Universal

"Life is not like the movies."

Maybe sometimes life is exactly like the movies. You know the old phrase of art imitating life and that kind of thing. That's exactly the territory that's covered in Steven Spielberg's latest film The Fabelmans. It's an autobiographical film where the names are changed to protect both the guilty and the innocent. It's also the first time that Spielberg has directed his own writing in over 20 years. In those 20 years Spielberg has become something of a moviemaking machine, and I think he felt it was time that the machine walked away from the spotlight for a minute and allowed the man behind the machine to show his face again. It used to be about heart; lately it's been about box office, and more recently it's been about surviving after the hit the industry took with COVID. I think Spielberg had a lot of things to get off his chest, and it looks like he might have found the time and place to do just that.

I think I see your problem. You have this list. It’s a list of people you need/want to buy a Christmas gift for. The trouble is that they’re into home theatre, and you don’t know Star Trek from Star Wars. You couldn’t tell a Wolf Man from a Wolverine. And you always thought that Paranormal Activity was something too kinky to talk about. Fortunately, Upcomingdiscs has come to the rescue every Christmas with our Gift Guide Spotlights. Keep checking back to see more recommendations for your holiday shopping. These gift guides ARE NOT paid advertisements. We take no money to publish them

“We’re in his territory now.” 

Given the film’s premise, this strikes me as the perfect tagline for the film. A family on safari finds themselves trapped and stalked by a lion with a bloodlust. It definitely evokes memories of the Val Kilmer and Michael Douglas-led 1996 film, The Ghost and the Darkness. In this instance, of course, they rely on the acting chops of Idris Elba to keep the film from descending into cliché. And while there are some situations that seem avoidable and unrealistic, the film did a great job of maintaining my interest for the duration. Joining Elba is Sharlto Copley, another talent with an extensive resume. My only gripe about Copley is that he felt underutilized, and I felt there were intriguing developments with his character that if fleshed out would have added a greater degree of depth to his character. However, this of course was out of Copley’s control and in no way negatively impacts his given performance

"Bigger. Why do they always have to go bigger?"

You don't really need me to answer that one, do you? What started with Jurassic Park in 1993 and even earlier with the blockbuster book by the late great Michael Crichton has actually been 65 million years in the making. When an idea has been percolating for that long, you have to go bigger, or the audience will go home. Expectations take a bite out of your option,s and by a sixth film you really have to come up with a game stopper, so what do you do? You reinvent the franchise after two sequels failed to capture the magic and awe that was Jurassic Park. You let the idea sit for a decade or so, and then you bring it back with enough of the new and enough of the old to bring folks back into the theaters. And that's just how they did it with the Jurassic World trilogy.

Licorice Pizza marks writer/director Paul Thomas Anderson’s 9th feature film, and it seems to be his most personal film to date, as it takes place in his hometown of San Fernando Valley during 1973. It’s difficult to go into a Paul Thomas Anderson film and not have high expectations. I can’t even guess the number of times I’ve watched Boogie Nights, and Magnolia is one that I adore just as much. These two films just impacted me from the first time I experienced them in the cinema and really fostered my appreciation for film and storytelling with large ensembles. Since then I’ve been waiting somewhat patiently for PTA to do another film like those two, but instead he’s grown as a filmmaker and genuinely become an auteur. While I can look at his films The Master, There Will Be Blood, and Phantom Thread, they are great cinematic achievements that show he can do award worthy films and that he’s definitely one of the best working directors out there, BUT

"What's the word for when you're bad at expressing yourself...  Speechless."

The story has been around for centuries. After Dickens' A Christmas Carol and Shakespeare's Romeo And Juliet, it might well be one of the most imitated stories on film and television. There have been countless plays on the Cyrano themes, from The Brady Bunch to Friends. It's a timeless story first portrayed in a stage production by Edmund Rostand in 1897, but the story goes back to the life of an actual historic figure from the mid-17th century. Of course, his life has been highly made up and likely little to nothing remains of fact from the actual person. The play was a hit, and the general ideas presented there remain popular to this very day. Now there's yet another screen version based on a play written by Erica Schmidt, who happens to be the wife of Peter Dinklage's wife. I was honestly not looking forward to the new film adaptation of Schmidt's adaptation of Rostand's adaptation of literary works going back to the 17th century. It's frankly been done to death

“As long as we are looking over our shoulder, the past is not dead.” 

When it comes to Daniel Craig’s Bond movies, I’ve found them to be hit-or-miss. There are those I love, such as Casino Royale and Skyfall, and then there are those that I wasn’t that into, such as Quantum of Solace and Spectre. However, when it comes to No Time to Die, there is no question that it is my favorite of all the Craig-led Bond movies. Maybe it was how long I’ve been waiting to experience it given that the onset of COVID resulted in the film’s release being delayed multiple times, so by the time it was finally here, I could barely contain my excitement. However, I think it is more likely that the reason is the knowledge that this will be Craig’s final portrayal as the suave secret agent with a penchant for shaken martinis.

From Bride of Frankenstein to Night of the Living Dead and even Godzilla, horror has been a platform filmmakers have used for decades to handle larger societal issues. In 1992 when the first Candyman released, it was a film that tackled issues of class and race, but it did so in a manner that didn’t feel forced, and in doing so it added an extra level to what I’d consider one of the best horror films of the 90’s. I love the story of Candyman, and the performance Tony Todd gave this tragic character was an equal blend of horror, menace, and sympathy. The way the first film builds its impending doom for Helen Lyle has rarely  been matched in films since. Watching as her life crumbles around her up until the moment she finally surrenders herself to Candyman and accepts her awful fate is an impactful moment. The sequels just never lived up to the first film, and it’s a shame,

If you were a child in the 1960's or 1970's, you were around at the golden age of the Christmas television special. We just celebrated the 50th anniversary of A Charlie Brown Christmas, and there were a ton of holiday charms that came and went each year. But there were a handful that became classics and found their way to the airwaves every year in December. Of course, A Charlie Brown Christmas became one of these, and it is indeed among the best. It was not the only special to become beloved by generations of viewers. Now Dreamworks has brought together seven of the most memorable of these classics. This was a wonderful trip down memory lane for me, as it will be for millions of children of all ages who looked forward to these event broadcasts each and every year. Now you can watch them whenever you want. And they might not be just for Christmas anymore.

"My name is Lt. Aldo Raine, and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only ... killin' Nazis. We will be cruel to the German, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the Germans will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sound good?"

All right, so I’m a bit late to the party on this one, but I wanted to toss in my two bits anyway.