Posted in: Disc Reviews by Brent Lorentson on September 21st, 2012
One of the first rules I’ve set for myself when writing reviews that I’ve managed my best to follow has been to avoid bringing up politics and religion. After all, this is a site dedicated to cinema, but sometimes these topics are injected into the films we review, and like it or not it’s something I was bound to encounter at some point. To simply spit it out, October Baby is a movie the tackles the subject of abortion and delivers a very pro-life message. So for those of you who are very passionate about this topic, I mention this not to offend or start a debate but simply give a disclaimer.
When we first meet Hannah (newcomer Rachel Hendrix) it is just before curtain call, and she is nervously going through her lines. She’s the star of the play, and it’s opening night. All the seats are full, most notably by her parents and her friends, so of course it’s fair to say she has a case of the jitters. But as the curtains rise, something is wrong as Hannah collapses on stage. After numerous tests and it is discovered it’s not just the stress of the show that got to her, but that she is sick and it is due to some complications surrounding her “birth”.
Posted in: Disc Reviews by J C on September 20th, 2012
They say blood is thicker than water. Both of those substances are on display in Brawler, which cannily stages its bloody, illegal fights on a New Orleans riverboat. The film’s plot was inspired by a real-life pair of feuding brothers who infamously came to blows, but the Big Easy practically shares top billing with the squabbling siblings.
At the start of Brawler, we get to see Charlie (Nathan Grubbs) and Bobby (Marc Senter) Fontaine in separate fights. Those fights also serve as a shorthand introduction into their personalities: older brother Charlie has a more workmanlike approach, while Bobby is a ruthless showboat. Charlie and Bobby are the sons of a legendary fighter who we never get to see.
Posted in: Disc Reviews by J C on September 20th, 2012
The voice of Etta James — specifically on her rendition of “At Last” — has launched 1,000 wedding receptions. The singer, who passed away earlier this year, also had a long history with the prestigious Montreux Jazz Festival in Switzerland. Though this Blu-ray includes performances from the 1970s and 1980s, the focus is on her 1993 show, which came the same year James was inducted into the Rock and Roll Hall of Fame and followed a late ‘80s comeback from drug and alcohol addiction.
The concert doesn’t waste any time jumping right into the music. Unfortunately, we have to endure two instrumental tracks — and approximately 8 ½ minutes of screen time — before the star of the show takes the stage. (Appropriately, the second of those tracks is “Hold On, I’m Coming.”) At least we get to marvel at the band members' unfortunate early ‘90s fashions — one of the trumpet players looks like Super Mario — as we wait for James to show up.
Posted in: Disc Reviews by J C on September 16th, 2012
As I was watching the new Ocean’s Eleven for the 185th time — it’s the last movie I saw twice on the same day in theaters — it occurred to me that the stakes were entirely too high. Three casinos…$160 million…the threat of being caught and glared at by Andy Garcia. The Babymakers, on the other hand, builds up to a heist with absurdly low stakes. It’s basically like Ocean’s Eleven, only the exact opposite.
After a few years of marriage, Tommy (Paul Schneider) and Audrey (Olivia Munn) decide they want to have a baby. We then watch Tommy try to get Audrey pregnant — strategic camera angles keep Munn mostly modest — without any success. Since it appears that Tommy is shooting blanks, the couple decides to visit a fertility clinic after receiving a bunch of advice from their respective groups of friends that I’m not sure I’m allowed to repeat on this site.
Posted in: Disc Reviews by Bob Ross on September 14th, 2012
It was an excellent experience in 1997, when I reviewed Titanic as it opened in America’s theaters. A sweeping disaster epic wrapped around a passionate romantic drama, the film quickly dispelled early rumors that it would sink faster than the actual boat did 100 years ago. Yes, I liked the movie a bunch. I admired its scope, its detail, its amazing effects and its superb cast. Director James Cameron’s extensive, expensive production schedule was vindicated by critics and box-office alike. Yet, somehow I never really wanted to see it again. Too intense, too tragic, too overwrought. Maybe it was just that horrid Celine Dion song.
I was wrong. “Titanic” is well worth a second look – especially if you can see Cameron’s astonishing reprocessing of his work into a three-dimensional spectacle par excellence. For one thing, you forget a lot of details after 15 years. And there’s no better way to be reminded of such things than to see them on a meticulously remastered 3D Blu-ray.
Posted in: Disc Reviews by Gino Sassani on September 14th, 2012
"If there's a theme, you could call it The Return..."
Warner Brothers has entered the popular scene with yet another vampire series taken from yet another powerful franchise of popular books. Enter The Vampire Diaries. While I've avoided the Twilight series so far (I've had my fill of teenage angst as a high school teacher). The series follows loosely the series of novels written by L.J. Smith. If you're a fan of the books, you have to take a few things into consideration. Characters work differently on screen than in a book, so many of them have been changed. Perhaps the biggest change is that Elena's four-year-old sister is now a teenage younger brother. You may not like the change, but it does make for better prime-time drama, doesn't it? The crew attempted to keep as close to the source material as possible, while attempting to create their own special television universe. I'm not sure about the books. I've never read them. I do know that this show works.
Posted in: Disc Reviews by J C on September 12th, 2012
Less than 100 years ago, the Mexican government declared war on the Catholic Church. This movie tells the story of the ensuing conflict known as Cristiada (also called the Cristero War), which took place between 1926 and 1929. In showing us all the different ways war can affect a country and all the different ways rebels can contribute to a cause, the movie sort of forgot to tell us why the Mexican government declared war on the church in the first place.
For Greater Glory is told from the perspective of the brave souls who stood up to the oppressive Mexican government led by President Plutarco Elias Calles (Ruben Blades). This includes members of the non-violent National League for the Defense of Religious Liberty like real-life figure Anacleto Gonzalez Flores (Eduardo Verastegui) and a woman named Adriana (Catalina Sandino Moreno). The men and women who take up arms to join the cause — including a flashy, badass rebel named Victoriano “El Catorce” Ramirez (Oscar Isaac), who earned his nickname by single-handedly killing 14 men — are known as Cristeros.
Posted in: Disc Reviews by J C on September 10th, 2012
If you have a low tolerance for quirky indie comedies, just listening to the premise of Goats might be enough to make you gag. The film follows Ellis, a responsible 15-year-old Tucson boy who decides to attend a prestigious East Coast prep school. Left behind are his flaky, New Age-y mother and Goat Man, a pool man/weed grower who is also Ellis’s primary father figure. In case you’re already rolling your eyes, let me assure you there’s slightly more going on here than quirk for quirk’s sake.
The central joke is that the most stable adult Ellis (a mature, non-showy Graham Phillips) has ever known is Goat Man (David Duchovny), a kind soul who appears, at first glance, to have worse hygiene than the goats he spends most of his time with. Then again, Goat Man pretty much wins by default because Ellis’s mother Wendy (Vera Farmiga) is more interested in her own spiritual rituals and new boyfriend (Justin Kirk) than she is in trivial things like paying her bills. (Ellis handles all the finances.) Wendy, however, is lucid enough to become enraged when Ellis decides to attend Gates Academy, the same prep school where his father (Ty Burrell) studied.
Posted in: Disc Reviews by Bob Ross on September 7th, 2012
What’s the latest home video gimmick? 3D, of course. And what’s the leading genre for cheap thrills on a low budget? The goofball horror movie, right? So it makes sense – sort of – for an enterprising filmmaker to throw together a low-comedy fright flick with cheesy gross-outs and bouncing breasts. See, in 3D, those babies can bounce big-time. And if that’s not enough boost for the boys in the audience, you also get severed heads, detached limbs, barf jokes and the dopiest plot this side of Lake Placid the Final Chapter. OK, you caught me. I never saw that one, it just sounds ridiculous.
But I did sit through Piranha 3DD, which was not difficult because (a) I still enjoy the novelty of 3D home video, (b) it’s only 82 minutes long, and (c) the film earns its R rating (for “sequences of strong bloody horror violence and gore, graphic nudity, sexual content, language and some drug use”) while refusing to take itself seriously for even a moment.
Posted in: Disc Reviews by J C on September 6th, 2012
Everyone on TV has nicer clothes and a bigger house than you do. And I’m not just talking about TV doctors or lawyers. Even small-screen characters with relatively modest incomes manage to live in palatial apartments. (Friends is probably the most famous example.) We complain about how unrealistic it is for a barista and a line cook to be able to afford such a nice place, but part of the appeal of turning on the tube is temporarily turning off our real-world problems.
CBS’s 2 Broke Girls — along with Fox’s Raising Hope and ABC’s The Middle — seeks to follow in the blue collar sitcom tradition of shows like Roseanne and Sanford and Son. (Though 2 Broke Girls is nowhere near as good as either of those shows.) Despite the fact that their apartment is big enough to literally fit a horse, 2 Broke Girls is one of the few shows on TV where the main characters actually worry about money. (Not counting shows where the main characters are gangsters or meth dealers.)
