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"This is where society dumps its worst nightmares."

In 1978 John Carpenter created a landmark horror film in Halloween. While it certainly can't be called the first slasher film, it was absolutely the first commercially successful slasher movie and set up the pattern that we're still following today. Carpenter created a new kind of Hollywood monster: the mindless human-shaped killing machine. Michael Myers with his William Shatner rubber mask would eventually give birth to the likes of Jason and Freddy.

"They should ban Halloween in this town."

By the time we got to the 5th installment of the Halloween film franchise, there might have been fans thinking it might be time to ban its sequels. Even the return of young Danielle Harris and Donald Pleasence couldn't save this train wreck of a movie. It ranks as the worst of all 10 Halloween films at the box office and has been conveniently forgotten by the fans of the franchise. Yes, it even made less money than Season Of The Witch. It looks like we're about to be reminded of just how horrible horror can really be.

When you see a cast that includes names like Robert DeNiro and Forest Whitaker, you have justifiable high expectations for a solid experience. Add 50 Cent to the mix and past experience will tell you that not even a teaming of Robert DeNiro and Al Pacino can save the picture. The rapper-turned-actor has certainly found himself cast with enough Academy Award power that the transition should have been more successful than it has been. The fact is that 50 Cent hasn't appeared to have learned anything from rubbing elbows with so many Oscar statues. Freelancers is another example of a bad actor bringing down considerably better talent to a less than mediocre range.

Malo (50 Cent) is a street kid who has had a few scrapes with the law growing up. He's a child of the streets, but he and two of his street friends managed to clean up their lives enough to enter the police academy. Now he's graduated and following in his dead father's footsteps. He's immediately taken under the wing of his father's old partner Captain Joseph Sarcone (DeNiro). Suddenly he skips directly to plainclothes and introduced to his "birthright", a world of elite corrupt cops led by Sarcone.

The Blu-ray case for The Viral Factor — an impressive, preposterous Hong Kong action offering available Aug. 28 — proudly boasts that the film comes "From the star of The Green Hornet", possibly marking the first and last time anyone has bragged about their involvement with The Green Hornet. (Don't look at me: I'm one of the few people who really enjoyed it.) Nevertheless, you shouldn't shy away from this one just because it may somewhat be selling itself short.

While escorting a criminal scientist from Jordan to Norway, International Security Affairs agent Jon (Jay Chou, Kato in The Green Hornet) and his team are ambushed. Unfortunately, a member of Jon's team is a traitor who puts a bullet in Jon's head, kidnaps the scientist, and threatens to unleash a deadly virus on the world. Doctors inform Jon that the bullet is lodged in his brain and he only has a few weeks until it causes complete paralysis. So far, I'm thinking we've got the ingredients for a pretty solid action flick. Jon has to race against time to get revenge against his traitorous colleague Sean (Andy Tien) and save the world before his body breaks down, right? Well, not exactly.

There’s obviously nothing funny about the atrocities committed by some of history’s most notorious tyrants. So why have these men proven to be such a surprisingly fertile source of comedy? Whether it’s (Puppet) Kim Jong-il crooning forlornly about being lonely (actually “ronery”) in Team America: World Police or Adolf Hitler being saluted by a chorus line of high-stepping stormtroopers in The Producers, there’s certainly a precedent for mocking these reviled figures. With The Dictator, Sacha Baron Cohen appears to be taking his patented inappropriateness to a new level.

Cohen — the English actor, comedian and professional provocateur — stars as Admiral General Haffaz Aladeen, ruler of the oil-rich and fictitious Republic of Wadiya. (Muammar Gaddafi and Saddam Hussein are clearly major influences.) The trick to making this sort of (potentially-abhorrent) comedy seems to be focusing on the outrageous personalities of these tyrants, rather than all the horrible things they’ve done. As a result, Aladeen is racist, sexist and too many other negative “-ists” to list, but the movie portrays him as a bearded buffoon who isn’t even remotely dangerous. (Though try telling that to the dozens of people Aladeen orders to be executed over trivial offenses.) When he is summoned by the United Nations to address concerns about his country’s nuclear program, Aladeen travels to New York, where he embarks on a life-changing journey involving a boyish feminist (Anna Faris), a severed head and a few celebrity cameos.

"I play chess in the park every Tuesday, Thursday afternoon. I restore cars from the ’70s, pinball machines from the ’90s, and if you pay me enough, I’ll probably kill anything that breathes."

Pop quiz! There's a new straight-to-DVD action flick about two highly-skilled assassins wreaking havoc in Eastern Europe: can you guess the two actors who star in this movie? If you're an action film — or a straight-to-DVD — connoisseur, Dolph Lundgren would easily be on your Top 10 list of suspects. (Maybe even Top 2.) But how long would it take for you to get to Cuba Gooding Jr? 50 guesses? 200?

I can still remember the day I first rented the movie Say Anything from the mom and pop video store that I used to hang out at through most of my childhood.  It was a movie that stuck with me over the years, and it was that movie that introduced me to Peter Gabriel because of the infamous boom box scene.  Ever since that movie “In Your Eyes” has been what I equated to the go to song to play for a girl any time I do something stupid (which is often) or when I say something stupid (happens more often).  And for those of you old enough to remember when MTV actually played just music videos, it was hard to resist the awesomeness of the animated video Gabriel had for “Sledgehammer”.  I wouldn’t call myself a super fan of the artist, but “Solsbury Hill” is one of those songs that could squeeze into my desert island top 10 songs if I was forced to actually make a list of favorites.  So needless to say, when given a chance to review this concert I took it with open and eager hands.

When I put in the Secret World Live Blu-ray,  I expected to get a well-shot concert with some good live performances, but instead I got so much more.  This isn’t simply a man with his band belting out a few hits.  This is a production filled with elaborate production numbers that take place on two stages with a long catwalk connecting the two.  From the moment Gabriel emerges from a red telephone booth to perform “Come Talk to Me”, the man sets out to put on a show for the audience that is simply incredible.  The opening number, done as a duet with a young Paula Cole, is beautifully choreographed, and this is only the beginning.

"Rituals are important. Not just for a serial killer."

One of my favorite rituals happens about this time every year. That's when Paramount releases the latest season of Dexter on Blu-ray and DVD. I don't get Showtime, so it's the only chance I get to get caught up with everyone's favorite serial killer. Dexter's back for more bloody murder and mayhem, and his world is just as dark and creepy as ever.

"A high-octane, globe-spanning thriller with storylines ripped from today's headlines, Strike Back, Cinemax's first scripted prime-time original drama series, focuses on two members of a top-secret intelligence agency known as Section 20."

Cinemax has finally joined the world of original cable television programming. It's not really a first step since the powers that be at Cinemax are part of the HBO family of premium cable channels, and HBO's been in this game for a long time. They pretty much started the whole thing over 20 years ago. HBO is also distributing this home video version of Cinemax's first series, and it's an explosive series, to be sure.

"Life is like jazz, son; never resolves."

Small-scale Christian (or faith-based) films have found modest-yet-passionate audiences in recent years. They also have a reputation among mainstream moviegoers for being overly earnest. Blue Like Jazz — based on the popular 2003 crisis-of-faith best seller by Donald Miller — curiously circumvents that criticism by employing an overly stylish approach and, more importantly, by not billing itself as a "Christian movie."