore Privilege, a film that takes a look at the not so distant future where a British pop star takes the UK by storm, but little does the public know that the government is the one pulling the strings.
The narrator tells us that Steven Shorter (played by Paul Jones) is quite happy to be back in the UK after a successful American tour. His adoring fans are being held back (well, most of them) from the pop singer. He gives them the release they need from the state of the world and gives them an outlet for their emotion, which they gladly pour out for this musical icon.
Posted in: Disc Reviews by Gino Sassani on April 29th, 2022
"What's the word for when you're bad at expressing yourself... Speechless."
The story has been around for centuries. After Dickens' A Christmas Carol and Shakespeare's Romeo And Juliet, it might well be one of the most imitated stories on film and television. There have been countless plays on the Cyrano themes, from The Brady Bunch to Friends. It's a timeless story first portrayed in a stage production by Edmund Rostand in 1897, but the story goes back to the life of an actual historic figure from the mid-17th century. Of course, his life has been highly made up and likely little to nothing remains of fact from the actual person. The play was a hit, and the general ideas presented there remain popular to this very day. Now there's yet another screen version based on a play written by Erica Schmidt, who happens to be the wife of Peter Dinklage's wife. I was honestly not looking forward to the new film adaptation of Schmidt's adaptation of Rostand's adaptation of literary works going back to the 17th century. It's frankly been done to death, and the last thing I wanted to see was Peter Dinklage, as good an actor as he is, with a huge nose walking around trying not to be laugh-your-butt-off funny. Unfortunately, it was awards season, and I needed to see anything I could get the chance to see before my own votes were due. Fortunately, the film wasn't anything like I expected, and if I had checked out the modern play in which Dinklage also played the character on stage, I would have known that and been much more open to seeing the film. It was duty that brought me to that press screening. It was the chance to see a truly great film again that led to me jumping at the opportunity to review this Universal Blu-ray release. And by the way, there aren't any large noses to be found anywhere in the film.
Posted in: Disc Reviews by Michael Durr on April 25th, 2022
Easter 2021. I'm sitting in a hotel room. My wife and son are asleep in the adjoining room. Meanwhile, I'm sitting in a chair flipping through channels on the television. I come upon PBS where music is typically opera or symphony-based. However, on this particular occasion, I am witnessing something far different. A lady dressed in a red vinyl dress is playing guitar at the Austin City Limits. It's clearly rock with a bit of indie and pop thrown in for good measure. But it's unique all its own and familiar at the same time. At first, I'm drawn in by her beauty, but I stay far longer once I hear her music and captivating sound. Within days, I'm buying Masseduction (and have bought several of her other CDs since then). Her name is St. Vincent. As it turns out, even before I was in that hotel room late at night, she was working on a mockumentary called The Nowhere Inn. After the film falling victim in part to COVID for its release, it finally made it's way to Blu-ray. Let's take a look.
A long, desolate highway. A limo passes by with Annie Clark, also known as musician St. Vincent. She is as it turns out doing just that: listening to music. The driver up front rolls down the windowed partition and asks who she is, because he's never heard of her. Annie tries to explain, but the limo driver just goes on and on about how neither he nor his friend have ever heard of her. Eventually he rolls up the partition and Annie goes back to listening to her music.
Posted in: Disc Reviews by Michael Durr on April 11th, 2022
Most people want to do the right thing. It's usually far easier in your private life to do the right thing than it is, say, in a job environment where you have people constantly breathing down your neck. They are far more interested in the company's pocketbook or their image to society than what is right and wrong. Therefore, it often leads to a lot of decisions (especially those in places of power) that from a surface appear questionable. It's even worse when that company or organization is in the public eye every moment of the day. Today, we look at a film where an ex-cop has retreated to the mountains in search of a simpler life away from the grey choices of the police force. All based on trying to do the right thing. Let's take a look.
Charlie Waldo (played by Charlie Hunnam) stretches in the woods and sits in silence meditating on his life. Meanwhile we get some ecological narration about the future state of the planet and how awful the United States is at preserving it. (Trust me, kids, China is much, much worse.) After a brief morning, Charlie goes right back to meditating. He also washes his clothes the old fashioned way. All of the sudden he is greeted by a beeping horn of a car.
Posted in: Disc Reviews by Michael Durr on April 4th, 2022
The power of the media is indeed one of the most powerful forces on Earth. They have the ability to manipulate regardless of where the truth actually lies. This exists on all sides of the political spectrum regardless of country, creed, or faith. It is truly sad that such fabrication actually exists and even more unfortunate that people will take it in hook, line, and sinker. Our film today, Armageddon, takes place in France, but plays havoc with manipulating those all over Western Europe by using the media to instill fear. Fear of mortality, fear of losing life, a fear that makes the strongest person into a blithering child. Let us take a look.
A SOS car stops, and a repairman by the name of Louis Carrier (played by Jean Yanne) steps out. He yells at his friend, Einstein (played by Renato Salvatori) who is picking up trash that he just inherited 250,000 bucks. It seems that his brother died and left behind a life insurance policy. Furthermore, it is his lucky break, and he is saying goodbye to his dear friend. Einstein asks him what he is going to do, and Louis replies, "Make the headlines." Let's roll those credits.
Posted in: Disc Reviews by Gino Sassani on March 31st, 2022
"Hello, Dexter Morgan."
It's been almost 10 years since everyone's favorite serial killer disappeared into a hurricane and left the airwaves with a somewhat unsatisfying series finale. It wasn't quite as bad as David Chase's ill-conceived hard cut that ended The Sopranos, but unlike David Chase, Team Dexter gets a second chance to get the ending right. With the death of actor James Gandolfini, Chase won't ever get the opportunity to give Tony Soprano a better exit. But Dexter gets the sendoff he should have had back in 2013 with the limited revival series Dexter: New Blood. The 10-episode run returns Michael C. Hall to the role of Dexter Morgan. You don't want to break into these episodes without taking time to watch the original series. That's going to set you back about 96 hours, but the investment is necessary if you're going to truly appreciate this return. You can check out our reviews of those previous seasons by banging it right here: Dexter Reviews. I'll wait....
Posted in: Disc Reviews by Gino Sassani on March 24th, 2022
"You look terrible. I want you to eat, I want you to rest well. And a month from now this Hollywood big shot's gonna give you what you want."
The Hollywood big shot has just given me what I want. Paramount releases The Godfather Trilogy on UHD Blu-ray in wonderful 4K. It's an offer none of us can refuse. The Godfather films changed storytelling forever. Films before that time, mobster or otherwise, had some very simple but unshakable rules. There was always a fairly clear distinction between the good guys and the bad guys. The good guys always win in the end, and the bad guys always succumb to justice before the final credits. For perhaps the very first time, we were given characters that we knew in our souls were evil men. They killed. They broke laws. They manipulated everyone around them through fear and terrorism to bend to their wills. Somehow, now they are the film’s core heroes, if you will. When Vito is shot, we cheer for Michael, who discards his contempt for his family’s criminal image and comes to his father’s aid. Suddenly this wasn’t just about a gang of mobsters. This was a story about a family. Most of us can’t relate to the mafia ins and outs, but we all have fathers, and even when we dislike what our fathers represent, we will more often than not come to their aid if they’re being threatened. This unique morality paved the way for an entire genre of such characters today. There just couldn’t have been a Tony Soprano or Vic Mackey without The Godfather. While there were certainly protests from aspects of the Italian-American community decrying the violent way our ethnicity was portrayed, most of us from that community saw more than violence and Mafioso. If you’re from an Italian family, you simply can’t help recognizing aspects of your own family in the Corleones. I could see my own grandfather in Vito, sans the mob boss occupation. Many of us took away the strict codes of honor and respect that drive Italian-Americans to this day in very normal lives. We’re a very passionate people, even if most of us are not part of an organized criminal element.
Posted in: Disc Reviews by Jeremy Butler on March 11th, 2022
"Maybe this isn't the story we think it is."
I wanted to believe that it was possible. I really did. I wanted to believe that it was possible to make a quality addition to the iconic franchise despite nearly twenty years having gone by since the third film. But alas, here we are, and it clearly wasn’t possible to make a quality addition to the franchise. I should have trusted my instincts. While The Matrix: Resurrections may provide us with answer regarding the ultimate fate of Neo and Trinity, those answers come at the cost of entertainment. I am a firm believer in letting sleeping dogs lie, and I can honestly say that this franchise would have been better off without this latest installment, which in my opinion adds nothing to it. I’m honestly shocked at how disappointed I was with the film given that two-thirds of the main cast came back for the film. Trust me, we are also going to discuss the one-third that didn’t and the dishonorable way that they chose to continue the character.
Posted in: Disc Reviews by Gino Sassani on March 10th, 2022
"It's called life."
Kevin Costner plays John Dutton. The name itself recalls those years as a kid watching the myriad western shows that crossed our television screens throughout the 50's and 60's. He's the owner of Yellowstone Ranch, which takes up hundreds of square miles and borders on the national park of the same name, which we never do get to see. What we do see are the other borders of the Yellowstone. It borders a large and mostly impoverished Native American reservation. All of this takes place in the open ranges of Montana, where the Yellowstone Ranch looks very much like the fabled Shiloh of The Virginian. There's the big mansion where Dutton and some of his family live and the bunkhouse where the cowboys who work the cattle sleep, play cards, eat, and fight. Looking over the scenery, one can almost imagine you were back in the days of the untamed frontier. John Dutton might have some old-fashioned ideas of how to make a living, but he's a rich man who uses modern technology when it serves him.
