Posted in: Disc Reviews by Gino Sassani on September 28th, 2018
"How will we be remembered? Will it be for saving the world...Twice? Nope. We're the team who broke time. That's right. History has been torn to shreds, which means it's up to us to put it back together again, piece by piece, finding these so-called anachronisms before we get torn to shreds. So please, don't call us heroes. We're legends."
At the end of the second season the team broke one of the cardinal rules of time travel. You can't revisit a time and place that you already visited. The result is that you break time, and that's exactly what the Legends of Tomorrow have done. The result is that they have been recalled and dismissed from service by the newly-formed Bureau of Time. Now our legends are back in the mundane world, where Sara (Lotz) is working as a clerk at a bed and shower store, having fantasies of killing her boss. Ray Palmer (Routh) went from owning the world's largest tech company to working for a kid at a dating app... eh, make that a holistic social networking program. Professor Stein (Garber) is enjoying his new family with a grandchild on the way. Jackson (Drameh) is just bored to death with a normal life. And Mick (Purcell) is chilling on a beach in Aruba when his chill is interrupted by Caesar (Merrells). That's Julius, and not the salad, hotel, or talking ape. Of course, he's an anachronism who happened to arrive in Aruba for the annual Aruba-con celebration. It looks like the team is going to have to get together, but the powers that be don't quite see it that way. So they steal back the Waverunner, which was retired to a training simulator, and it's off fighting the problem that they created.
Posted in: Disc Reviews by J C on September 28th, 2018
“Told you it was aliens.”
What if Michael Bay was Australian and he was only given $6 million to make an alien invasion movie? The result might look a lot like Occupation, a rollicking, gleefully dumb sci-fi/action flick that works best as a throwback to simpler (i.e. dumber) times at the multiplex. But while Occupaton has its charms, the movie's shoddy special effects and production values consistently undermine the kickass story it's trying to tell.
Posted in: Disc Reviews by J C on September 27th, 2018
“So here we are...in the belly of the beast. A lot of power and money in this room.”
That cheeky line came from Iggy Pop during The Stooges' induction into the Rock & Roll Hall of Fame in 2010. It's also featured in Rock & Roll Hall of Fame: In Concert — Encore, a wonderfully comprehensive collection of the four induction ceremonies between 2010 and 2013. The 2-disc Blu-ray set features over 8 hours of content, including full induction speeches and 44 musical performances from rock and roll icons and rising stars. Iggy was right about the power and money in the room; this set features some of the biggest names in the history of music...plus A-listers like Meryl Streep and Oprah Winfrey!
Posted in: Disc Reviews by Gino Sassani on September 26th, 2018
"Is there life out there? Good heavens! To doubt it is a failure of more than the imagination. It is a failure to recognize the limits of our own stupidity. The nascency of our science. The rudiment of our tools. We listen. We search. We hope for a sign, as if our eyes and ears are good enough, our brains large enough, our egos small enough."
By the time The X-Files had reached its seventh season, the two stars of the show were feeling the stress of doing over 20 episodes of the series every year. In the eighth season David Duchovny was going MIA, and Gillian Anderson's Scully character had a new partner in Robert Patrick's Agent Doggett. They used Duchovny's absence as a new story arc in the overall mythology, and the story became the search for Mulder. It provided an interesting chance for Anderson to take even more center stage, and she actually handled the changes pretty well. But even Anderson was getting tired, and the ninth and final season would feature Anderson in only a limited role as Doggett and his new partner Agent Reyes, played by Annabeth Gish, became the new agents on The X-Files. The missing Mulder storyline began to get stale, and the show limped through that final season. But fans hoped that Mulder and Scully would find a way to reunite and bring back the core team that really was the heart of The X-Files.
Posted in: Disc Reviews by Gino Sassani on September 26th, 2018
"A long time ago in a galaxy far far away..."
Yes, those lines open this Star Wars story, because the filmmakers want to be sure you know what you're watching. This is Star Wars. Just in case there was anyone at all in the audience who had no idea they just bought a ticket to Star Wars. If he were dead, George Lucas would be rolling over in his grave. Instead, maybe he's just having some restless nights with little sleep. It is Star Wars. And that means there will be a droid as a main character, space battles, and some good old fashioned one-reel-serial-days adventure. It's a heck of a visual amusement park ride, and the film will certainly entertain. But I have to open by saying it is my least favorite of the Disney Star Wars films to date.
Posted in: Disc Reviews by Brent Lorentson on September 26th, 2018
With Halloween just around the corner, it’s that time of the year when the studios start cranking out horror films to fill up the shelves hoping that eager fans will scoop up any new horror titles they can add to their collection. The Row is one of those releases that has the cover with beautiful girls and the tease of murder and mayhem to ensue. Does it deliver what the cover is attempting to sell? Well, the simple answer is yes, but to call this film horror is the equivalent of calling a toddler’s finger painting art. This is a film that sadly is a product of the times. Though it has an R rating, the film seems tame, and considering the director claims he was aiming for Spring Breakers meets Friday the 13th, I have to wonder if he saw either of those films.
Riley (Lala Kent) and her best friend Becks (Mia Frampton, yes, Peter Frampton’s daughter) are attending college, and as rush week is occurring they are looking to join the Phi Lambda sorority. As it turns out Riley’s mom was also a member of the sorority, just one of the many mysteries that seem to shroud her mother’s past, a mother Riley seems to know little about since her mom died when she was seven. Randy Couture plays Riley’s overprotective father, who is on suspension after a drug bust goes wrong, so to deal with his empty nest syndrome he manages to involve himself with a homicide case involving a student who is killed at Riley’s college. It just so happens that it seems this killer is just getting started, and there are plenty of pretty sorority girls who can be potential victims.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2018
"Once upon a time there was a magical forest filled with fairytale characters. One day a powerful curse trapped them in a city which had no magic, and each of them forgot who they really were. This is how it happened..."
Once Upon A Time hasn't been a big ratings winner for the last few years. Each season the show appeared on the bubble and ended up getting renewed at the last minute. One of the reasons the show managed to escape the axe was because it had some value for the network's parent company, Walt Disney Studios. The show was a good way to keep the studio’s properties in front of an audience. That's pretty much what the show finally became. They threw the books at us, from Frozen to The Little Mermaid. With that value in mind, the decision was made last season to keep the show but completely retool it. The network cut most of the cast and started the story over again.
Posted in: Disc Reviews by Gino Sassani on September 24th, 2018
"Do you remember the first time you saw a dinosaur? The first time you see them, it's like a miracle. You read about them in books, you see the bones in museums, but you don't really believe it. They're like myths. And then you see the first one alive."
By the time you get to the fourth sequel of a film, the results are usually not very good. Even a groundbreaking film like Jurassic Park has been followed by at least one terrible sequel. The problem with these kinds of things is pretty easy to figure out. You can't please all of any film's diehard fans, and it's hard to continue to deliver on the formula's expectations, all the while breaking new ground without the result feeling more contrived than original. That's certainly all been true of this franchise. When Jurassic World set all kinds of box office records three years ago, it appeared that those entrusted with this franchise had found a way to turn it around. Now the expectations have jumped even higher. There appears no place to go but down, and for the first hour of Jurassic World: Fallen Kingdom, that's exactly what appears was going to happen. But then somewhere around the third act, the film took a turn that suddenly sent the franchise into an entirely new genre. The last third of Fallen Kingdom accomplishes something that should have always been where this whole ride headed. Fallen Kingdom is a rehash of the previous films in many ways. There are the iconic poses and the regurgitated scenes. But before the credits start to roll on this one, it becomes something terribly wonderful. It is genuinely scary. Now, certainly, the previous films had some scary moments. There was some of it in the first film's kitchen chase. But for all of its scares, it was really just more dinosaurs chasing people. Now don't get me wrong. I'm really cool with that, but been there, seen that. You see, Fallen Kingdom takes that fright to an entirely new level. Science fiction and horror haven't combined this well since Alien.
Posted in: Disc Reviews by Gino Sassani on September 23rd, 2018
"My name is Kara Zor-El. I'm from Krypton. I'm a refugee on this planet. I was sent to Earth to protect my cousin. But my pod got knocked off course, and by the time I got here, my cousin had already grown up and become... Superman. I hid who I really was until one day when an accident forced me to reveal myself to the world. To most people, I'm a reporter at CatCo Worldwide Media. But in secret, I work with my adoptive sister for the D.E.O. to protect my city from alien life and anyone else that means to cause it harm. I am Supergirl."
So, you're asking yourself, who the heck is Kara Zor-El, and what is this D.E.O.? I get it. You're just not caught up on the CW series Supergirl. It's not such a good idea to start here, however. You can check out our reviews for the first two seasons here. Catch up on the episodes, and then join the rest of us for Supergirl: The Complete Third Season.
Posted in: Disc Reviews by Gino Sassani on September 21st, 2018
"It's not just for profit. It's for revenge. It's a twofer."
Hollywood has been making a greater effort these days to add some diversity to their film casts. From minorities to women, this has been a year of unprecedented changes in the makeup of so many films. One of the new trends in this effort is to remake/re-imagine/reboot an already established franchise with a gender-switched cast. The results have been somewhat mixed. The female Ghostbusters film was a complete disappointment. And while it might be easy to blame the female cast, the issues go much deeper than that. Now the Ocean's franchise has decided to play in that territory, with better results. Ocean's 8 delivers the familiar formula of the Steven Soderbergh remake trilogy of the original Rat-Pack film, but with an all-girl heist crew. The film is still a bit of a disappointment in some ways, but it's a much better ride than Ghostbusters by a long mile, and again the flaws have little to do with the cast or the gender-swapped model.
